Post-credit scenes: results for “tag: human behavior”

Poster for Blue Night (2026), awaiting its first vote.

On Christmas Eve, Alexandre, a lonely young man burdened by his own emotional defenses, invites Guilherme—a male escort who has just been kicked out of his home—to stay at his house. As the hours pass, the ordinary night transforms into a deep dive into the vulnerabilities, fears, and desires of both, showcasing the hesitant and contradictory construction of an inescapable connection that remains uncertain: whether it is love, friendship, or simply the recognition of two mirrored lonely souls.

The House (2022) poster image. Zero votes so far.

Emma, a French novelist aged 27, decide to go to Berlin and join a brothel to uncover the prostitution world, the subject of her new book. Such as gonzo journalism, Emma become a prostitute and her experience, which was supposed to last a few weeks, will last two years. Was writing her book an excuse for Emma to live a shameful fantasy?

Film artwork for In Search of Greatness (2018), no verdict on the credits.

A cinematic journey into the secrets of genius as told through the greatest athletes of all time. It includes original interviews with Wayne Gretzky, Pelé, Jerry Rice, and features Muhammad Ali, Serena Williams, and Michael Jordan, among others.

Poster for Danger Zone (2023). Never been answered.

In the competitive world of tourism, there are very few experiences that are out of bounds. “Danger Zone” explores the world of war tourism, catering to a growing market for ever more rare and extreme experiences.

Movie poster for HyperNormalisation (2016), waiting for its first vote.

We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…

Poster for The Naked Ape (1973). No votes yet on whether it has a post-credit scene.

Somewhat based on Desmond Morris's fascinating book of pop anthropology, this partially animated satirical docudrama produced by Playboy Magazine publisher Hugh Hefner, traces the evolution of human kind and offers insight into the reasons why we behave the way we do. Though often dealing with sexuality, nothing in the film is terribly offensive or graphic. A prime example of mainstream experimental film-making from the early 70's featuring a young and breathtakingly lovely Victoria Principal.

Kindness Is Contagious (2014). Nobody has said whether there is anything after the credits.

Kindness is Contagious profiles bleeding-edge scientists and authors from UC Berkeley, Harvard and everywhere in between as well as real life people whose lives illustrate their incredible discovery: THAT KINDNESS IS CONTAGIOUS. Learn how a little generosity can help you live a happier, healthier, wealthier, longer and more fulfilling life.

Film artwork for Le Temps de cerveau disponible (2010), no verdict on the credits.

Cruelty, psychological and sexual violence, humiliations: reality television seems to have gone mad. His debut in the early 2000s inaugurated a new era in the history of the audio-visual. Fifty years of archives trace the evolution of entertainment: how the staging of intimacy during the 80s opened new territories, how the privatization of the biggest channels has changed the relationship with the spectator. With the contribution of specialists, including philosopher Bernard Stiegler, this documentary demonstrates how emotion has made way for the exacerbation of the most destructive impulses.

The Ringleader: The Case of the Bling Ring (2023) poster image. Zero votes so far.

In a candid, first-time interview with Rachel Lee, the so-called teenage mastermind behind a string of high-profile celebrity robberies in 2008 and 2009, the film examines the motivations of Lee and a group of her friends who broke into celebrity homes in Hollywood to ransack and steal, exploring the possible reasons behind her actions including mental health issues and addictions, as well as the climate of celebrity excess that fueled the teens, recontextualizing the events behind the sensational headlines.

Poster art for Trust (2011), an open question on post-credit scenes.

We flirt with our bodies and faces. TRUST creates a playful variation of the classical initial contact of heterosexual Europeans. A creative man courts a woman with long hair. Would you do the same in this situation?

Poster for Überleben - Was wir über Suizide wissen (2023). Never been answered.

Suicide is one of the world's leading causes of death, with almost 800,000 people taking their own lives every year, not counting those who go unrecorded. What drives people to take their own lives, and how can they be prevented from doing so? This documentary attempts to provide some answers.

Key art for Why? (2022), unanswered on the post-credit question.

Danielle Sturk tackles the thorny issue of sexual violence against teens by boldly asking: Why? Young men, witnesses to the prevailing culture, and young women survivors of sexual assault share their personal reflections in the hopes of sparking the dialogue needed to end gender-based violence. Because things only change when people start talking and taking action.

Film poster, Tribus gothiques (2009). No post-credit verdict yet.

An analysis of the gothic movement, which emerged in the late 1970s in the United Kingdom, through its history, codes, favorite themes, and sources of inspiration, the clichés it is subject to, and the different tribes that comprise it. Alternating commentary on factual images of the scene (concerts, nightclubs, specialty shops, etc.) with interviews with goths, including Olivier, leader of the band ROSA CRUX, Patrick Eudeline, rock journalist, François Darmigny, fashion photographer, and the president of Miviludes, the Interministerial Mission for Vigilance and Combating Sectarian Aberrations.

Poster art for La Fascination des femmes pour Hitler (2011), an open question on post-credit scenes.

For decades, Eva Braun was seen as Adolph Hitler's "dumb blonde" - just a pretty distraction for the Nazi dictator. But more recently, historians have revealed another side to her story. She was an attentive disciple dedicated to the man she called "my Führer," but stayed out of the limelight as World War II unfolded. Eva and Adolph married in April 1945, and the next day they committed suicide.

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