Post-credit scenes: results for “tag: homesickness”

Movie art for E.T. the Extra-Terrestrial (1982), no post-credit scene.

An alien is left behind on Earth and saved by the 10-year-old Elliott who decides to keep him hidden in his home. While a task force hunts for the extra-terrestrial, Elliott, his brother, and his little sister Gertie form an emotional bond with their new friend, and try to help him find his way home.

Key art for Lost in Translation (2003), unanswered on the post-credit question.

Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.

Poster for Bridget Jones: The Edge of Reason (2004). Never been answered.

Bridget Jones is still dating her new love, barrister Mark Darcy, for a perfect six weeks. However, while on assignment in Thailand with her disreputable ex, Daniel Cleaver, claiming to be reformed, Bridget questions if she has everything she's ever dreamed of having.

Film artwork for Flight of the Navigator (1986), no verdict on the credits.

12-year-old David is accidentally knocked out in the forest near his home, but when he awakens eight years have passed. His family is overjoyed to have him back, but is just as perplexed as he is that he hasn't aged. When a NASA scientist discovers a UFO nearby, David gets the chance to unravel the mystery and recover the life he lost.

A Dandy in Aspic (1968). Nobody has said whether there is anything after the credits.

Double-agent Alexander Eberlin is assigned by the British to hunt out a Russian spy, known to them as Krasnevin. Only Eberlin knows that Krasnevin is none other than himself! Accompanying him on his mission is a ruthless partner, who gradually discovers his secret as Eberlin tries to maneuver himself out of a desperate situation.

Poster for The Wild Robot Escapes. Never been answered.

Roz hatches a plan to escape a farm to get back to her island, while she bonds with the farm animals and the farmers children.

Image for Sugar (2008), a film with no post-credit data.

Like many young men in the Dominican Republic, 19-year-old Miguel "Sugar" Santos dreams of winning a slot on an American baseball team. Indeed, his talents as a pitcher eventually land him a slot on a single-A team in Iowa, but culture shock, racism and other curveballs threaten to turn Sugar's dream sour.

Black Girl (1966) artwork. Still a mystery after the credits.

Eager to find a better life abroad, a Senegalese woman becomes a mere governess to a family in southern France, suffering from discrimination and marginalization.

Cover image for Smile at Last (1985), not yet voted on.

16-year-old Mari, raised without a mother by a drunkard father, is put in an orphanage which she immediately, though unsuccessfully, tries to flee from. The sensitive Mari finds it hard to adapt to the coarse manners and brutal games amongst the children. Only gradually does she develop a sense for the similarly difficult fates of her fellow sufferers, who have long forgotten how to cry. She even falls in love for the first time, not with her self-appointed “protector” Tauri, but with the rough-mannered Robi.

Poster for Dincolo (2022), awaiting its first vote.

A young immigrant’s life comes crashing down when he gets a distressing phone call from his home country.

Far Away (2004): nobody has checked the credits yet.

In this short science-fiction film, two men are far away from home. Ray and Brad alleviate their homesickness by watching home movies that were shot from their perspective. By means of virtual reality goggles, Ray sees his wife and children play on the beach.

Poster for Cloudbusting (2023). Never been answered.

An immigrant from Hong Kong now lives in Los Angeles. He deals with his homesickness and sense of loss after encountering a strange old man.

Wild Life (2011) poster. Still unanswered: is there a scene after the credits?

This Oscar-nominated animated short tells the story of a dapper young remittance man who is sent from England to Alberta to attempt ranching in 1909.

Movie art for Home Sweet Home (2026), post-credit scene unknown.

Struggling to find his place during his first year at university, a lonely international student finds comfort in an unexpected conversation that reshapes the way he perceives home and belonging.

Poster for Rivers (2023). No votes yet on whether it has a post-credit scene.

"The river Lek reminded me of the river Xiang in my hometown Changsha. I had not been home for 3 years and one of the connections with home was the poems my dad wrote me every day via WeChat. The rivers seemed equally significant for the people in the Netherlands and in Changsha. They are both a romantic connection and an important symbol of daily trade and industry. In a Wechat session my father and I simultaneously read three pairs of poems we wrote for this occasion, he by the Xiang and I by the Lek. Giving the words to the waters that ultimately will meet somewhere in the ocean. The video shows fragments of the performance which took place at the same time in Changsha and Culemborg in June. The full-length documentation is presented as a dual-screen video installation. The three poems written by me can be found on the page "Writing"."

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