Post-credit scenes: results for “tag: growth”

Poster art for Yellowtail, an open question on post-credit scenes.

Yellowtail is the story of a young Native American cowboy searching for meaning as his chaotic lifestyle begins to wear on him both physically and mentally. To find his purpose the young man has to reflect on his upbringing as a native to become the spiritually connect man he was meant to be.

Poster for Lovesong (2026). No votes yet on whether it has a post-credit scene.

The play revolves around a couple, William and Margaret/Billy and Maggie, who are depicted at two key stages in their lives. After forty years of marriage, Maggie is ill and riddled with pain. As they enter the final week of her life, the house becomes full with memories of their marriage and their desperation to conceive a child. Past and present literally intertwine as the older and younger couples move around each other across the stage. Originally a 75 page play, this rendition was cut down to 50 pages to be a part of a greater festival. There were only 10 allotted rehearsals for this piece.

Poster for Voices in the Wind (2020). No votes yet on whether it has a post-credit scene.

Eight years after the devastating tsunami, the wounds it left in Japan have still not healed. In her touching search for answers, Haru sets out on a long, eventful journey to her home town, where she lost her family in the flood.

Poster for 4000BPM (2024). No votes yet on whether it has a post-credit scene.

Sang-hoon needs to complete 4000 skips to enter his home, but his pedometer breaks at 3999.

Poster for Namoo (2021), blank on post-credit scenes.

A narrative poem brought to life and an ode to a grandfather's passing, NAMOO—which translates to “tree” in Korean—follows the journey of a budding artist from beginning to end.

Movie art for Weirdos (2016), post-credit scene unknown.

It's July 1976, and two Nova Scotian teens, Kit and Alice, are hitting the road with their sights on Sydney and their minds on the future. With them is Kit's new imaginary friend, who looks conspicuously like Andy Warhol, but who assures Kit that he is a spirit animal. Kit and Alice have big dreams, but do they really want the same things?

Poster for Oslo (2026). No votes yet on whether it has a post-credit scene.

Having built a family out of her stuffed animals, Ellie, a homeless woman, spends her days living on the streets until her reality is completely shaken when she loses one of them.

Vapor (2022) poster. The count is still zero.

A film about being, having been and becoming through the lens of a boy desperately trying to sketch out a cloud.

DUO (2027) poster. The count is still zero.

When Mo's alcoholic stepfather sends him on a simple errand across the city, he's forced to drag along his estranged and insufferably religious old friend, Abdullah. And what should have taken a day quickly turns into the longest, most theologically exhausting, yet enlightening set of days of both their lives.

Grow Up cover. Nothing recorded about its credits.

Sophie is a small-town teenager taking an art scholarship program at Wyatt University in the summer. This summer will change Sophie's life forever.

Everyone but Me cover. Nothing recorded about its credits.

A vulnerable coming-of-age drama about friendship, rejection, and learning to choose yourself when no one else does.

Film artwork for Blade Rollers (2024), no verdict on the credits.

Honour West and Joan Camuglia-May share their experiences in this upbeat roller-skating documentary.

Movie poster for Summer Sounds (2018), waiting for its first vote.

Three generations of Youngseok’s family live together in a house. Even though his mentally ill grandmother’s time on this Earth is gradually running out, Youngseok is embarrassed by the way she behaves like a child in front of his friends despite her efforts to take care of him. The film displays the challenges of a family who live with a dementia patient, told from young Youngseok’s perspective. Dreamlike summer nights in the film evoke the innocence of childhood, and the gathering of dear friends and family.

Image for Growing Up (2025), a film with no post-credit data.

A mother reflects on the freedom of youth and restrictions of adulthood as she reads a bedtime story.

Poster for The Eucharist (2026). Never been answered.

Twelve-year-old Sunbo becomes unable to speak after swallowing a sea roach as a result of bullying by his friends. Through a crack formed in Sunbo's soul, the sea roach enters, and Sunbo and the two come to communicate solely by reading and hearing each other's thoughts. Seven years pass, and the moment of their separation arrives.

Butterfly (2026) poster. Still unanswered: is there a scene after the credits?

A nervous young poet takes the stage to perform, but as he speaks, his words are shown through a symbolic inner world where self-confinement takes physical form. He is asked to confront the cocoon he has built around himself, and fights to reach the world waiting for him beyond the silk. The poet must emerge from silence and self-doubt, completing metamorphosis, even with no one left as witness.

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