Post-credit scenes: results for “tag: genocide”

Movie art for Avengers: Infinity War (2018), confirmed post-credit scene.

As the Avengers and their allies have continued to protect the world from threats too large for any one hero to handle, a new danger has emerged from the cosmic shadows: Thanos. A despot of intergalactic infamy, his goal is to collect all six Infinity Stones, artifacts of unimaginable power, and use them to inflict his twisted will on all of reality. Everything the Avengers have fought for has led up to this moment - the fate of Earth and existence itself has never been more uncertain.

Movie poster for Full Metal Jacket (1987), waiting for its first vote.

A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.

Film poster, Kung Fu Panda 2 (2011). No post-credit verdict yet.

Po is finally living the dream as the Dragon Warrior—until a shadow from his past comes roaring back. When the ruthless peacock Lord Shen unleashes a devastating new weapon used to wipe out kung fu masters across the land, Po and the Furious Five race across China to put an end to his plans. But if Po is to have any hope of stopping him, he must first confront the truth of his origins—and find inner peace before his past tears him apart.

Poster, Alien: Covenant (2017). Nobody has voted on this one.

The crew of the colony ship Covenant, bound for a remote planet on the far side of the galaxy, discovers what they think is an uncharted paradise but is actually a dark, dangerous world.

Poster, The Voice of Hind Rajab (2025). Nobody has voted on this one.

January 29, 2024. Red Crescent volunteers receive an emergency call. A five-year old girl is trapped in a car under fire in Gaza, pleading for rescue. While trying to keep her on the line, they do everything they can to get an ambulance to her. Her name was Hind Rajab.

Poster for NAZA (2026). No votes yet on whether it has a post-credit scene.

Filmed at night from Tel Aviv rooftops, this investigative documentary examines the civilian casualties of Israel's military operations in Gaza and the systems behind targeted killings of Palestinians.

Poster for Valerian and the City of a Thousand Planets (2017), awaiting its first vote.

In the 28th century, Valerian and Laureline are special operatives charged with keeping order throughout the human territories. On assignment from the Minister of Defense, the two undertake a mission to Alpha, an ever-expanding metropolis where species from across the universe have converged over centuries to share knowledge, intelligence, and cultures. At the center of Alpha is a mysterious dark force which threatens the peaceful existence of the City of a Thousand Planets, and Valerian and Laureline must race to identify the menace and safeguard not just Alpha, but the future of the universe.

Poster for Come and See (1985), awaiting its first vote.

The invasion of a village in Belarus by German forces sends young Flyora into the forest to join the weary Resistance fighters, against his family's wishes. There he meets a girl, Glasha, who accompanies him back to his village. On returning home, Flyora finds his family and fellow peasants massacred. His continued survival amidst the brutal debris of war becomes increasingly nightmarish, a battle between despair and hope.

Poster for The Host (2013). Never been answered.

A parasitic alien soul is injected into the body of Melanie Stryder. Instead of carrying out her race's mission of taking over the Earth, "Wanda" (as she comes to be called) forms a bond with her host and sets out to aid other free humans.

Poster, Mr. Jones (2019). Nobody has voted on this one.

In 1933, Welsh journalist Gareth Jones travels to Ukraine, where he experiences the horrors of a famine. Everywhere he goes he meets henchmen of the Soviet secret service who are determined to prevent news about the catastrophe from getting out. Stalin’s forced collectivisation of agriculture has resulted in misery and ruin—the policy is tantamount to mass murder.

Poster for The Killing Fields (1984). Never been answered.

New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.

Cover image for Hotel Rwanda (2004), not yet voted on.

Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world. Hotel owner Paul Rusesabagina houses over a thousand refuges in his hotel in attempt to save their lives.

Poster for Bitter Harvest (2017). No votes yet on whether it has a post-credit scene.

Set between the two World Wars and based on true historical events, Bitter Harvest conveys the untold story of the Holodomor, the genocidal famine engineered by the tyrant Joseph Stalin. The film displays a powerful tale of love, honour, rebellion and survival at a time when Ukraine was forced to adjust to the horrifying territorial ambitions of the burgeoning Soviet Union.

Movie poster for Soylent Green (1973), waiting for its first vote.

In the year 2022, overcrowding, pollution, and resource depletion have reduced society’s leaders to finding food for the teeming masses. The answer is Soylent Green.

Poster art for The Promise (2016), an open question on post-credit scenes.

Set during the last days of the Ottoman Empire, a love triangle develops between Mikael, a brilliant medical student, the beautiful and sophisticated artist Ana, and Chris, a renowned American journalist based in Paris.

Dragon Ball Z: The History of Trunks (1993) poster image. Zero votes so far.

It has been thirteen years since the Androids began their killing rampage and Son Gohan is the only person fighting back. He takes Bulma's son Trunks as a student and even gives his own life to save Trunks's. Now Trunks must figure out a way to change this apocalyptic future

Film poster, La Llorona (2019). No post-credit verdict yet.

Accused of the genocide of Mayan people, retired general Enrique is trapped in his mansion by massive protests. Abandoned by his staff, the indignant old man and his family must face the devastating truth of his actions and the growing sense that a wrathful supernatural force is targeting them for his crimes.

Film artwork for Black '47 (2018), no verdict on the credits.

In 1847, when Ireland is in the grip of the Great Famine that has ravaged the country for two long years, Feeney, a hardened Irish Ranger who has been fighting for the British Army abroad, returns home to reunite with his estranged family, only to discover the cruelest reality, a black land where death reigns.

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