Return to the world of Panem 24 years before the events of The Hunger Games, starting on the morning of the reaping of the 50th Hunger Games, also known as the Second Quarter Quell.
Post-credit scenes: results for “tag: killing fields”
New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.
Rithy Panh uses clay figures, archival footage, and his narration to recreate the atrocities Cambodia's Khmer Rouge committed between 1975 and 1979.
The Khmer Rouge slaughtered nearly two million people in the late 1970s. Yet the Killing Fields of Cambodia remain unexplained. Until now. Enter Thet Sambath, an unassuming, yet cunning, investigative journalist who spends a decade of his life gaining the trust of the men and women who perpetrated the massacres. From the foot soldiers who slit throats to Pol Pot's right-hand man, the notorious Brother Number Two, Sambath records shocking testimony never before seen or heard. Having neglected his own family for years, Sambath's work comes at a price. But his is a personal mission. He lost his parents and his siblings in the Killing Fields. Amidst his journey to discover why his family died, we come to understand for the first time the real story of Cambodia's tragedy.
A lost film, buried beneath Cambodia's killing fields, reveals different versions of the truth. A contemporary story about love, family and the ghosts of Cambodia's past.
The story of a soldier faced with mission of executing prisoners in an unspecified place and time. The film follows a hot summer day in the life of Džoni, a twenty-year-old recruit, who is sent to an abandoned farm on an unknown mission. The soldiers wait to battle unnamed terrorists, but instead, a bus full of prisoners arrives to the barracks. The commander orders the soldiers to execute the prisoners. At first, Džoni is shocked by the cruel killings, but as more prisoners arrive, he begins to enjoy the executions.