Post-credit scenes: results for “tag: iran”

Poster for American Assassin (2017). No votes yet on whether it has a post-credit scene.

Following the murder of his fiancée, Mitch Rapp trains under the instruction of Cold War veteran Stan Hurley. The pair then is enlisted to investigate a wave of apparently random attacks on military and civilian targets.

Poster for The Salesman (2016). Never been answered.

Forced out of their apartment due to dangerous works on a neighboring building, Emad and Rana move into a new flat in the center of Tehran. An incident linked to the previous tenant will dramatically change the young couple’s life.

Key art for A Separation (2011), unanswered on the post-credit question.

A married couple are faced with a difficult decision – to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.

Cover image for Holy Spider (2022), not yet voted on.

A journalist descends into the dark underbelly of the Iranian holy city of Mashhad as she investigates the serial killings of sex workers by the so called "Spider Killer", who believes he is cleansing the streets of sinners.

Movie art for The Stoning of Soraya M. (2009), post-credit scene unknown.

In 1986 Iran, Sahebjam, whose car breaks down in a remote village, enters into a conversation with Zahra, who relays to him the story about her niece, Soraya, whose arranged marriage to an abusive tyrant ended in tragedy.

6 Days (2017) poster. Still unanswered: is there a scene after the credits?

London, England, April 1980. Six terrorists assault the Embassy of Iran and take hostages. For six days, tense negotiations are held while the authorities decide whether a military squad should intervene.

Poster for About Elly (2009). No votes yet on whether it has a post-credit scene.

The mysterious disappearance of a kindergarten teacher during a picnic in the north of Iran is followed by a series of misadventures for her fellow travelers.

Image for Taxi (2015), a film with no post-credit data.

A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…

All Three of Us (2015) poster. The count is still zero.

An Iranian family survives the shah and the ayatollah and moves to France. This story follows the family through it all. Despite the politics, revolution, prison, beatings, assassinations and suicides this is a comedy.

Life, and Nothing More… (1992) artwork. Still a mystery after the credits.

After the earthquake of Guilan, a film director and his son travel to the devastated area to search for the actors from the movie the director made there a few years previously. In their search, they see how people who have lost everything in the earthquake still have hope and try to live life to the fullest.

Poster for The Wind Will Carry Us (1999), blank on post-credit scenes.

Irreverent city engineer Behzad comes to a rural Kurdish village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.

Poster art for Desert Dancer (2014), an open question on post-credit scenes.

Inspirational true story of Iranian dancer Afshin Ghaffarian, who risked his life for his dream to become a dancer despite a nationwide dancing ban.

Key art for We'll Find Happiness (2025), unanswered on the post-credit question.

Saad, a young Moroccan illegal immigrant, is planning a perilous journey to Canada with Reza, his Iranian lover. In Montreal, Saad is called upon to save his beloved from certain deportation to Iran, where inevitable punishment awaits.

Russia, China, Iran: The Axis of Revenge (2024) poster image. Zero votes so far.

Russia, China and Iran: three former empires are determined to take their revenge and reassert their power after centuries of humiliation. Since the start of the war in Ukraine, they have never been so aligned on the international stage. Their common goal: to put an end to Western hegemony, restore their zone of influence and propose a new model of society. To achieve this, they are waging a hybrid war against the democracies: military, technological, economic, informational and ideological. Are they on the verge of joining forces to create a new world order?

Poster for Invisible Alliance, awaiting its first vote.

A Hezbollah suicide bomber breaks silence to reveal the inner workings of the organization and his involvement in a narcotrafficking alliance with the FARC. Discover the hidden agendas between Iran, Latin American governments and organized crime.

Poster for what does it feel like to live inside a pomegranate? (2026). No votes yet on whether it has a post-credit scene.

In ‘what does it feel like to live inside a pomegranate?’ Iranian-American filmmaker Kamyar Mohsenin transforms a giant pomegranate into a portal. The protagonist ambiguously consumes the fruit in interludes, reflecting the tension between nourishment and the discomfort of engaging with one’s cultural heritage.

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