Post-credit scenes: results for “tag: illusion”

Movie poster for The Prestige (2006), waiting for its first vote.

A mysterious story of two magicians whose intense rivalry leads them on a life-long battle for supremacy -- full of obsession, deceit and jealousy with dangerous and deadly consequences.

Poster art for Now You See Me 2 (2016), an open question on post-credit scenes.

One year after outwitting the FBI and winning the public’s adulation with their mind-bending spectacles, the Four Horsemen resurface only to find themselves face to face with a new enemy who enlists them to pull off their most dangerous heist yet.

Film poster, Vanilla Sky (2001). No post-credit verdict yet.

David Aames has it all: wealth, good looks and gorgeous women on his arm. But just as he begins falling for the warmhearted Sofia, his face is horribly disfigured in a car accident. That's just the beginning of his troubles as the lines between illusion and reality, between life and death, are blurred.

Focus (2015): nobody has checked the credits yet.

Nicky, an accomplished con artist, gets romantically involved with his disciple Jess but later ends their relationship. Years later, she returns as a femme fatale to spoil his plans.

Oz the Great and Powerful (2013) poster. The count is still zero.

Oscar Diggs, a small-time circus illusionist and con-artist, is whisked from Kansas to the Land of Oz where the inhabitants assume he's the great wizard of prophecy, there to save Oz from the clutches of evil.

Midori (1992) cover. Nothing recorded about its credits.

After losing her parents, young flower selling Midori is put up by a fairground group. She is abused and forced to slavery, until the arrival of an enigmatic magician of short stature, who gives her hope for a better future.

Cover image for Man Down (2016), not yet voted on.

When a U.S. Marine returns home from Afghanistan, he finds that the place he once called home is no better than the battlefields he fought on overseas. Accompanied by his best friend, he searches desperately for the whereabouts of his estranged son and wife. In their search, the two intercept a man carrying vital information about his family.

From Vegas to Macau (2014). Nobody has said whether there is anything after the credits.

Retired gambling legend Ken returns to Macau, only to be drawn back into action when his daughter becomes entangled in a global mafia scheme. Using his unmatched skills, he must stop a dangerous plot and protect his loved ones.

F for Fake (1973) poster image. Zero votes so far.

Documents the lives of infamous fakers Elmyr de Hory and Clifford Irving. De Hory, who later committed suicide to avoid more prison time, made his name by selling forged works of art by painters like Picasso and Matisse. Irving was infamous for writing a fake autobiography of Howard Hughes. Welles moves between documentary and fiction as he examines the fundamental elements of fraud and the people who commit fraud at the expense of others.

The Mad Magician (1954) poster. The count is still zero.

Don Gallico is an inventor of stage magic effects who aspires to become a star in his own right. Just before his first performance his act is shut down by capricious manager Ross Ormond who wants Gallico's brilliant buzz saw effect for the act of The Great Rinaldi, an established star. With this defeat, and the humiliation of having already lost his wife Claire to Ormond, Gallico decides it is time to take matters into his own hands.

Film poster, The Wizard of Gore (2007). No post-credit verdict yet.

In the darkly phantasmagorical world of the carnival magician and sideshow hypnotist, the gruesome "illusions" of Montag the Magnificent are unique in that they seem to become retroactive reality long after the the tricks are done. Is it coincidence, or circumstantial evidence of the world's most diabolically ingenious murders? When an underground journalist begins to investigate the strange deaths, the truth proves to be far more bizarre and disturbing than anything he or his readers might have imagined.

Poster, Peripheral Visions (2025). Nobody has voted on this one.

A student struggling on his essay mistakenly stumbles across an otherworldly phenomenon that threatens his very concept of reality, sending him spiralling down an existential rabbit hole from which there may be no return.

Poster art for Harlequin (1980), an open question on post-credit scenes.

Up-and-coming senator Nick Rast's young son is terminally ill with leukemia. A mysterious faith healer, Gregory Wolfe, appears and seems to cure the boy. Rast's wife Sandy falls in love with Wolfe, but the powerful interests behind Rast's career, represented by geriatric monster Doc Wheelan are less happy with events.

Poster for The Wizard of Gore (1970), awaiting its first vote.

A talk show hostess and her boyfriend investigate a shady magician who has the ability to hypnotize and control people's thoughts in order to stage gory onstage illusions using his powers of mindbending.

Poster for The Call (2025). Never been answered.

A man wakes up to a dead body in his room… but that’s just the beginning. As reality begins to distort, a mysterious phone call pulls him deeper into a psychological nightmare where nothing is as it seems.

Film artwork for Tek Başına (1976), no verdict on the credits.

The film tells the story of a man who witnesses a major drug ring. Kemal is a middle-class employee at a company. One night, Kemal's car breaks down on his way home, so he leaves it where it is. That night, a murder is committed by a major drug ring at the spot where he left his car. Kemal did not witness the murder. However, Commissioner Murat tells him that the network can be dismantled thanks to his testimony. Nevertheless, the network has already killed everyone who has testified against them. Kemal agrees to testify. However, the network has already taken action to silence him.

Poster for Crimson Unveiled, blank on post-credit scenes.

Haunted by guilt and recurring dreams of a mesmerizing jazz singer, Paul, a grieving widower, is drawn into a mysterious cinema where he must confront the passion he’s long suppressed and choose whether to remain trapped in regret or be reborn in truth.

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