Post-credit scenes: results for “tag: intolerance”

Poster for Brokeback Mountain (2005). Never been answered.

In 1960s Wyoming, two men develop a strong emotional and sexual relationship that endures as a lifelong connection complicating their lives as they get married and start families of their own.

Cover image for To Kill a Mockingbird (1962), not yet voted on.

Scout Finch, 6, and her older brother Jem live in sleepy Maycomb, Alabama, spending much of their time with their friend Dill and spying on their reclusive and mysterious neighbor, Boo Radley. When Atticus, their widowed father and a respected lawyer, defends a black man named Tom Robinson against fabricated rape charges, the trial and tangent events expose the children to evils of racism and stereotyping.

Cover image for Ender's Game (2013), not yet voted on.

Based on the classic novel by Orson Scott Card, Ender's Game is the story of the Earth's most gifted children training to defend their homeplanet in the space wars of the future.

Prayers for Bobby (2009) cover. Nothing recorded about its credits.

Bobby Griffith was his mother's favorite son, the perfect all-American boy growing up under deeply religious influences in Walnut Creek, California. Bobby was also gay. Struggling with a conflict no one knew of, much less understood, Bobby finally came out to his family.

Baby Boy (2001). Nobody has said whether there is anything after the credits.

The story of Jody, a misguided, 20-year-old African-American who is really just a baby boy finally forced-kicking and screaming to face the commitments of real life. Streetwise and jobless, he has not only fathered two children by two different women-Yvette and Peanut but still lives with his own mother. He can't seem to strike a balance or find direction in his chaotic life.

Film artwork for Summer of Sam (1999), no verdict on the credits.

Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American Northeast Bronx neighborhood who live in fear and distrust of one another.

Poster for The Observer (2019), awaiting its first vote.

Dissident artist Hu Jie has managed to make more than 30 documentaries. Films like Though I Am Gone and Searching for Lin Zhao's Soul are vital to understanding Chinese history and society. Widely recognized as the first artist to dare talk about the Great Famine, the labor camps, and the Cultural Revolution, Hu Jie is considered China's first historical documentary filmmakers.

Orange Cheesecake (2025) poster image. Zero votes so far.

Joe is invited for dinner at his estranged father's house. He brings orange cheesecake and is greeted by his dad's new girlfriend, but throughout the night tensions rise as his dad's true intentions are revealed.

Poster for London River (2009). No votes yet on whether it has a post-credit scene.

After traveling to London to check on their missing children in the wake of the 2005 terror attacks on the city, two strangers come to discover their respective children had been living together at the time of the attacks

Poster for The French Teacher (2026). Never been answered.

Graça, a lesbian woman living in Belo Horizonte with her French girlfriend Clara, gives private French lessons to support herself in a large Brazilian metropolis. As an independent Black woman from a lower-middle-class background, she finds herself confronted by the dark side of religious fanaticism when she is forced to live with an extremist evangelical family that gradually involves her in a mysterious plot that leads her to lose her mind.

Cover image for No Fish Where to Go (2014), not yet voted on.

Marie-Francine Hébert based the script for No Fish Where to Go on her book, which was published in 2003 and illustrated by Janice Nadeau. Directed by Nicola Lemay and Nadeau, this modern tale compassionately and poetically addresses intolerance and the consequences of war.

Poster for Return to Life (1949), blank on post-credit scenes.

In France in 1946, the difficult return to civilian life of five deportees and prisoners of war after having lived through the hell of the Second World War.

The Fall of Babylon (1919). Nobody has said whether there is anything after the credits.

A re-edited version of the second episode of Intolerance (1916); a mountain girl who loves Belshazzar strives to protect him against the evil High Priest of Bel and his treacherous cohorts.

Poster for The Mother and the Law (1919), awaiting its first vote.

A re-edited version of the fourth episode of Intolerance (1916); two youth are made homeless by a strike, and struggle valiantly to survive their desolate situation, which worsens as reform-minded citizens remove the couple's child from their care and the young father is falsely accused and convicted of murder.

Image for Settling (2010), a film with no post-credit data.

A comical romantic parable of human's all devouring craving for territory. One day Karim finds a stranger in his apartment. To his astonishment this attractive girl claims to be the new owner.

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