Post-credit scenes: results for “tag: grieving widow”

Fall (2022). Nobody has said whether there is anything after the credits.

For best friends Becky and Hunter, life is all about conquering fears and pushing limits. But after they climb 2,000 feet to the top of a remote, abandoned radio tower, they find themselves stranded with no way down. Now Becky and Hunter's expert climbing skills will be put to the ultimate test as they desperately fight to survive the elements, a lack of supplies, and vertigo-inducing heights.

Echo Valley (2025) poster. Still unanswered: is there a scene after the credits?

Kate lives a secluded life—until her troubled daughter shows up, frightened and covered in someone else's blood. As Kate unravels the shocking truth, she learns just how far a mother will go to try to save her child.

Poster for Dead of Winter (2025), blank on post-credit scenes.

A widowed fisherwoman, travelling alone through snowbound northern Minnesota, interrupts the kidnapping of a teenage girl. Hours from the nearest town and with no phone service, she realizes that she is the young girl's only hope.

Poster art for Miss You, Love You (2026), an open question on post-credit scenes.

Forced to plan her late husband's funeral with her estranged gay son's assistant, a blunt, grieving widow forms an unlikely bond with the total stranger as confronting their shared grief surfaces deep family secrets and long-held resentments.

The Amazing Mr. X (1948) artwork. Still a mystery after the credits.

On the beach one night, Christine Faber, two years a widow, thinks she hears her late husband Paul calling out of the surf...then meets a tall dark man, Alexis, who seems to know all about such things. After more ghostly manifestations, Christine and younger sister Janet become enmeshed in the eerie artifices of Alexis; but he in turn finds himself manipulated into deeper deviltry than he had in mind...

Poster for Supermarket Affairs (2023), awaiting its first vote.

A Vietnamese immigrant mother and daughter in the US argue over how to honor the late patriarch as they shop for his second death anniversary, and inadvertently involve a handsome stranger at the local Asian supermarket.

The Hired Heart (1997) artwork. Still a mystery after the credits.

A small-town, country doctor has been a widow for two years but is still in love with her dead husband, Michael. The week-long county fair is approaching and her father-in-law traps her into an unfair deal involving the feeding of her bull in return for her attendance at the fair with a suitable escort. She decides to call his bluff by hiring a male escort to attend the fair as her lover. However, things don't go quite according to plan as he smells a rat!

Cover image for Mary the Widow (2026), not yet voted on.

An aging widow begrudgingly goes to a speed-dating event at her daughter’s request. Among a string of dud dates, one gentle stranger lingers in her mind. Mary the Widow is a tender look at love, memory, and the echoes of what we’ve lost.

Poster for The Monster Beneath Us (2025), blank on post-credit scenes.

Yorkshire, 1898. A grieving woman and her son move back to the unoccupied house of her ex husband, recently found dead, but they discover that they are not alone inside the house.

Roseland (1977) artwork. Still a mystery after the credits.

"Roseland" is made up of three stories, sometimes connecting, all set in the famed New York City dance palace, and all having the same theme: finding the right dance partner.

Movie poster for To Love, Honor and Deceive (1996), waiting for its first vote.

Sydney Carpenter is a devoted mother to her young son, and is now accustomed to the puzzling existence of her mysterious, non-communicative husband, Matthew. When her husband and son are suddenly lost at sea after a boating accident, Sydney's comfortable existence is shattered. Although overwhelmed by her grief, Sydney cannot ignore the strange pieces from her husband's past that continue to make their way into the present.

Image for Jackie Without Jack (2013), a film with no post-credit data.

“Never, ever, publish them!” What was it Jackie Kennedy wanted to keep secret? Acclaimed director Patrick Jeudy has access to a series of conversations recorded a few months after her husband’s assassination in Dallas on November 22, 1963. The Lady in Pink was continually driven by a dual purpose: that of molding her own image, whilst managing that of the president. She cannot change the past, so she may as well rewrite it and start to build the legend of JFK.

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