Post-credit scenes: results for “tag: homesick”

Movie art for E.T. the Extra-Terrestrial (1982), no post-credit scene.

An alien is left behind on Earth and saved by the 10-year-old Elliott who decides to keep him hidden in his home. While a task force hunts for the extra-terrestrial, Elliott, his brother, and his little sister Gertie form an emotional bond with their new friend, and try to help him find his way home.

Big (1988) poster. The count is still zero.

When a young boy makes a wish at a carnival machine to be big, he wakes up the following morning to find that it has been granted and his body has grown older overnight, but he is still the same 13-year-old boy inside. Now he must learn how to cope with the unfamiliar world of grown-ups, including getting a job and having his first romantic encounter with a woman.

Shithouse (2020). Nobody has said whether there is anything after the credits.

Lonely college freshman Alex has closed himself off from his peers, who all appear to have this whole "college thing" figured out. But everything changes one night when Alex takes a leap and attends a party at Shithouse - a legendary party fraternity - where he forges a strong connection with Maggie.

Homesick (2018) cover. Nothing recorded about its credits.

A young boy, left alone as an unnatural threat ravages the world, clings to his daily routine as he waits for his mother to come back for him.

The Last Song (2014) poster image. Zero votes so far.

Ernie Hudson and Angie Kim star in this short film about a customer not wanting to leave a Karaoke Bar. A night without closure.

See You Next Year (2019) poster. Still unanswered: is there a scene after the credits?

After the world premiere in Luxembourg, the first film by the Portuguese descendant Philippe Machado arrives in his native country through Filmin. A moving drama about the immigrant community - the sweetness and bitterness of the last day of holidays in Portugal before returning to France.

Bâan -The Boundaries of Adulthood- (2025) poster. The count is still zero.

A story of two people in search of a new life, who leave their birthplaces - traveling to a whole different world trying to find a place where they truly belong. Set in the fictional world of Euthania, a land rich in nature with various magical races based on South East Asian Mythology, which is connected to Japan via a warp gate.

HOMESICK (2024) cover. Nothing recorded about its credits.

Every day, we have countless things to do. Yet, the things we do regularly can often feel worlds apart depending on the specific situation, the time, or even our shifting emotions. Despite perhaps simply wanting to do them with the same ease and familiarity we've always known, the experience can be drastically different, Everyone has a place that feels like home, a cozy little spot where we can relax and be ourselves. But as we get older, we tend to move away from that place, and it can be hard to feel as comfortable. So, we try to find things that remind us of home, even if it's just a small way to feel more at ease This experimental film aims to explore the concept of a comfort zone and the process of growth through diverse situations

Poster, The Fellow Countryman (1987). Nobody has voted on this one.

Two countrymen meet by chance in a big city. One of them left the village long ago and settled in the city. The other just arrived in town...The clash of characters and life circumstances can dramatically change a person's destiny. How to find your place in this world? How to hear the voice of your heart?

Movie poster for Far From Home, waiting for its first vote.

A young immigrant looks back at the people, places, music, language, and memories he left behind, trying to find pieces of home in a new country. Through family, culture, and the little things that remain, he discovers that perhaps home is not as far away as he thought.

Poster for Sugnu Sicilianu (2024). Never been answered.

The film Sugnu Sicilianu unfolds like a series of flashbacks through time, connecting memory and dreams. This film is a journey through inheritance, where histories are both confronted and reshaped. Sugnu Sicilianu questions heritage, family, and identity through a return to the places that once tied me and my family to our roots.

Image for The Clash (2019), a film with no post-credit data.

Roberto, a Peruvian boy in his teens, has moved to Montreal to live with his father, Bob Montoya, and his new Canadian family. While Bob tries to succeed in his new life as a small time "business man", the ties with his son will be marked by a quiet violence that seems to have followed them from their country of origin.

Poster for home(sick)bound (2021), awaiting its first vote.

Photos of Cape Breton landscapes are a google search away, my friends and family are a phone call away, I could probably get a decent donair just about anywhere. If all these things that make my home "home" are so easily accessible, why do I find it so hard to leave? "home(sick)bound" attempts to break that down.

Nana's Paradise (2020) artwork. Still a mystery after the credits.

A young man over-comes extreme poverty, a dysfunctional home, peer ridicule, and death in his family to embark on an epic journey that takes him to England on an island scholarship. There he is determined to overcome cultural shock, the bitter London cold and homesickness to return home to do right by his mother.

Poster for Zdrowaśki, blank on post-credit scenes.

A poetic coming-of-age, in which the characters drift through memories, searching for a place in a world that constantly casts them aside. An intimate, indie-aesthetic story about reminiscences preserved on camera, lost and regained bonds and people learning to grow up within a space lacking both home and the assurance that anyone is waiting for their return.

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