Post-credit scenes: results for “tag: gunslinger”

Poster for Rango (2011). Never been answered.

When Rango, a lost family pet, accidentally winds up in the gritty, gun-slinging Western town of Dirt, the theater-loving lizard suddenly finds himself the newly appointed sheriff. Welcomed as the last hope the town has been waiting for, Rango is forced to play his new role to the hilt and uncover the truth behind a looming water crisis—before his act catches up with him.

Image for The Dark Tower (2017), a film with no post-credit data.

A boy haunted by visions of a parallel world aids its disillusioned guardian in preventing the destruction of the nexus of universes known as the Dark Tower.

Cover image for The Magnificent Seven (2016), not yet voted on.

Looking to mine for gold, greedy industrialist Bartholomew Bogue seizes control of the Old West town of Rose Creek. With their lives in jeopardy, Emma Cullen and other desperate residents turn to bounty hunter Sam Chisolm for help. Chisolm recruits an eclectic group of gunslingers to take on Bogue and his ruthless henchmen. With a deadly showdown on the horizon, the seven mercenaries soon find themselves fighting for more than just money once the bullets start to fly.

Movie art for A Fistful of Dollars (1964), post-credit scene unknown.

The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.

Poster for High Noon (1952). No votes yet on whether it has a post-credit scene.

Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.

Poster for Desperado (1995), awaiting its first vote.

El Mariachi plunges headfirst into the dark border underworld when he follows a trail of blood to the last of the infamous Mexican drug lords, Bucho, for an action-packed, bullet-riddled showdown. With the help of his friend and a beautiful bookstore owner, El Mariachi tracks Bucho, takes on his army of desperados, and leaves his own trail of blood.

Poster for Forsaken (2015). Never been answered.

John Henry returns to his hometown in hopes of repairing his relationship with his estranged father, but a local gang is terrorizing the town. John Henry is the only one who can stop them, however he has abandoned both his gun and reputation as a fearless quick-draw killer.

Poster for They Call Me Trinity (1970). No votes yet on whether it has a post-credit scene.

The simple story has the pair coming to the rescue of peace-loving Mormons when land-hungry Major Harriman sends his bullies to harass them into giving up their fertile valley. Trinity and Bambino manage to save the Mormons and send the bad guys packing with slapstick humor instead of excessive violence, saving the day.

Poster for Chisum (1970). Never been answered.

Cattle baron John Chisum joins forces with Billy the Kid and Pat Garrett to fight the Lincoln County Land War in the New Mexico Territory of 1878.

Poster art for High Plains Drifter (1973), an open question on post-credit scenes.

A gunfighting stranger comes to the small settlement of Lago. After gunning down three gunmen who tried to kill him, the townsfolk decide to hire the Stranger to hold off three outlaws who are on their way.

Movie poster for Silverado (1985), waiting for its first vote.

Four unwitting heroes cross paths on their journey to the sleepy town of Silverado. Little do they know the town where their family and friends reside has been taken over by a corrupt sheriff and a murderous posse. It's up to the sharp-shooting foursome to save the day, but first they have to break each other out of jail, and learn who their real friends are.

Movie art for Jonah Hex (2010), post-credit scene unknown.

Gunslinger Jonah Hex is appointed by President Ulysses Grant to track down terrorist Quentin Turnbull, a former Confederate officer determined on unleashing hell on earth. Jonah not only secures freedom by accepting this task, he also gets revenge on the man who slew his wife and child.

Gallowwalkers (2012) artwork. Still a mystery after the credits.

When a nun broke her covenant with God to save the life of her unborn son, Aman, he was cursed for life. As an adult, Aman has killed those who have crossed him. But his curse brings his victims back to life and they pursue him for revenge, so Aman enlists a young gunman to fight by his side against his undead victims.

The Man Who Shot Liberty Valance (1962) cover. Nothing recorded about its credits.

Questions arise when Senator Stoddard attends the funeral of a local man named Tom Doniphon in a small Western town. Flashing back, we learn Doniphon saved Stoddard, then a lawyer, when he was roughed up by a crew of outlaws terrorizing the town, led by Liberty Valance. As the territory's safety hung in the balance, Doniphon and Stoddard, two of the only people standing up to him, proved to be very important, but different, foes to Valance.

Poster for Wyatt Earp (1994), blank on post-credit scenes.

From Wichita to Dodge City, to the O.K. Corral in Tombstone, Wyatt Earp is taught that nothing matters more than family and the law. Joined by his brothers and Doc Holliday, Earp wages war on the dreaded Clanton and McLaury gangs.

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