Post-credit scenes: results for “tag: heresy”

The Da Vinci Code (2006) poster image. Zero votes so far.

A murder in Paris’ Louvre Museum and cryptic clues in some of Leonardo da Vinci’s most famous paintings lead to the discovery of a religious mystery. For 2,000 years a secret society closely guards information that — should it come to light — could rock the very foundations of Christianity.

Poster, The Passion of Joan of Arc (1928). Nobody has voted on this one.

A classic of the silent age, this film tells the story of the doomed but ultimately canonized 15th-century teenage warrior. On trial for claiming she'd spoken to God, Jeanne d'Arc is subjected to inhumane treatment and scare tactics at the hands of church court officials. Initially bullied into changing her story, Jeanne eventually opts for what she sees as the truth. Her punishment, a famously brutal execution, earns her perpetual martyrdom.

Poster for Goya's Ghosts (2006), awaiting its first vote.

Painter Francisco Goya becomes involved with the Spanish Inquisition after his muse, Inés, is arrested by the church for heresy. Her family turns to him, hoping that his connection with fanatical Inquisitor Lorenzo, whom he is painting, can secure her release.

Image for Dante's Inferno: An Animated Epic (2010), a film with no post-credit data.

Dante journeys through the nine circles of Hell -- limbo, lust, gluttony, greed, anger, heresy, violence, fraud and treachery -- in search of his true love, Beatrice. An animated version of the video game of the same name.

The Sinful Nuns of Saint Valentine (1974) poster image. Zero votes so far.

Lucita has been locked away in a convent by her family in order to keep her away from her lover, Esteban. The pair make plans to elope, but Esteban is accused of heresy before Lucita can escape. Hiding in the convent, Esteban discovers the horrifying depravity of the covent's abbess, Sister Incarnation. Can Esteban rescue his love from this madhouse before the inquisitor discovers what is going on and has everyone executed?

Menocchio the Heretic (2018) poster. Still unanswered: is there a scene after the credits?

Italy, late 16th century, the Church, threatened by the Protestants, unleashes the Inquisition. Menocchio, an old, stubborn, self-educated miller oppose the new order. Accused of heresy, he ignores the pleadings and stands trial. The story of a man incapable of betraying his own principles.

Key art for Death of Hope Part 1: Anarchy Reigns (2020), unanswered on the post-credit question.

It is the 30th millennium. Humanity is caught in the midst of a fratricidal war between those of the meta-human Space Marines who are loyal to the Emperor, and those who no longer are. The once noble warriors of the XII and XVII legions are cutting a bloody path throughout the realm of Ultramar, committing boundless atrocities out of sheer spite and hatred for their cousins belonging to the XIII legion. In this episode we gain a glimpse of the aftermath of the battle on planet Sathus, and the living nightmare taking place on a starship manned by traitorous legionaries, as they bide their time on the approach to planet Calth.

Film artwork for Bulgaria, This Eternal Heresy (2013), no verdict on the credits.

Part fictional documentary, part musical anthropology, scientific magic, and eco-anarchic utopian journey in a landscape of eight parts. You're Kaloyan, the sax player. Or Diana, the Gypsy dancer. You journey together through Bulgaria in search of the utopian village Dolphinovo. It's not Sofia, Paris or New York. That's why this story is rural, rustic and polyphonic. It's like a string of painted walls of village houses, folk songs and allegories. However, who is Ivo? And why does he lead you through these winter landscapes a year later?

Cover image for The Last Western Heretic (2007), not yet voted on.

The last western heretic is a timely and enthralling insight into the ideas and philosophies of the New Zealander described by the BBC as “the last living heretic”. New Zealand’s very own Lloyd Geering, now 89 and still deeply involved in the debate of ideas about life and religion, and latterly, the very survival of human beings and the planet to which we belong. The documentary explores his world view in a series of controversial and richly illustrated statements, and in doing so, makes simple and comprehensible the powerful theological and cultural ideas underpinning western civilisation.

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