Post-credit scenes: results for “tag: labor”

The Wages of Fear (1953): nobody has checked the credits yet.

In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.

Poster for The Sea Speaks His Name (2026). No votes yet on whether it has a post-credit scene.

Set during the volatile final months of Indonesia’s New Order regime, the narrative chronicles a young student activist's perilous commitment to pro-democracy underground movements and his family's subsequent, grueling quest for justice following his forced disappearance.

Poster for Car Wash (1976). No votes yet on whether it has a post-credit scene.

This day-in-the-life cult comedy focuses on a group of friends working at Sully Boyar's Car Wash in the Los Angeles ghetto. The team meets dozens of eccentric customers -- including a smooth-talking preacher, a wacky cab driver and an ex-convict -- while cracking politically incorrect jokes to a constant soundtrack of disco and funk. Some of the workers find romance as the day moves along, but most are just happy to get through another shift.

Poster for Norma Rae (1979), awaiting its first vote.

Norma Rae is a southern textile worker employed in a factory with intolerable working conditions. This concern about the situation gives her the gumption to be the key associate to a visiting labor union organizer. Together, they undertake the difficult, and possibly dangerous, struggle to unionize her factory.

Poster for Rat Man (1988), blank on post-credit scenes.

After a model is brutally murdered on a Caribbean island, her sister's investigation uncovers a horrifying rat-like creature.

Mother Küsters Goes to Heaven (1975): nobody has checked the credits yet.

Frau Emma Küsters prepares dinner late one seemingly-ordinary afternoon in her seemingly-ordinary Frankfurt kitchen. She wants to add canned sausages to the stew; her irritating daughter-in-law thinks otherwise. But the point is moot: Ernst Küsters has not only murdered the personnel director at the soap factory where he's employed but succeeded that by committing suicide.

Doi Boy (2023) poster. Still unanswered: is there a scene after the credits?

Sorn, an ethnic Shan sex worker, tries to build a future in Chiang Mai, Thailand, as a refugee far from home, but he is drawn into a complex relationship with one client, an investigator probing a political activist.

Harlan County War (2000) poster. The count is still zero.

A Kentucky woman whose mine-worker husband is nearly killed in a cave-in, and whose father is slowly dying of black lung disease, joins the picket lines for a long, violent strike.

Image for Footsteps (2022), a film with no post-credit data.

In Footsteps, Fiona Tan creates connections between personal stories and the world around us. The footage shows children at play and Dutch windmills, but above all people engaged in heavy physical labour in the countryside and in factories. In a fascinating juxtaposition, she combines these images with excerpts from letters she received from her father just after she moved to the Netherlands in the late 1980s. Through his education in Indonesia, Tan’s father knew a lot about the Netherlands without ever having visited the country. In the letters, he meanders seamlessly between personal news and world events, such as the fall of the Berlin Wall and the Tiananmen Square protests in Beijing.

Image for Techno Precariousness (2022), a film with no post-credit data.

Dioni, like every day, is late for work. His boss already warned him that if this happened again, he would leave him on the street. Someone is going to have to run if he wants to get paid this month...

Sweatshop Girl (2023): nobody has checked the credits yet.

Inés works as a seamstress in a sweatshop where pregnancy tests are periodically administered. When she becomes pregnant, she is sure that her condition will get her fired. She does everything she can to keep it a secret.

Key art for Confessions of a CEO: My Life in an Out-of-Balance World (2025), unanswered on the post-credit question.

A bare-knuckled critique of corporate America told through the powerful true story of a toxic CEO who evolves from a profits-over-people, philandering executive to an unorthodox leader, populist messenger, and mentor to American influencers. It’s a story of growth, redemption and the impact of self-awareness on leadership and life.

Movie poster for Traces (2025), waiting for its first vote.

A woman seeks quiet labor as a way out of institutional power, only to encounter the same hierarchies inside the homes she cleans. Instead of open resistance, she responds through private, invisible acts, leaving behind subtle traces that insist on her presence.

Movie art for Youth (Spring) (2023), post-credit scene unknown.

This film was shot between 2014 and 2019 in the town of Zhili, a district of Huzhou City in Zhejiang province, China. Zhili is home to over 18,000 privately-run workshops producing children's clothes, mostly for the domestic market, but some also for export. The workshops employ around 300,000 migrant workers, chiefly from the rural provinces of Yunnan, Guizhou, Anhui, Jiangxi, Henan and Jiangsu.

Cover image for WALKA! (2024), not yet voted on.

France: 2020s. Piotr, a young Polish immigrant stuck in a string of odd jobs, crosses paths with Stefano, a burly mover. Little did Piotr know, this encounter would soon draw him into the eerie world of nighttime fighting.

Morichales (2024) poster. Still unanswered: is there a scene after the credits?

In Venezuelan Guayana, large gold reserves lie beneath “moriche” palms, attracting multitudes of miners to the territory. A fictional explorer narrates a journey from far-flung mines in the jungle to the banks of the Orinoco River, trying to understand the uncertain fortune of humanity immersed in the anxious quest for treasure. His reflections combine illustrations and photochemical paintings to draw a map of the extraction and commercialization of gold, object and symbol through which he questions where value resides.

Cover image for Chidambaram (1985), not yet voted on.

Chidambaram is based on a short story by noted Malayalam writer C. V. Shriraman. The film is a deeply symbolic exploration of the man-woman attraction leading to betrayal and eventually to the purgatory of guilt.

La Vida No Vale Nada (1955) poster. Still unanswered: is there a scene after the credits?

Pablo, a wandering laborer, has imprisoned himself in a hell of alcoholism. Cruz, a widow, reaches out to the troubled man, but even her compassion may not be enough to save him.

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