Post-credit scenes: results for “tag: human connection”

Key art for Rental Family (2025), unanswered on the post-credit question.

An American actor in Tokyo struggles to find purpose until he lands an unusual gig: working for a Japanese 'rental family' agency, playing stand-in roles for strangers. As he immerses himself in his clients' worlds, he begins to form genuine bonds that blur the lines between performance and reality.

Movie poster for Little Amélie or the Character of Rain (2025), waiting for its first vote.

The world is a perplexing, peaceful mystery to Amélie until a miraculous encounter with chocolate ignites her wild sense of curiosity. As she develops a deep attachment to her family's housekeeper, Nishio-san, Amélie discovers the wonders of nature as well as the emotional truths hidden beneath the surface of her family's idyllic life as foreigners in post-war Japan.

Poster for Lovebox (2026), awaiting its first vote.

A society without money or competition: AfrikaBurn, the largest regional event inspired by the world-famous Burning Man, becomes the setting for a unique experiment. In the middle of the South African desert, an eclectic group of friends sets up their LOVEBOX spaceship, inviting visitors on a journey to the stars — and into themselves. Inside the LOVEBOX, two strangers meet for a few minutes and explore a question about love. Their encounters give rise to unexpected moments of connection and self-discovery. When the dust of the festival settles, the friends set out to bring the magic of the LOVEBOX into everyday life. But can the openness and sense of connection they experienced at AfrikaBurn survive beyond its temporary utopia?

Poster for Murmur. No votes yet on whether it has a post-credit scene.

Eight year-old Emily is re-introduced to her estranged mother Ash during a tense supervised visitation at a seaside town. Under the watchful eyes of her protective grandmother Jo and social worker Shaniece, Ash treads carefully to win over Emily who must decide whether she wants to welcome this stranger back into her life.

Poster for After the Quake (2025), awaiting its first vote.

Based on four of the six short stories compiled in Murakami Haruki's anthology, After the Quake explores the complex aftermath of Japan’s earthquakes and other global crises. (Movie version of the TV drama).

Avant que le jour ne passe: nobody has checked the credits yet.

Avant que le jour ne passe is a visual poem about what it means to exist. A collection of fleeting moments. Lives crossing. The world breathing. Nothing more than life itself. This is it. This is what it means to be alive.

One Day in Sedona cover. Nothing recorded about its credits.

Two strangers in their 50s, both going through pivotal moments in their lives, meet on a hike in Sedona and share a deep connection as they talk about life, love, legacy, and the betterment of humankind.

Poster, Ecdysis (2025). Nobody has voted on this one.

Yearning for a specific feeling linked to adolescence, a young boy sets out in search of fulfillment and closure, meeting a friendly companion along the way. However, when additional scenarios present themselves, he is left to question what it is he truly is searching for.

Poster for The Hole (1998). Never been answered.

In the final days of the year 1999, almost everyone in Taiwan has died from a strange plague that ravished the island. As rain pours down relentlessly, a single man is stuck with an unfinished plumbing job and a hole in his floor. This results in a very odd relationship with the woman who lives below him.

Poster for Please (2026), blank on post-credit scenes.

A dark comedy about humankind’s desire to love and to be loved. Centred around neediness, intimacy and romance. Told through a series of loosely connected, tender and absurd scenes, the film follows people who are searching for closeness and acceptance. In a world that preaches self-control, the film explores the sides we try to hide, such as feeling needy and pathetic. The stories overlap and reappear, gradually forming a portrait of collective longing.

Capio (2026) poster image. Zero votes so far.

An amateur astronomer discovers a strange new star in the sky that leads him into the heart of a dark conspiracy to control humanity by exploiting its addiction to technology.

Movie art for Chinese Angel (2017), post-credit scene unknown.

Spencer Thompson, at rock bottom after losing his job and home, plans to end his life. But when he meets Angela, who calls herself a “Chinese Angel,” his path takes an unexpected turn toward light. Shot in London, Cyprus, and Canada, the film won awards worldwide.

Film poster, Lincoln in the Bardo. No post-credit verdict yet.

In 1862, a grieving Abraham Lincoln visits his son Willie's grave, sparking a supernatural moment where ghosts in the "bardo" must help the boy move on before he is trapped forever.

Poster for Typed Out (2026), blank on post-credit scenes.

Lydia cannot rest. Days are counting down to a deadline she cannot miss. With each moment that passes the wall she built to protect herself from the world crumbles. But, sometimes, when walls collapse, it lets the light shine through.

Mudlove (2019). Nobody has said whether there is anything after the credits.

A chance spark in a cafe sends two lovers into a surreal mud wrestling ring where they must find a common rhythm while their friends demand a fight.

The Cereal Aisle Effect (2026) cover. Nothing recorded about its credits.

On Thanksgiving Eve, a looming hurricane strands four strangers inside a small-town grocery market. As the storm stalls and tensions rise, secrets are unearthed, unexpected bonds form, and redemption emerges in the unlikeliest of aisles. A contained dramedy about connection, empathy, and the fragile humanity we find when forced to stop and face each other.

Privacy policy

When you vote, we save your Yes or No answer and when you voted.

We use a cookie and your internet address to recognize your vote on each movie. This prevents repeat votes. The cookie lasts for five years.

Your votes are kept as part of the movie totals.