Post-credit scenes: results for “tag: kafka”

Key art for Kafka (1991), unanswered on the post-credit question.

After a colleague is murdered, insurance worker Kafka gets embroiled in an underground group who are attempting to thwart a secret organization that controls the major events in society.

Inertia (2015) poster image. Zero votes so far.

During a walk in the woods a man stumbles upon a gate blocked by a guard who refuses to let him through. Gaining entry quickly becomes his obsession and only goal, to the detriment of all else, including his own physical and mental health.

Cover image for Metamorphosis (2014), not yet voted on.

Loosely based on Franz Kafka's novella Metamorphosis 'Swaroopa' narrates the story of Gregory Samson and his family of father, mother, sister assisted by a maid within the social transformations taking place in late colonial and early postcolonial Sri Lanka.

Key art for Metamorphosis (2010), unanswered on the post-credit question.

Steven Berkoff's iconic adaptation of Franz Kafka’s novella, which tells the tale of a traveling salesman who is transformed into an insect, is brought to life in this highly physical and visually striking production. Captured live at the Parco Theater in Tokyo, this landmark performance is in Japanese with English subtitles. Considered one of Berkoff’s masterpieces and performed multiple times since it first appeared in 1969, Metamorphosis combines elements of sound, physicality and minimalist design to recreate Kafka’s absurdist world on stage.

Movie poster for Metamorphosis (2002), waiting for its first vote.

Based on Kafka's story of the same name, "The Metamorphosis" tells the story of a traveling salesman, Gregor Samsa, who wakes up one morning to find himself transformed into a gigantic insect.

Poster art for The Castle (1968), an open question on post-credit scenes.

A man comes to a small village to begin his new job as an attendant at the nearby castle. But everybody in the village claims that he surely must be mistaken, there is no need for an attendant at the castle.

Movie poster for Britain Is Built For Sundays (2023), waiting for its first vote.

An esoteric teleplay about a Man who wakes up in a field in southern England with nothing but a bicycle, a massive bong and no memory of how he got there. When a strange Boy comes to collect him, the Man embarks on a journey to make sense of things and acquire a pint.

Poster for The Penultimate (2021), blank on post-credit scenes.

The film is a Kafkaesque tale of an insignificant Water Inspector who arrives at a giant remote building in order to register the residents’ water meters. Before he knows of it, he finds himself trapped inside the building facing an “Alice in NO-Wonderland”-like maze of obstacles. In his attempt to escape, perception of reality, the rational, and the remnants of his human existence is turned upside down.

Film artwork for Roach (2020), no verdict on the credits.

Gregorio has a uniform life. He works in a factory and lives alone. One day a cockroach appears in his pantry and he sees the possibility of changing his life.

Movie art for No End in Sight (2025), post-credit scene unknown.

Trevor, an obsessive, alcoholic, drug-addicted writer, is disturbed from his rigorous routine when he loses the ending to his latest novel. Desperately, he tries to recover it...

Film artwork for Piet is Gone (2018), no verdict on the credits.

Piet is gone tells the story of Piet Beentjes, who went missing on the isle of Texel in 1987. For 30 years, Toos Beentjes has desperately tried to uncover the truth behind the mysterious disappearance of her homosexual brother. In vain. The police saw no reason to investigate the case: 'Eventually, he’ll wash up. And if not, the tourists will find him.' The film is not a quest for Piet Beentjes, but tells the story of what happened before and after the disappearance. About the Kafkaesque world Toos entered after her brother disappeared. A world of routine, lackadaisical interest and a lame police investigation.

The Judgment (2016) cover. Nothing recorded about its credits.

Adapted from the short story by Franz Kafka, The Judgment is a psychological drama exploring themes of alienation, memory, and the lines between fantasy and reality. The film follows Georg Bendemann, a young merchant living 1900s Prague, who is struggling to maintain balance in an ever changing world. As his situation deteriorates due to complicated familial relationships, we are compelled to question the very nature of what we are seeing.

Cover image for Mia (2020), not yet voted on.

Alba, a young woman, lives with her boyfriend in a small apartment. One morning she receives terrible news along with the few month-old baby Mía, who is dropped off in her life. Upon her arrival, Alba experiences a series of insecurities and fears that will cause her into a mental breakdown. After her father is dead, Alba is forced to take care of the baby he left, even though the baby represents imbalance in her life.

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