Post-credit scenes: results for “tag: jerusalem”

The Book of Clarence (2024) artwork. Still a mystery after the credits.

Streetwise but down-on-his-luck, Clarence is struggling to find a better life for his family, while fighting to free himself of debt. Captivated by the power and glory of the rising Messiah and His apostles, he risks everything to carve his own path to a divine life, and ultimately discovers that the redemptive power of belief may be his only way out.

Poster, World War Z (2013). Nobody has voted on this one.

Life for former United Nations investigator Gerry Lane and his family seems content. Suddenly, the world is plagued by a mysterious infection turning whole human populations into rampaging mindless zombies. After barely escaping the chaos, Lane is persuaded to go on a mission to investigate this disease. What follows is a perilous trek around the world where Lane must brave horrific dangers and long odds to find answers before human civilization falls.

Poster art for Risen (2016), an open question on post-credit scenes.

Clavius, a powerful Roman military tribune, and his aide, Lucius, are tasked with solving the mystery of what happened to Jesus in the weeks following the crucifixion, in order to disprove the rumors of a risen Messiah and prevent an uprising in Jerusalem.

Image for Ben-Hur (1959), a film with no post-credit data.

In ancient Judea, a Jewish aristocrat opposing Roman occupation of his homeland reunites with his childhood friend, now a Roman commander — setting in motion a saga of betrayal, adventure, tragedy, revenge, and faith.

Image for Sorcerer (1977), a film with no post-credit data.

Four men from different countries flee to an impoverished South American village, Povernir, to hide from their pasts. When an oil well explodes, chaos and barbarism roam the streets. Desperate to leave, they agree to risk their lives to transport several crates of nitroglycerin across treacherous jungle terrain.

Poster art for Mary Magdalene (2018), an open question on post-credit scenes.

In the first century, free-spirited Mary Magdalene flees the marriage her family has arranged for her, finding refuge and a sense of purpose in a radical new movement led by the charismatic, rabble-rousing preacher named Jesus.

Film artwork for Hannah Arendt (2012), no verdict on the credits.

A portrait of the genius that shook the world with her discovery of “the banality of evil.” After she attends the Nazi Adolf Eichmann’s trial in Jerusalem, Arendt dares to write about the Holocaust in terms no one has ever heard before. Her work instantly provokes a furious scandal, and Arendt stands strong as she is attacked by friends and foes alike. But as the German-Jewish émigré also struggles to suppress her own painful associations with the past, the film exposes her beguiling blend of arrogance and vulnerability — revealing a soul defined and derailed by exile.

Poster for Mary (2005), awaiting its first vote.

The filming of a movie about Jesus’ death deeply affects three people — an egotistical director who cast himself as Christ, the actress playing Mary Magdalene who cannot bring herself to leave Bethlehem and a TV journalist whose spiritual doubts start to consume him.

Poster for Dark Relic (2010), awaiting its first vote.

1099 A.D.: A battle-weary knight leads his men home from the Holy Land after years of fighting. But the supposedly holy relic he’s carrying bears a terrible curse…

Movie poster for Jeremiah (1998), waiting for its first vote.

The young Jeremiah grows up in a priest's family in the village of Anathoth, near Jerusalem. God appears to Jeremiah in different human guises on several occasions, and makes it clear that he has been selected to announce God's message to the people of Jerusalem.

Walk on Water (2004) artwork. Still a mystery after the credits.

Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country, during which Axel challenges Eyal's values.

Movie poster for The Lion of Judah (2011), waiting for its first vote.

Upon learning that Judah has been trapped in the clutches of the townspeople and faces the possibility of being the sacrifice at the annual Festival, the stable mates leave their cozy barn and embark on an adventure to find and free their friend.

Poster, The High Crusade (1994). Nobody has voted on this one.

A Monty Pythonesque tale of a band of Crusaders who find themselves in possession of an alien ship and the alien to pilot it. Armed with the means to conquer the Holy Land, the naive Crusaders set off on a grand crusade, only to find themselves not in Jerusalem, but at the mercy of an entire alien world.

Poster for Jeruzalem (2016), awaiting its first vote.

When a couple of American young adults fly to Israel to visit the city of Jerusalem, a biblical nightmare falls upon the city.

The Messiah (1975): nobody has checked the credits yet.

Rossellini takes numerous liberties with the original source material, rearranging and omitting events at will, presenting everything in a highly undramatic fashion. The film begins in the time of the Old Testament, allowing Rossellini to present the story of Jesus in its ancient, historic context.

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