Post-credit scenes: results for “tag: home”

The Santa Clause 2 (2002) cover. Nothing recorded about its credits.

Better watch out! The big guy in red is coming to town once again. This time, Scott Calvin -- also known as Santa Claus -- finds out there's an obscure clause in his contract requiring him to take on a wife. He has to leave the North Pole to fulfill his obligations, or else he'll be forced to give up his Yuletide gig.

Poster for Texas Chainsaw 3D (2013). No votes yet on whether it has a post-credit scene.

A young woman learns that she has inherited a Texas estate from her deceased grandmother. After embarking on a road trip with friends to uncover her roots, she finds she is the sole owner of a lavish, isolated Victorian mansion. But her newfound wealth comes at a price as she stumbles upon a horror that awaits her in the mansion’s dank cellars.

Movie poster for The Rugrats Movie (1998), waiting for its first vote.

The Pickles family welcome a new arrival, Dil, whose constant crying and need for attention quickly exhaust the other toddlers. Seeking to return the "broken" baby to the hospital, the gang embarks on a journey in a Reptar Wagon that inadvertently veers off course, leaving them stranded in a vast, dangerous forest. While facing off against escaped circus monkeys and a predatory wolf, Tommy must overcome his own resentment to protect his brother and make it back home.

Poster art for Don't Breathe 2 (2021), an open question on post-credit scenes.

The Blind Man has been hiding out for several years in an isolated cabin and has taken in and raised a young girl orphaned from a devastating house fire. Their quiet life together is shattered when a group of criminals kidnap the girl, forcing the Blind Man to leave his safe haven to save her.

Film poster, Ken Park (2003). No post-credit verdict yet.

Teen skater Ken Park (nicknamed Krap Nek; his name spelled and pronounced backward) kills himself at a Visalia skate park; his death bookends the lives of four other young people who knew him: Shawn, the most conventional; Tate brims with psychotic rage; Claude is habitually harassed by his brutish father and coddled, rather uncomfortably, by his enormously pregnant mother; and Peaches looks after her devoutly religious father, but yearns for freedom. They're all rather tight, or so they claim.

Movie art for The Collector (2009), post-credit scene unknown.

Desperate to repay his debt to his ex-wife, an ex-con plots a heist at his new employer's country home, unaware that a second criminal has also targeted the property, and rigged it with a series of deadly traps.

The Hours (2002) artwork. Still a mystery after the credits.

The story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.

Poster art for Stick Man (2015), an open question on post-credit scenes.

Stick Man lives in the family tree with his Stick Lady Love and their stick children three, and he's heading on an epic adventure across the seasons. Will he get back to his family in time for Christmas?

Poster art for Sinkhole (2021), an open question on post-credit scenes.

A working class family move into a new condo purchased after 11 years of hard work. They throw a housewarming party to show his co-workers when overnight a heavy downpour creates an extremely deep sinkhole that engulfs the entire building.

Movie art for Dream Home (2010), post-credit scene unknown.

A woman will go to whatever lengths necessary to obtain her dream home with a view of the sea. This includes driving down the property value and decreasing the occupancy rate by killing her potential neighbors.

Poster art for Exhibition (2013), an open question on post-credit scenes.

An intimate examination of a contemporary artist couple, whose living and working patterns are threatened by the imminent sale of their home.

Poster for Golden Door (2006), blank on post-credit scenes.

The story is set at the beginning of the 20th century in Sicily. Salvatore, a very poor farmer, and a widower, decides to emigrate to the US with all his family, including his old mother. Before they embark, they meet Lucy. She is supposed to be a British lady and wants to come back to the States. Lucy, or Luce as Salvatore calls her, for unknown reasons wants to marry someone before to arrive to Ellis Island in New York. Salvatore accepts the proposal. Once they arrive in Ellis Island they spend the quarantine period trying to pass the examinations to be admitted to the States. Tests are not so simple for poor farmers coming from Sicily. Their destiny is in the hands of the custom officers.

Poster for Beautiful Kate (2009). No votes yet on whether it has a post-credit scene.

Ned Kendall is asked to return to the remote and isolated family home by his sister, to say goodbye to his father who is dying. Ned also brings his young aspiring actress fiancee who struggles with the isolation. When home he starts having memories of his childhood many involving his beautiful twin sister and his older brother. These memories awaken long-buried secrets from the family's past.

Cover image for Satu Meja (2026), not yet voted on.

At a dining table shrouded in silence since Mother’s passing, Nadia and her father are locked in a silent of pride and unspoken grief, until an emotional outburst tears their wounds open. Their emotional deadlock finally breaks not through words, but through a small, sincere gesture. When Father finally finds the courage to sit in his late wife’s empty chair and gently strokes his daughter’s head, the once-hollow silence turns warm. Love doesn’t always need a voice, it only needs the courage to bridge the gap.

Film artwork for The Home (2026), no verdict on the credits.

While on a school trip to a memory care facility a boy, Max, is paired with an elderly woman, Alice, who runs away. Max must navigate his way through all the absurd patients and bizarre things happening in this home with an end goal of finding the woman who just wants to get her real home.

Movie art for In My Father's Den (2004), post-credit scene unknown.

War journalist Paul Prior returns to his New Zealand hometown after his father’s death, rekindling strained relationships with his brother and memories of a troubled past. He befriends Celia, a curious and aspiring writer, who shares a fascination with his world. When Celia mysteriously disappears, Paul becomes the prime suspect, forcing him to confront buried secrets and uncover the dark truths of his family and community.

Snow White (1987) artwork. Still a mystery after the credits.

A prince, seeking the greatest treasure, stumbles upon seven little men guarding a coffin. They tell him the story of Snow White, a beautiful princess who was forced to run away from home after her jealous stepmother tried to have her killed. When she realizes that the girl is still alive and living with the dwarfs, she sets out to destroy her only rival once and for all.

Cover image for All the Days Ahead (2026), not yet voted on.

At the start of a new year in a rapidly changing Singapore, an ageing provision shop owner clings to the quiet repetition of his daily routine. When he’s asked to close his traditional shop for redevelopment plans, it leaves him wondering where he still fits in a city advancing ever ahead. Meanwhile, his estranged daughter, on the cusp of turning 30, sees the new year as her chance to begin a life abroad. Both are racing against time — one to hold on to what’s left, the other to finally reach for what could be.

Privacy policy

When you vote, we save your Yes or No answer and when you voted.

We use a cookie and your internet address to recognize your vote on each movie. This prevents repeat votes. The cookie lasts for five years.

Your votes are kept as part of the movie totals.