Post-credit scenes: results for “tag: hiding”

Movie art for Pan's Labyrinth (2006), no post-credit scene.

In post–civil war Spain, 10-year-old Ofelia moves with her pregnant mother to live under the control of her cruel stepfather. Drawn into a mysterious labyrinth, she meets a faun who reveals that she may be a lost princess from an underground kingdom. To return to her true father, she must complete a series of surreal and perilous tasks that blur the line between reality and fantasy.

Enough (2002): nobody has checked the credits yet.

Working-class waitress Slim thought she was entering a life of domestic bliss when she married Mitch, the man of her dreams. After the arrival of their first child, her picture perfect life is shattered when she discovers Mitch's hidden possessive dark side, a controlling and abusive alter ego that can turn trust, love and tranquility into terror. Terrified for her child's safety, Slim flees with her daughter. Relentless in his pursuit and enlisting the aid of lethal henchmen, Mitch continually stalks the prey that was once his family.

Starstruck (2010) poster. The count is still zero.

Pop star Christopher Wilde has fame, fortune and a big-budget Hollywood movie awaiting him. But after meeting Jessica Olson, a down-to-earth girl from the Midwest, he is faced with following his heart or doing what's best for his career.

Image for Miss Bala (2011), a film with no post-credit data.

The story of a young woman clinging on to her dream to become a beauty contest queen in a Mexico dominated by organized crime.

Key art for Finders Keepers (2017), unanswered on the post-credit question.

Lonnie and Brian go on the run from the Cape Town underworld, after finding a box filled with cash and a valuable wrist watch. They steal a lucky fish that they use to barter with the gangsters.

Movie poster for Running on Empty (1988), waiting for its first vote.

The Popes are a family who haven't been able to use their real identity for years. In the late sixties, the parents set a weapons lab afire in an effort to hinder the government's Vietnam war campaign. Ever since then, the Popes have been on the run with the authorities never far behind. Their survival is threatened when their eldest son falls in love with a girl, and announces his wish to live his life on his own terms.

Man on Wire (2008) cover. Nothing recorded about its credits.

On August 7th 1974, French tightrope walker Philippe Petit stepped out on a high wire, illegally rigged between New York's World Trade Center twin towers, then the world's tallest buildings. After nearly an hour of performing on the wire, 1,350 feet above the sidewalks of Manhattan, he was arrested. This fun and spellbinding documentary chronicles Philippe Petit's "highest" achievement.

Le Rat Débile et Le Rat Méchant (2004) artwork. Still a mystery after the credits.

On the verge of arrest, a corrupt congressman takes refuge in his cousin’s house, the home of a boorish yet life-loving peasant. Swapping a luxury mansion for a hovel, a veritable pigsty, this refined and educated gentleman finds it hard to adapt to such a crude way of life. To make matters worse, a DJ with a trailer parked nearby is planning to throw a rave out in the middle of nowhere. The disgraced politician is waiting for his accomplices, who are supposed to take him to an airport so he can flee to South America. But nothing goes according to plan, and he ends up stranded with his vulgar relative in the back of beyond.

Cover image for Run Baby Run (2012), not yet voted on.

Venu, a cameraman working for Reuters, happens to meet Renuka, his old lover, while trying to cover a case involving a politician. Together they go to investigate a murder planned by Bharatan Pillai.

Wifemistress (1977) poster. The count is still zero.

A vineyard's manager marries the owner's very young daughter; father dies. Deceit, infidelity. The husband is forced to watch from a distance as his wife blossom socially in his absence; then the plot thickens.

When the Shift Ends (2023) artwork. Still a mystery after the credits.

Hilal, who thinks that she started working at a call center where both Republican and Islamic works are sold via telemarketing, will try to sell to her first customer at the end of the day.

Film poster, Romance with a Double Bass (1974). No post-credit verdict yet.

A bassist shows up early for the betrothal ball of a beautiful princess, and whiles away the time having a dip in the river. The princess is doing the same, unbeknownst to the bass player, but when someone steals their clothes, the bass player helps the princess to preserve her dignity by transporting her back to the castle in his bass case, and along the way they discover they have feelings for each other. Based on a short story by Anton Chekhov.

So Near, Yet So Far (1912). Nobody has said whether there is anything after the credits.

It's love at first sight for the Boy, but obstacles— namely shyness, and the temerity of other suitors— place themselves in the way of his love. Unknowingly, the Boy and the young woman of his fancy both stay at the home of mutual friends— But all is not well, as robbers lurk outside the house.

Movie poster for Eyes of Love (1959), waiting for its first vote.

During the German occupation, Jeanne Moncatel, pretty but complexed, has to put up with her mother, a cantankerous old woman who keeps telling her she's ugly, which she also believes. She takes in Pierre Ségur, who was fleeing the Germans and had his eyes burned out. His life is turned upside down.

Privacy policy

When you vote, we save your Yes or No answer and when you voted.

We use a cookie and your internet address to recognize your vote on each movie. This prevents repeat votes. The cookie lasts for five years.

Your votes are kept as part of the movie totals.