Post-credit scenes: results for “tag: lithuania”

Movie art for Hannibal Rising (2007), post-credit scene unknown.

The story of the early, murderous roots of the cannibalistic killer, Hannibal Lecter – from his hard-scrabble Lithuanian childhood, where he witnesses the repulsive lengths to which hungry soldiers will go to satiate themselves, through his sojourn in France, where as a medical student he hones his appetite for the kill and learnt sword skills from his Japanese girlfriend, who happened to have similar fate

Key art for The Last Days (1999), unanswered on the post-credit question.

Romance brings two warring families together in this historical drama. As citizens fight for independence in 1810s Lithuania, Tadeusz, the son of a murderer, and Zosia, a young woman, come together for a wedding against a backdrop of changing politics, ancient traditions, and the uncertain future of a country.

Redirected (2014) artwork. Still a mystery after the credits.

Four friends become stranded in Eastern Europe and have to become hit men, prostitutes, corrupt cops, smugglers and more to make it home.

Cover image for Jons und Erdme (1959), not yet voted on.

Adaptation of Hermann Sudermann's novel about the troubled relationship between the strong willed Erdme and her irascible husband Jons in the Lithunian moors.

Image for The Lawyer (2020), a film with no post-credit data.

Marius is a highly successful lawyer based in Vilnius. He becomes obsessed with Ali, a handsome Syrian refugee he first encounters in an online chatroom run out of Belgrade. Marius is rich and enjoys a vibrant social and cultural life. Nevertheless, he feels that something is missing from it. The journey from Lithuania to Serbia is a relatively short one, but can the two navigate their way through the gulf that separates their very different lives? And how do they deal with the precarious obstacles of the physical borders that stand between them? Written and directed by Romas Zabarauskas, The Lawyer questions assumptions about what it means to be an immigrant and the possibilities offered by life in contemporary Europe.

Cover image for Zero 2 (2010), not yet voted on.

What would you get if you mix a gangster film and a soap opera? "Zero 2" is a crazy twister of criminal romance and sexy violence that just might laugh you to death.

Burial (2022) artwork. Still a mystery after the credits.

With striking images and meticulous sound work, Burial reminds us of the paradoxical relationship between scientific development and the destruction of nature. Questioning the effects of human activity on the planet we inhabit and which we have put at risk, the film focuses on the unsolved issues of nuclear plants and nuclear activity.

Poster art for Techno, Mama (2021), an open question on post-credit scenes.

Nikita loves to listen to techno music and dreams to go to Berlin and visit the famous club “Berghain”. His mother Irena doesn’t know about his son’s dreams and soon enough their mutual expectations will clash.

Nobody Wanted to Die (1966) poster. The count is still zero.

The film is set in Lithuania after the Second World War. It shows dramatic events in a small Lithuanian farming community, where people are split between the Soviets and the "brothers in the woods", who are fighting to defend their land from the Soviets after the end of the Second World War.

The Invisible Front (2014) artwork. Still a mystery after the credits.

Between 1944–1953, courageous resistance movement took place in the Baltic region of Europe, uniting the partisan troops for struggle against the Soviet Union. “The Invisible Front” was a coded name used by the Soviet Interior forces to describe the resistance movement in Lithuania. Film depicts the story of the fighters through the words and experience of the partisan leader, Juozas Luksa, and interviews with eyewitnesses of those events - both the partisans and the Soviet fighters. Tales of horror, torture and courage are told in the rare archival footage that has never been screened before, and interviews with the surviving members of the resistance movement.

Movie poster for Antigravitation (1995), waiting for its first vote.

An isolated village in the Lithuanian countryside. Seated in her house, an elderly woman recites an old folk story. Then she climbs up the tall ladder that takes her to the rooftop of the church.

Image for Code of Tumas (2018), a film with no post-credit data.

“Code of Tumas ” is an effort to show the well-known events and processes of history through the eyes of a direct person with a subjective and emotional look. Letters, publicism, all creations of Juozas Tumas Vaižgantas, also memories of his contemporaries make this reconstruction possible.

Reminiscences of a Journey to Lithuania (1972) cover. Nothing recorded about its credits.

Jonas Mekas weaves an elegiac diary film from his 1971–72 return to Lithuania, chronicling a visit to his birthplace of Semeniškiai after decades in exile. Blending personal memory with documentary observation, the film becomes both a portrait of homecoming and a meditation on displacement, family, and the passage of time.

Movie art for Emilia (2017), post-credit scene unknown.

Soviet Lithuania in 1972. A young theatre actress is trying to make a difference and tell the forbidden story of repression in a play.

Movie art for Caucasus (2019), post-credit scene unknown.

Tekle and her young daughter, Ema, return from abroad to visit Dalia, Tekle’s mother. When Ema goes out to walk her dog, Dalia, fearing something terrible might happen to her granddaughter, starts looking for her.

Master and Tatyana (2015) artwork. Still a mystery after the credits.

Lithuanian photographer, the legend of Soviet Sixties' generation Vitas Luckus tragically passed away in 1987. Yet the life and times of the talented rebel still impassion and lead us to a journey questioning why, at all times, we are wary of those who are really free.

The War, Donald Trump and Us (2026) poster. The count is still zero.

2025, the year of the intensification of a total and deadly war, which nothing and no one seems able to stop, targeting military personnel and civilians, and which has now claimed more than 1.5 million lives or left that many wounded on both sides. But 2025 is also the year of our break with Donald Trump's America, an America with violent and unpredictable reactions, which risks abandoning the old continent, its most loyal ally for 80 years, for Vladimir Putin. How can we stop this bloodshed on our doorstep? How can we contain the master of the Kremlin, a dictator whose predatory logic threatens to spread beyond Ukraine? Sabotage, ghost ships, interference operations, and drone flights: he is already waging a hybrid war against the rest of Europe. Is armed conflict between Europe and Russia now a possibility?

Cover image for Going Home (1972), not yet voted on.

A home movie by Adolfas Mekas and wife Pola Chapelle on their travels to Lithuania and Europe. It was filmed concurrently with the more highly regarded “Reminiscences of a Journey to Lithuania” by Jonas Mekas, brother to Adolfas.

Goodbye, Ane! (2026): nobody has checked the credits yet.

Ane is a young Lithuanian woman and wife of a fisherman who left for sea. Her husband's wait grows longer and longer until she becomes confused between what is real and what is illusion in an increasingly confused and dreamlike wait until evening falls.

Homeland (1990): nobody has checked the credits yet.

The film is an emotional story about fateful historical events in the 20th century, which took place in three Baltic countries- Latvia, Lithuania and Estonia. The story is also about their efforts to regain independence.

Privacy policy

When you vote, we save your Yes or No answer and when you voted.

We use a cookie and your internet address to recognize your vote on each movie. This prevents repeat votes. The cookie lasts for five years.

Your votes are kept as part of the movie totals.