Post-credit scenes: results for “tag: hippie”

Movie art for Forrest Gump (1994), post-credit scene unknown.

A man with a low IQ has accomplished great things in his life and been present during significant historic events—in each case, far exceeding what anyone imagined he could do. But despite all he has achieved, his one true love eludes him.

The Beach (2000) artwork. Still a mystery after the credits.

Twenty-something Richard travels to Thailand and finds himself in possession of a strange map. Rumours state that it leads to a solitary beach paradise, a tropical bliss - excited and intrigued, he sets out to find it.

Poster for Children of Men (2006), awaiting its first vote.

In 2027, in a chaotic world in which humans can no longer procreate, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea, where her child's birth may help scientists save the future of humankind.

Film artwork for Vanishing Point (1971), no verdict on the credits.

Kowalski works for a car delivery service, and takes delivery of a 1970 Dodge Challenger to drive from Colorado to San Francisco. Shortly after pickup, he takes a bet to get the car there in less than 15 hours.

Poster, Smiley Face (2007). Nobody has voted on this one.

Jane, a struggling but perpetually stoned actress, has a busy day ahead. She has several important tasks on her list, including buying more marijuana. Even though she already has a good start on the day's planned drug use, she eats her roommate's pot-laced cupcakes and embarks on a series of misadventures all over Los Angeles.

Movie poster for Bad Times at the El Royale (2018), waiting for its first vote.

Lake Tahoe, 1969. Seven strangers, each one with a secret to bury, meet at El Royale, a decadent motel with a dark past. In the course of a fateful night, everyone will have one last shot at redemption.

Cover image for Serpico (1973), not yet voted on.

New York cop Frank Serpico blows the whistle on the rampant corruption in the force only to have his comrades turn against him.

Poster for OSS 117: Lost in Rio (2009). Never been answered.

In 1967, OSS 117 is sent to Brazil in order to retrieve a microfilm list of French Nazi sympathizers, only to once again unknowingly set foot into a bigger international intrigue.

Poster for Hair (1979), blank on post-credit scenes.

Upon receiving his draft notice and leaving his family ranch in Oklahoma, Claude heads to New York and befriends a tribe of long-haired hippies on his way to boot camp.

Wanderlust (2012) cover. Nothing recorded about its credits.

Rattled by sudden unemployment, a Manhattan couple surveys alternative living options, ultimately deciding to experiment with living on a rural commune where free love rules.

Poster for Punishment Park (1971), awaiting its first vote.

In this fictional documentary, U.S. prisons are at capacity, and President Nixon declares a state of emergency. All new prisoners, most of whom are connected to the antiwar movement, are now given the choice of jail time or spending three days in Punishment Park, where they will be hunted for sport by federal authorities. The prisoners invariably choose the latter option, but learn that, between the desert heat and the brutal police officers, their chances of survival are slim.

Film artwork for The Gendarme Takes Off (1970), no verdict on the credits.

The whole clique of Cruchot's police station is retired. Now he lives with his rich wife in her castle - and is bored almost to death. He fights with the butler, because he isn't even allowed to do the simple works. But when one of the clique suffers from amnesia after an accident, all of the others reunite and kidnap him, to take him on a tour to their old working places and through their memories. In their old uniforms they turn St. Tropez upside down.

The Jane Austen Book Club (2007) cover. Nothing recorded about its credits.

Six Californians start a club to discuss the works of Jane Austen. As they delve into Austen's literature, the club members find themselves dealing with life experiences that parallel the themes of the books they are reading.

Film artwork for Our Idiot Brother (2011), no verdict on the credits.

Everybody has one—the sibling who is always just a little bit behind the curve when it comes to getting his life together. For sisters Liz, Miranda and Natalie, that person is their perennially upbeat brother, Ned. But as each of their lives begins to unravel, Ned's family comes to realise that Ned isn't such an idiot after all.

Poster art for Jesus Revolution (2023), an open question on post-credit scenes.

In the 1970s, aimless teenager Greg Laurie searches for all the right things in all the wrong places until he meets Lonnie Frisbee, a charismatic hippie/street preacher. Together with local pastor Chuck Smith, they open the doors of a languishing church to an unexpected revival.

Poster for Hideous Kinky (1999), blank on post-credit scenes.

In 1972, disenchanted about the dreary conventions of English life, 25-year-old Julia heads for Morocco with her daughters, six-year-old Lucy and precocious eight-year-old Bea.

Calamus (1976) poster. The count is still zero.

Riccardo, belonging to an upper-middle class family from Puglia, studies religion in a Swiss boarding school. He has an incomplete relationship with his half-sister Stefania, who one day announces his engagement and the next marriage. Riccardo, wearing his cassock below, desperately tries to conquer the now reluctant half-sister.

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