Post-credit scenes: results for “tag: information technology”

Poster for I.T. (2016). No votes yet on whether it has a post-credit scene.

Mike Regan is a successful, self-made man who has it all: a gorgeous wife, a beautiful teenage daughter and a sleek, state-of-the-art “smart home”. But he soon finds himself in a deadly, high-stakes game of cat-and-mouse when his I.T. consultant, Ed, starts using his skills to stalk Mike’s daughter and endanger his family, his business, and his life. In a world where there is no privacy, and personal secrets can go viral by the click of a mouse, Mike needs to rely on his old connections to defeat a new kind of nemesis.

Movie art for BlackBerry (2023), post-credit scene unknown.

Two mismatched entrepreneurs – egghead innovator Mike Lazaridis and cut-throat businessman Jim Balsillie – joined forces in an endeavour that was to become a worldwide hit in little more than a decade. The story of the meteoric rise and catastrophic demise of the world's first smartphone.

Surveilled (2024) cover. Nothing recorded about its credits.

Uncover the insidious ways in which our daily lives are being surveilled by the state. In a gripping chase, Ronan Farrow travels across the world following breadcrumbs and finally exposing a dark world of spywares, hacking, and peddling of private information, where activists and journalists are persecuted, and no one is protected from the watchful and vicious eyes of authoritarianism.

Poster for The Click Trap (2024). No votes yet on whether it has a post-credit scene.

Digital advertising algorithms curate content precisely for users. Major tech firms claim to restrict disinformation yet still profit from harmful content, raising ethical concerns about democracy and online capitalism.

iHuman (2019) cover. Nothing recorded about its credits.

Artificial Intelligence (AI) is possibly the most powerful technology of our time. It has the potential to solve humanity’s biggest challenges yet some fear AI will be our downfall. iHUMAN follows pioneers at the frontline of the race to develop the ever more sophisticated AI to find the questions we need to ask at this crucial point in history.

Cover image for In the Belly of AI (2025), not yet voted on.

Magical, autonomous, all-powerful… Artificial intelligences feed our dreams as well as our nightmares. But while tech giants promise the advent of a new humanity, the reality of their production remains totally hidden. While data centers are concreting landscapes and drying up rivers, millions of workers around the world are preparing the billions of data that will feed the voracious algorithms of Big Tech, at the cost of their mental and emotional health. They are hidden in the belly of AI. Could they be the collateral damage of the ideology of “Longtermism” that has been brewing in Silicon Valley for several years?

Dereliction (2018) poster. Still unanswered: is there a scene after the credits?

Elias is an I.T. technician preparing for an overnight gig. He thinks he's totally alone in the building and is about to find out he's wrong.

Cover image for Microchip Wars (2023), not yet voted on.

When the pandemic hit it highlighted how much Western countries rely on the chip industry. Today Europe, America and China are involved in an intense commercial struggle to dominate this sector that is so strategic for the future. From Taiwan to Shanghai, via Brussels and San Francisco, investigative journalist Nicolas Vescovacci went to meet the most influential players in this microchip war, which is redefining world geopolitics.

Hyperland (1990): nobody has checked the credits yet.

This made-for-TV documentary introduces the layperson to concepts and technologies that were emerging in computer interface design in the late 1980s and early 1990s: hypertext, multimedia, virtual assistants, interactive video, 3D animation, and virtual reality.

The Bit Player (2019) poster. The count is still zero.

The Bit Player tells the story of an overlooked genius, Claude Shannon (the "Father of Information Theory"), who revolutionized the world, but never lost his childlike curiosity.

Poster art for Goodbye, World, an open question on post-credit scenes.

Set in a world where human beings are digitally uploading their consciousness, it is GIRL’s turn to make her decision. Will she decide to join her family and leave her physicality behind, as well as the relics of what it once meant to be human?

Russia's Cyber Army (2022) poster. The count is still zero.

For years now, the Kremlin has been systematically trying to use well-trained hackers for its own benefit. In exchange for freedom and protection, they do the dirty work of the state, interfering in other countries’ elections and penetrating government networks. Just how dangerous is Russia’s cyber army?

Poster for Down the Deep, Dark Web (2016), awaiting its first vote.

A Gonzo-style exploration that goes beyond everything you thought you knew about the dangers, and promise, of the Darknet. Hackers, Cypherpunks and crypto-anarchists guide us ever deeper down this rabbit hole, uncovering the hidden light at the bottom of the deep, dark web.

Poster, AI and the Death of the Internet (2025). Nobody has voted on this one.

The internet has been flooded with AI-generated rubbish. Automated bots are producing a flood of AI-generated content that threatens to push everything else out of our social media feeds. Will this ‘slop’ lead to the death of the internet? Or perhaps is the internet a dead space already?

Movie poster for Movies by Machine - AI and Cinema (2024), waiting for its first vote.

As artificial intelligence becomes ever more sophisticated, the film industry is split between enthusiasm at what the technology can achieve and concern over the future for human workers in the industry. Will actors and actresses be replaced by machines? An overview on the coming wave of AI in cinema.

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