Post-credit scenes: results for “tag: illustrator”

Poster for Love Again (2023). No votes yet on whether it has a post-credit scene.

Mira Ray, dealing with the loss of her fiancé, John, sends a series of romantic texts to his old cell phone number… not realizing the number was reassigned to Rob Burns' new work phone. Rob, a journalist, is captivated by the honesty in the beautifully confessional texts. When he’s assigned to write a profile of megastar Céline Dion, he enlists her help in figuring out how to meet Mira in person and win her heart.

Poster for Niskala (2025). No votes yet on whether it has a post-credit scene.

Amid the relentless pressure of looming deadlines, Nala (25), an illustrator, finds herself trapped in an art block that leaves her unable to complete her work. When she discovers a paper crane origami and her late mother's childhood sketchbook, she begins retracing the memories that first sparked her love for drawing. Through fragments of the past filled with hope, joy, and pain, Nala realizes that she has spent so much time chasing expectations that she has forgotten why she started creating in the first place. This journey leads her to embrace every experience both painful and beautiful as an essential part of who she has become. With a renewed sense of purpose, Nala picks up her pencil once again, not in pursuit of perfection, but to create honestly and reconnect with herself.

Film poster, Our Dating Sim (2023). No post-credit verdict yet.

Seven years after a painful fallout, Lee Wan reunites with his former best friend—and crush—Gi Tae at a new job. Can old wounds lead to a new start?

Monkey Boy (2026): nobody has checked the credits yet.

Frank is a successful comic book author who is struggling to reinvent himself. His series is no longer selling, and his publisher is pushing him to move on. But Frank lives with Monkey Boy, the main character from his series, and he doesn’t know how to let him go.

Film poster, Neon Rage (2023). No post-credit verdict yet.

Camila, a young aspiring and struggling illustrator, meets Madison, a teenage girl, when Camila is hired by Madison’s (very) wealthy family as her tutor. Unlike Camila, Madison is confident, popular, and has never experienced rejection. Though Camila initially dismisses the teenager as vapid and out-of-touch, they connect over their struggles as artists. Camila becomes seduced by Madison’s can-do attitude and naïve drive. The short interaction ultimately sparks a new fire inside Camila.

Poster for The Story Won't Die (2021). No votes yet on whether it has a post-credit scene.

THE STORY WON’T DIE, from Award-winning filmmaker David Henry Gerson, is an inspiring, timely look at a young generation of Syrian artists who use their work to protest and process what is currently the world’s largest and longest ongoing displacement of people since WWII. The film is produced by Sundance Award-winner Odessa Rae (Navalny). Rapper Abu Hajar, together with other creative personalities of the Syrian uprising, a post-Rock musician (Anas Maghrebi), members of the first all-female Syrian rock band (Bahila Hijazi + Lynn Mayya), break-dancer (Bboy Shadow), choreographer (Medhat Aldaabal), and visual artists (Tammam Azzam, Omar Imam + Diala Brisly), use their art to rise in revolution and endure in exile in this new documentary reflecting on a battle for peace, justice and freedom of expression. It is an uplifting and humanizing look at what it means to be a refugee in today’s world and offers inspiring and hopeful vantages on a creative response to the chaos of war.

Flower Power - Dutch Women Painters of the 17th Century (2026). Nobody has said whether there is anything after the credits.

In the 17th century, advances in the natural sciences and the invention of the telescope led Dutch women painters to closely study nature and include reptiles and insects in their art. Women such as Maria Sibylla Merian, Alida Withoos and Maria Moninckx advanced botany and zoology with their highly detailed paintings. Almost forgotten, now their works hang in many important museums around the world.

Poster for Dedication (2007). Never been answered.

A modern love story in which a misanthropic, emotionally complex author of a hit children's book is forced to team with a beautiful illustrator after his best friend and collaborator passes away. As Henry struggles with letting go of the ghosts of love and life, he discovers that sometimes you have to take a gamble at life to find love.

Movie art for The Fear Inside (1992), post-credit scene unknown.

An agoraphobic children's book illustrator is trapped inside her home by two young psychos-in-love, who terrorize her. It is only when her young son is threatened that she manages to overcome her paralyzing fears and attempt to leave her home to save him...

The Wild Ones (2012) artwork. Still a mystery after the credits.

At 18, right after the Second World War, Birgitta Stenberg bought a one-way ticket to Europe. Far from Sweden, she plunges into a wild life with bohemians from around the world. She falls in love, gets exploited, takes drugs, and exploits others. Her life is forever shaped by these years and these people. A life on the fringe. In The Wild Ones she travels to places like New York, Paris and Rome, returning to former lovers of both sexes. They face their choices and the consequences. Was it truly free to live like that? Was it worth it?

Film artwork for Pretty Far from Okay (2017), no verdict on the credits.

Isi doesn't get the world anymore. Just a short while ago, life was wild, fun, and without obligations, but suddenly everyone around her seems to be grown-up and successful. With her diploma in one hand and a drink in the other, she is stuck between the careless days of college and real life. When her best friend Lotte gets a respectable job and becomes pregnant, Isi realizes that she needs to find a way to start living a life on her own.

Key art for Scandal & Beauty: Mark Gatiss on Aubrey Beardsley (2020), unanswered on the post-credit question.

Mark Gatiss explores the life and career of Aubrey Beardsley, an artist who wielded outrage as adroitly as his pen. A lifelong fan, Mark shows how Beardsley was more than just a genius of self-promotion who scandalised the art world of the 1890s. He was also a technological innovator, whose uncompromising attitude still feels remarkably modern.

Poster, Illustrated By (2012). Nobody has voted on this one.

Superman, Batman, Spider-Man, The X-Men – characters recognized all over the world, and have gained even wider popularity through television and film. What may not be known is that, since the 1970’s, Filipinos have had a significant contribution in these and other characters’ mythologies. In terms of comic book history, these creators are often left unaccredited or, at worse, neglected entirely for their accomplishments. “Illustrated By”: Filipino Invasion of U.S. Comics is a full-length documentary film tracing the phenomenon of Filipino comic artists breaking into the U.S. mainstream. The movie aims to pay tribute to many of these ignored, unacknowledged talents, and showcase their gorgeous artwork.

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