Post-credit scenes: results for “tag: hillbilly”

Poster art for Deliverance (1972), an open question on post-credit scenes.

Intent on seeing the Cahulawassee River before it's turned into one huge lake, outdoor fanatic Lewis Medlock takes his friends on a river-rafting trip they'll never forget into the dangerous American back-country.

Wrong Turn (2003) poster. The count is still zero.

Chris crashes into a carload of other young people, and the group of stranded motorists is soon lost in the woods of West Virginia, where they're hunted by three cannibalistic mountain men who are grossly disfigured by generations of inbreeding.

Poster for Hillbilly Elegy (2020). Never been answered.

An urgent phone call pulls a Yale Law student back to his Ohio hometown, where he reflects on three generations of family history and his own future.

Cover image for Overboard (1987), not yet voted on.

Heiress Joanna Stayton hires carpenter Dean Proffitt to build a closet on her yacht—and refuses to pay him for the project when it's done. But after Joanna accidentally falls overboard and loses her memory, Dean sees an opportunity to get even.

The Beverly Hillbillies (1993). Nobody has said whether there is anything after the credits.

Mild-mannered dirt-poor hill-dweller Jed Clampett strikes it rich when oil is discovered on his property. At cousin Pearl's insistence, he moves his family to Beverly Hills to better enjoy his newfound wealth.

Tucker and Dale vs. Evil (2010) cover. Nothing recorded about its credits.

Two hillbillies are suspected of being killers by a group of paranoid college kids camping near the duo's West Virginian cabin. As the body count climbs, so does the fear and confusion as the college kids try to seek revenge against the pair.

Next of Kin (1989) poster. The count is still zero.

Truman Gates, a Chicago cop, sets out to find his brother's killer. Meanwhile, another of his brothers, Briar (a hillbilly) decides to find the killer himself.

Movie poster for The Egg and I (1947), waiting for its first vote.

World War II veteran Bob MacDonald surprises his new wife, Betty, by quitting his city job and moving them to a dilapidated farm in the country. While Betty gamely struggles with managing the crumbling house and holding off nosy neighbors and a recalcitrant pig, Bob makes plans for crops and livestock. The couple's bliss is shaken by a visit from a beautiful farm owner, who seems to want more from Bob than just managing her property.

Key art for Sergeant York (1941), unanswered on the post-credit question.

Alvin York a hillbilly sharpshooter transforms himself from ruffian to religious pacifist. He is then called to serve his country and despite deep religious and moral objections to fighting becomes one of the most celebrated American heroes of WWI.

Movie art for Skin (2019), post-credit scene unknown.

In a small supermarket in a blue collar town, a black man smiles at a 10 year old white boy across the checkout aisle. This innocuous moment sends two gangs into a ruthless war that ends with a shocking backlash.

Poster for Pigskin Parade (1936). No votes yet on whether it has a post-credit scene.

Bessie and Winston "Slug" Winters are married coaches whose mission is to whip their college football team into shape. Just in time, they discover a hillbilly farmhand and his sister. The hillbilly farmhand's ability to throw melons enables him to become their star passing ace.

Offspring (2009). Nobody has said whether there is anything after the credits.

The local sheriff of Dead River, Maine, thought he had killed them off ten years ago -- a primitive, cave-dwelling tribe of cannibalistic savages. But somehow the clan survived. To breed. To hunt. To kill and eat. And now the peaceful residents of this isolated town are fighting for their lives...

Scooby-Doo! Meets the Boo Brothers (1987) cover. Nothing recorded about its credits.

After the death of Shaggy's Uncle Beaureguard, he, Scooby and Scrappy arrive at the late uncle's Southern plantation to collect the inheritance. But as soon as they arrive, they find it is haunted by the ghost of a Confederate soldier. With this spook on their tails while they solve riddles in search of the inheritance, they seek help from the Boo Brothers, a trio of ghost-exterminators to help catch this nasty ghoul.

Poster for Creature from Black Lake (1976), awaiting its first vote.

When the word gets out of a mysterious Bigfoot-type creature, two researchers come to a small town to study and hopefully discover the true nature of the beast. With some help from the locals, the two men to learn that the creature may be a very angry and murderous missing link.

Film artwork for Hillbillys in a Haunted House (1967), no verdict on the credits.

Country singers on their way to Nashville have car trouble, forcing them to stop at an old haunted mansion. Soon they realize that the house is not only haunted, but is also the headquarters of a ring of international spies after a top secret formula for rocket fuel.

Poster for Lolly-Madonna XXX (1973), blank on post-credit scenes.

In the early 1970s, a young woman passing through rural Tennessee unintentionally gets caught in a feud between two local neighboring clans, the Feathers and the Gutshalls.

Pig Killer (2022) poster. The count is still zero.

Inspired by the terrifying story of Robert 'Willy' Pickton, the pig farmer cum prolific lady killer whose horrific crimes shocked the world, PIG KILLER graphically depicts the rape, torture, slaughter and dismemberment of forty-nine young women on a pig farm. With his herculean hog, Balthazar, by his side, Willy and his menagerie of colorful cohorts terrorize Vancouver's seedy downtown until his arrest which uncovered a horrific series of brutal Canadian murders.

Poster art for Li'l Abner (1940), an open question on post-credit scenes.

Li'l Abner becomes convinced that he is going to die within twenty-four hours, so agrees to marry two different girls: Daisy Mae (who has chased him for years) and Wendy Wilecat (who rescued him from an angry mob). It is all settled at the Sadie Hawkins Day race.

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