Post-credit scenes: results for “tag: labor union”

Movie art for The Irishman (2019), post-credit scene unknown.

Pennsylvania, 1956. Frank Sheeran, a war veteran of Irish origin who works as a truck driver, accidentally meets mobster Russell Bufalino. Once Frank becomes his trusted man, Bufalino sends him to Chicago with the task of helping Jimmy Hoffa, a powerful union leader related to organized crime, with whom Frank will maintain a close friendship for nearly twenty years.

Poster for Matewan (1987). Never been answered.

Filmed in the coal country of West Virginia, "Matewan" celebrates labor organizing in the context of a 1920s work stoppage. Union organizer, Joe Kenehan, a scab named "Few Clothes" Johnson and a sympathetic mayor and police chief heroically fight the power represented by a coal company and Matewan's vested interests so that justice and workers' rights need not take a back seat to squalid working conditions, exploitation and the bottom line.

Poster for Golden Boy (1996). Never been answered.

Antoine a Union representative works in a financially troubled factory. He's not the sharpest tool in the box but he has a big heart and when he and his wife win the jackpot of the national lottery. Antoine will invest his gain to try and safe the factory.

Key art for Silkwood (1983), unanswered on the post-credit question.

Like most of the people in her town, Karen Silkwood works at the local nuclear plant producing highly radioactive plutonium. Exposed one day to a lethal dose of radiation, Karen faces the blank walls of corporate indifference and denial. As her illness increases, her protest grows louder and she becomes an obvious danger to the powers that be.

Poster for Absence of Malice (1981). No votes yet on whether it has a post-credit scene.

Megan Carter is a reporter duped into running an untrue story on Michael Gallagher, a suspected racketeer. He has an alibi for the time his crime was allegedly committed—but it involves an innocent party. When he tells Carter the truth and the newspaper runs it, tragedy follows, forcing Carter to face up to the responsibilities of her job when she is confronted by Gallagher.

New in Town (2009) poster. The count is still zero.

Lucy Hill is an ambitious up-and-coming executive living in Miami. She loves her shoes, her cars, and climbing the corporate ladder. When she is offered a temporary assignment — in the middle of nowhere — to restructure a manufacturing plant, she jumps at the opportunity, knowing that a big promotion is close at hand. What begins as a straightforward assignment becomes a life-changing experience as Lucy discovers greater meaning in her life and, most unexpectedly, the man of her dreams.

Poster art for Faith (2005), an open question on post-credit scenes.

A gripping story of love, deceit, betrayal and survival set against the backdrop of the Miners' Strike of 1984-85. Michelle is married to Gary, a young miner who goes on strike as soon as the dispute between the Thatcher government and the National Union of Mineworkers (NUM) begins. Meanwhile, her sister Linda's husband Paul is a local policeman. Paul becomes more and more voluble in his opposition to the strike, while Linda looks around her and witnesses the women of her community suddenly find a voice and independence. The scene is set for political and personal conflicts which would change their lives forever.

Poster for At War (2018). No votes yet on whether it has a post-credit scene.

After promising 1100 employees that they would protect their jobs, the managers of a factory decide to suddenly close up shop. Laurent takes the lead in a fight against this decision.

Image for Walt Disney: Behind the Magic (2024), a film with no post-credit data.

An examination of Walt Disney, the man who created "the happiest place on earth," but whose life was far from a fairy tale with employee strikes, financial hardships and personal tragedies.

Poster for Norma Rae (1979), awaiting its first vote.

Norma Rae is a southern textile worker employed in a factory with intolerable working conditions. This concern about the situation gives her the gumption to be the key associate to a visiting labor union organizer. Together, they undertake the difficult, and possibly dangerous, struggle to unionize her factory.

Strike (1925) poster. Still unanswered: is there a scene after the credits?

Just before the 1905 Bolshevik Revolution, factory workers strike against their oppressive factory bosses. When a worker is accused of stealing a piece of machinery, he commits suicide, and his colleagues revolt against the overarching Czarist regime. As the strike drags on and government officials grow increasingly desperate to end it, their methods of dealing with the rebellious workers become more and more aggressive.

Poster, A Matter of Sex (1984). Nobody has voted on this one.

Dramatization of the true story of the so-called Willmar Eight, a group of Minnesota bank workers who braved freezing conditions whilst picketing their branch in a struggle for union rights.

Poster for Wałesa: Man of Hope (2013). Never been answered.

How was it possible that a single man influenced contemporary world so significantly? This film is an attempt to capture the phenomenon of a common man’s metamorphosis into a charismatic leader — an attempt to see how a Gdansk shipyard electrician fighting for workers’ rights awakened a hidden desire for freedom in millions of people.

Movie poster for Cart (2014), waiting for its first vote.

In response to a sudden dismissal of staff, workers at a big retail store begin a protest against their employer's oppressive labor policies.

Movie art for Salt of the Earth (1954), post-credit scene unknown.

At New Mexico's Empire Zinc mine, Mexican-American workers protest the unsafe work conditions and unequal wages compared to their Anglo counterparts. Ramon Quintero helps organize the strike, but he is shown to be a hypocrite by treating his pregnant wife, Esperanza, with a similar unfairness. When an injunction stops the men from protesting, however, the gender roles are reversed, and women find themselves on the picket lines while the men stay at home.

Movie poster for God's Little Acre (1958), waiting for its first vote.

In the 1950s, a poor Georgia cotton farmer and his sons search for the gold presumably buried on the farm by their grandfather but problems related to poverty, marital infidelity, unemployment and booze threaten to destroy their family.

The Valley of Decision (1945) poster. Still unanswered: is there a scene after the credits?

Mary Rafferty comes from a poor family of steel mill workers in 19th Century Pittsburgh. Her family objects when she goes to work as a maid for the wealthy Scott family which controls the mill. Mary catches the attention of handsome scion Paul Scott, but their romance is complicated by Paul's engagement to someone else and a bitter strike among the mill workers.

Key art for Bread and Roses (2000), unanswered on the post-credit question.

In Los Angeles, undocumented Mexican immigrant Maya finds work as a janitor through her sister, Rosa. However, as both work non-union, conditions are grim. After enduring abuse from her superiors, Maya is open to the pro-union rhetoric offered by organiser Sam Shapiro. Rosa, meanwhile, is far less interested in clashing with management, given the needs of her family, and a rift forms between the sisters.

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