Post-credit scenes: results for “tag: homelessness”

Movie art for Tow (2026), post-credit scene unknown.

Amanda Ogle is a woman living in her aging Toyota Camry on the streets of Seattle. When her car is stolen and impounded, she’s thrust into a relentless legal battle against an indifferent system. What begins as a fight to reclaim her car evolves into a deeply human story of resilience, dignity, and the power of one woman’s voice in the face of systemic failure.

Bones and All (2022): nobody has checked the credits yet.

Abandoned by her father, a young woman embarks on a thousand-mile odyssey through the backroads of America where she meets a disenfranchised drifter. But despite their best efforts, all roads lead back to their terrifying pasts and to a final stand that will determine whether their love can survive their otherness.

Poster for Nomadland (2021). No votes yet on whether it has a post-credit scene.

A woman in her sixties embarks on a journey through the western United States after losing everything in the Great Recession, living as a van-dwelling modern-day nomad.

The Hours (2002) artwork. Still a mystery after the credits.

The story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.

Cover image for The Boy and the Beast (2015), not yet voted on.

Kyuta, a boy living in Shibuya, and Kumatetsu, a lonesome beast from Jutengai, an imaginary world. One day, Kyuta forays into the imaginary world and, as he's looking for his way back, meets Kumatetsu who becomes his spirit guide. That encounter leads them to many adventures.

Movie poster for Midnight Cowboy (1969), waiting for its first vote.

Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Florida.

Image for Rescued (2026), a film with no post-credit data.

A homeless man finds the motivation to turn his life around after a stray dog saves his life and refuses to leave his side.

Key art for Comedy Confessions (2020), unanswered on the post-credit question.

COMEDY CONFESSIONS takes you on a journey into the lives of three struggling comedians who have decided to pursue their dreams of careers in stand-up comedy despite the harsh realities of being homeless. For these comedians, their cars are lifesavers providing safety and shelter at night and transportation to auditions and performances during the day. Their daily struggle to avoid sleeping on the street is startlingly juxtaposed with the extravagant wealth of the opulent mansions they park in front of at night. One of them, Tiffany Haddish will achieve her dreams to become a true Hollywood movie star, the other two, Doc Jones and Steve Lolli find the lure of the spotlight takes an unforgiving toll on their hopes and ambitions. This honest and touching movie is told in their own words revealing the passions, dedication and pains that drive them.

Film poster, Amulet (2020). No post-credit verdict yet.

Tomaz, an ex-soldier now homeless in London, is offered a place to stay at a decaying house, inhabited by a young woman and her dying mother. As he starts to fall for Magda, Tomaz cannot ignore his suspicion that something insidious might also be living alongside them.

Poster for Souleymane's Story (2024), blank on post-credit scenes.

As he pedals through the streets of Paris to deliver meals, Souleymane recounts his story. In two days, he has to go through his asylum application interview, the key to obtaining papers, but Souleymane is not ready.

Poster for Urchin (2025), awaiting its first vote.

Mike, a rough sleeper in London, is trapped in a cycle of self-destruction as he attempts to turn his life around. Along the way, he encounters unexpected chances for a fresh start.

Movie poster for The Lady in the Van (2015), waiting for its first vote.

The true story of the relationship between Alan Bennett and the singular Miss Shepherd, a woman of uncertain origins who ‘temporarily’ parked her van in Bennett’s London driveway and proceeded to live there for 15 years.

Poster for Dirty Work (1998). No votes yet on whether it has a post-credit scene.

Unemployed and recently dumped, Mitch and his buddy Sam start a revenge-for-hire business to raise the $50,000 that Sam's father needs to get a heart transplant.

Distant Thunder (1988) poster image. Zero votes so far.

A troubled Vietnam war vet deserts his wife and child shortly after he returns from the war. He returns after 10 years, where he's been living like an animal in the forest. He finds himself unprepared for the changes that he will have to cope with, and when the vet tries to contact his son, he realizes that he has caused more damage than he had imagined.

Key art for The Salt Path (2025), unanswered on the post-credit question.

The profound story of husband and wife Raynor and Moth Winn, who embark on a 630-mile trek after being forcibly removed from their home. Hoping that in nature they will find solace and a sense of acceptance, they walk through the beautiful but rugged coastlines of South West England - a journey that is exhilarating, challenging, and liberating in equal measure. THE SALT PATH is a powerful portrayal of home, and how it can be lost and rediscovered in the most unexpected ways.

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