Post-credit scenes: results for “tag: finance”

Fair Play (2023) artwork. Still a mystery after the credits.

An unexpected promotion at a cutthroat hedge fund pushes a young couple's relationship to the brink, threatening to unravel not only their recent engagement but their lives.

Second Act (2018): nobody has checked the credits yet.

Value Shop assistant manager Maya Vargas wants only one thing for her 43rd birthday -- a promotion. While her résumé may not scream upper management, her track record certainly does; she is an innovator who listens to her customers and delivers results. When she loses the job to a college-educated candidate, Maya sets out to prove to Madison Avenue that street smarts are as valuable as book smarts -- and it's never too late for a second act.

Poster art for Laissez-faire (2015), an open question on post-credit scenes.

A historical perspective to understand Neoliberalism and to understand why this ideology today so profoundly influences the choices of our governments and our lives.

Finding the Money (2024) artwork. Still a mystery after the credits.

FINDING THE MONEY follows economist Stephanie Kelton on a journey through Modern Money Theory or “MMT”. Kelton provocatively asserts the National Debt Clock that ticks ominously upwards in New York City is not actually a debt for us taxpayers at all, nor a burden for our grandchildren to pay back. Instead, Kelton describes the national debt as simply a historical record of the number of dollars created by the US federal government currently being held in pockets, as assets, by the rest of us. MMT bursts into the media with journalists asking, “Have we been thinking about how the government spends money, all wrong?” But top economists from across the political spectrum condemn the theory as “voodoo economics”, “crazy” and “a crackpot theory”. FINDING THE MONEY traces the conflict all the way back to the story we tell about money, injecting new hope and empowering countries around the world to tackle the biggest challenges of the 21st century: from climate change to inequality.

Movie art for Vote (2022), post-credit scene unknown.

A woman struggles as she is caught at a supermarket for shoplifting. This award-winning short film is inspired by the cost of living crisis in Britain.

Film poster, Keur Simbara. No post-credit verdict yet.

Keur Simbara is an intimate, lyrical short documentary that follows a group of women community organizers in a rural Senegalese village as they build and sustain systems of health, finance, agriculture, and domestic infrastructure. Amid water scarcity and environmental challenges, they articulate their hopes for the future and the legacy they wish to leave behind. Keur Simbara is a tribute to communal wisdom and the power of local organizing.

Film artwork for Trust Machine: The Story of Blockchain (2018), no verdict on the credits.

Hacktivist and blockchain expert Lauri Love fights extradition in TRUST MACHINE—his computer skills a threat to the US government. Tech innovators strike a raw nerve as banks and network pundits rush to condemn volatile cryptocurrencies and their underlying blockchain technology. Why are banks terrified while UNICEF embraces it to help refugee children? Award–winning filmmaker Alex Winter reveals that proponents of blockchain—a verified digital ledger—are already using the technology to change the world; fighting income inequality, the refugee crisis and world hunger.

The Takeover (2022) poster image. Zero votes so far.

Cédric is a worker in a precision mechanics factory in the French Alps. When he finds out that the factory is about to be sold to an investment fund, he joins forces with two of his childhood friends to pull off an epic heist.

The Bubble (2018). Nobody has said whether there is anything after the credits.

Diving deep into the true causes of the Great Recession, the financial crisis of the 2010s, renowned economists, investors and business leaders explain what America is facing if we don't learn from our past mistakes. Is the economy really improving or are we just blowing up another Bubble?

Image for The Bigger Bubble, a film with no post-credit data.

After starting a painting business right before the housing crash, a filmmaker drives over 35,000 miles to track down the people who saw it coming and look ahead to the consequences of a decade of secret bank bailouts and 0% interest.

Film poster, University and Freedom (2019). No post-credit verdict yet.

Our era is marked by the transformation of social institutions, with universities central to Euro-American civilisation’s development. Despite past persecution, universities have become bastions of free thought and knowledge, crucial to democratic culture. However, commercialisation and massification have introduced challenges affecting teaching, research, self-governance, and the system overall. How do universities maintain academic freedoms, and what are the consequences of their failure? Can we identify and address these challenges?

The Hollow Men (2008): nobody has checked the credits yet.

The 'stolen' insider emails that informed Nicky Hager's best-selling account of National's 2005 election campaign return in Alister Barry's (Someone Else's Country) new film - just in time to caution us against campaigning politicians in 2008. Addressing each other like schoolboy Machiavellis, party leader Don Brash and his advisors spelled out how they'd copy the big boys in Australia and the US in order to win the votes of people who'd never support the kind of policies such men are widely presumed to represent. The dividing and conquering began at Orewa.

Minding Your Business (2025) poster. The count is still zero.

Desperate to get back to New York, Rachel Carver strikes a deal with her family's sworn enemy, business superstar Jacob Rush. However, their families' bitter rivalry threatens to derail everything.

Movie poster for 1997 (2024), waiting for its first vote.

1997 revisits South Korea's tumultuous late 1990s through documents obtained from the International Monetary Fund (IMF) by the civic organization The Center for Freedom of Information and Transparent Society.

Privacy policy

When you vote, we save your Yes or No answer and when you voted.

We use a cookie and your internet address to recognize your vote on each movie. This prevents repeat votes. The cookie lasts for five years.

Your votes are kept as part of the movie totals.