Post-credit scenes: results for “tag: incarceration”

Martyrs (2008) cover. Nothing recorded about its credits.

A young woman’s quest for revenge against the people who kidnapped and tortured her as a child leads her and her best friend, also a victim of child abuse, on a terrifying journey into a living hell of depravity.

Film poster, The Card Counter (2021). No post-credit verdict yet.

William Tell just wants to play cards. His spartan existence on the casino trail is shattered when he is approached by Cirk, a vulnerable and angry young man seeking help to execute his plan for revenge on a military colonel. Tell sees a chance at redemption through his relationship with Cirk.

Poster for Bathory: Countess of Blood (2008), blank on post-credit scenes.

Bathory is based on the legends surrounding the life and deeds of Countess Elizabeth Bathory known as the greatest murderess in the history of mankind. Contrary to popular belief, Elizabeth Bathory was a modern Renaissance woman who ultimately fell victim to men’s aspirations for power and wealth.

La fuga (2021) poster. Still unanswered: is there a scene after the credits?

The internal journey of eight men, who, through a theater workshop, go through the different prisons they inhabit. Practicing the art of seeing themselves, in Boal's words, this group of men reflects on their masculinity as a representation to hide their true strength: their vulnerability.

The Woman in the Line (2025) poster. Still unanswered: is there a scene after the credits?

Andrea visits her incarcerated son for the first time. Initially eyed with suspicion by other women in line, she gradually gains their trust — and emerges as a powerful advocate for justice reform.

Red Prior (2025) poster. The count is still zero.

After giving away her young daughter, an incarcerated immigrant mother begins to make sense of her contrition when she connects with a kindred inmate.

Poster for Frances Ferguson (2019). Never been answered.

Frances Ferguson is discontent. Like a lot of us, she does a bit of “acting out” and pays the price —an arrest, a trial, incarceration. And then a new identity, one that’s not terribly comfortable.

Movie poster for The Big House (1930), waiting for its first vote.

Convicted of manslaughter for a drunken driving accident, Kent Marlowe is sent to prison, where he meets vicious incarcerated figures who are planning an escape from the brutal conditions.

Image for Safe Place (2024), a film with no post-credit data.

A Southern Indiana man endures a fatal night of torture after being arrested for a routine traffic stop.

Key art for The Bird Who Could Fly (2017), unanswered on the post-credit question.

Arthur, a young Korean-American, tries to manage one brother, sentenced to spend his life in jail; his other brother, a drug addict; and pressure from their Korean-born mother.

Athidhi (2007). Nobody has said whether there is anything after the credits.

While the nation is terrorized by a slew of kidnappings and murders, a young woman falls in love with a mysterious man; not realizing that he is the one who went to jail for the murder of her parents, thirteen years earlier.

Movie poster for Beyond (2025), waiting for its first vote.

At Sing Sing prison, a group of incarcerated men share their passions, thoughts, and aspirations in a unique speaking event

Poster for Daughters (2024). No votes yet on whether it has a post-credit scene.

Four young girls prepare for a special Daddy Daughter Dance with their incarcerated fathers, as part of a unique fatherhood program in a Washington, D.C., jail.

Poster for Black Thoughts (2020). Never been answered.

A man that is a stranger, is an incredibly easy man to hate. However, walking in a stranger’s shoes, even for a short while, can transform a perceived adversary into an ally. Power is found in coming to know our neighbor’s hearts. For in the darkness of ignorance, enemies are made and wars are waged, but in the light of understanding, family extends beyond blood lines and legacies of hatred crumble.

Poster for Farther and Sun: A Dyslexic Road Trip (2018), blank on post-credit scenes.

Could dyslexia be a gift? Or can it only ever be a disability? Documentary maker Richard Macer sets off on a road trip with his dyslexic son Arthur to find the answer. En route, they meet Richard Branson and Eddie Izzard, and many other successful dyslexic people. - BBC

Movie poster for Hell (2019), waiting for its first vote.

Chennu committed his first crime when he was 15 years old: being a street kid. And he entered hell: Pademba Road. The adult prison in Freetown. In hell, Mr. Sillah is in charge, and there is no hope. Chennu got out after four years. Now he wants to go back.

Jelly Roll: Save Me (2023) poster. The count is still zero.

An inside look as the 38-year-old prepares to perform at the famed Bridgestone Arena in his hometown of Nashville, featuring never-before-seen tour footage and interviews with the musician and those closest to him. It also shows how Jelly Roll balances life on tour with philanthropic work, including a visit to a juvenile detention facility where he was incarcerated multiple times to share his story in the hopes of inspiring positive change in others.

Image for True Justice: Bryan Stevenson's Fight for Equality (2019), a film with no post-credit data.

An intimate portrait of Alabama public interest attorney Bryan Stevenson, founder and executive director of the Equal Justice Initiative, who for more than three decades has advocated on behalf of the poor, the incarcerated and the condemned, seeking to eradicate racial discrimination in the criminal justice system.

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