Post-credit scenes: results for “tag: light”

Key art for Men in Black II (2002), unanswered on the post-credit question.

Kay and Jay reunite to provide our best, last and only line of defense against a sinister seductress who levels the toughest challenge yet to the MIB's untarnished mission statement – protecting Earth from the scum of the universe. It's been four years since the alien-seeking agents averted an intergalactic disaster of epic proportions. Now it's a race against the clock as Jay must convince Kay – who not only has absolutely no memory of his time spent with the MIB, but is also the only living person left with the expertise to save the galaxy – to reunite with the MIB before the earth submits to ultimate destruction.

Movie art for Underworld: Evolution (2006), post-credit scene unknown.

As the war between the vampires and the Lycans rages on, Selene, a former member of the Death Dealers (an elite vampire special forces unit that hunts werewolves), and Michael, the werewolf hybrid, work together in an effort to unlock the secrets of their respective bloodlines.

Queen of the Damned (2002) cover. Nothing recorded about its credits.

Vampire Lestat awakens from his slumber and becomes a rock star. But chaos strikes when his music awakens Akasha, the vampire queen, who may not rest until she makes Lestat her new king.

Poster for Beautiful Creatures (2013), awaiting its first vote.

Ethan Wate just wants to get to know Lena Duchannes better, but unbeknownst to him, Lena has strange powers. As Lena's 16th birthday approaches she might decide her fate, to be good or evil. A choice which will impact her relationship forever.

Poster for Skyline (2010). No votes yet on whether it has a post-credit scene.

When strange lights descend on the city of Los Angeles, people are drawn outside like moths to a flame where an extraterrestrial force threatens to swallow the entire human population off the face of the Earth. Now the band of survivors must fight for their lives as the world unravels around them.

Poster for Day Watch (2006). No votes yet on whether it has a post-credit scene.

A man who serves in the war between the forces of Light and Dark comes into possession of a device that can restore life to Moscow, which was nearly destroyed by an apocalyptic event.

Key art for Vanishing on 7th Street (2010), unanswered on the post-credit question.

A mysterious global blackout yields countless populations to simply vanish, leaving only their clothes and possessions behind. A small handful of survivors band together in a dimly-lit tavern on 7th Street, struggling to combat the apocalyptic horror. Realizing they may in fact be the last people on earth, a dark shadow hones in on them alone.

Poster for Squirm (1976), blank on post-credit scenes.

A violent electrical storm topples power lines into the rain soaked earth that is home for an aggressive breed of worms. The high voltage causes the worms to mutate into larger, hostile hordes of man-eating worms that lie in wait for the residents of Fly Creek.

Poster for Crazy for Love (2005), blank on post-credit scenes.

A suicidal comedy about two young lovers who get married and escape from a mental institution in search of new ways to die...and the white light.

Light cover. Nothing recorded about its credits.

A university professor on the verge of divorce and a new life is confronted with a series of encounters that make him doubt his desires — and reality.

Vertical Wide (2018). Nobody has said whether there is anything after the credits.

With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical Wide is part of a trio of video works that are a series of dream-like moving pictures.

Night Walk. Nobody has said whether there is anything after the credits.

Laura cannot sleep after a nightmare, so she goes for a walk with her dog.

Movie poster for At First Light (2018), waiting for its first vote.

High school senior Alex has an encounter with mysterious lights that appear over her small town. She soon develops dangerous, supernatural abilities, and turns to her childhood friend Sean. The authorities target them and a chase ensues as officials try to discover the truth behind Alex's transformation.

Film artwork for Vertical White (2018), no verdict on the credits.

With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical White is part of a trio of video works that are a series of dream-like moving pictures.

Poster for Vertical Red (2018). Never been answered.

With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical Red is part of a trio of video works that are a series of dream-like moving pictures.

The Blue Light (1932) cover. Nothing recorded about its credits.

Junta is hated by the people in the village where she lives, especially by the women, who suspect her of being a witch. Only she can climb the nearby mountains to a cave high up, whence a mysterious blue light glows when the moon is full. Many young men of the village have died trying to follow her. She is driven out of town, and takes to living in the mountains. Eventually she shares the secret of the blue light with one man, and he betrays it.

Film artwork for Detour (2017), no verdict on the credits.

A young law student, grieving for his dying mother, struggles to decide whether he should kill his unfaithful step-father.

Film artwork for Slow Light (2022), no verdict on the credits.

A story of a man with a very dense eyes who sees all the surrounding reality only after seven years. The consequence of the eye defect translates into the mental immaturity of the man, lack of understanding of the present and belated reflections on long-gone facts. The man is never mature enough for his age and constantly lingers on the past.

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