Post-credit scenes: results for “tag: lover”

Poster for Basic Instinct (1992), awaiting its first vote.

Catherine, a novelist with an insatiable sexual appetite, becomes a prime suspect when her boyfriend is brutally murdered -- a crime she had described in her latest story.

Image for Much Ado About Nothing (1993), a film with no post-credit data.

In this Shakespearean farce, Hero and her groom-to-be, Claudio, team up with Claudio's commanding officer, Don Pedro, the week before their wedding to hatch a matchmaking scheme. Their targets are sharp-witted duo Benedick and Beatrice -- a tough task indeed, considering their corresponding distaste for love and each other. Meanwhile, meddling Don John plots to ruin the wedding.

Poster art for Closer (2004), an open question on post-credit scenes.

The relationships of two couples become complicated and deceitful when the man from one couple meets the woman of the other.

Lust, Caution (2007) cover. Nothing recorded about its credits.

During World War II, a secret agent must seduce, then assassinate an official who works for the Japanese puppet government in Shanghai. Her mission becomes clouded when she finds herself falling in love with the man she is assigned to kill.

Poster art for Stage Fright (1950), an open question on post-credit scenes.

A struggling actress tries to help a friend prove his innocence when he's accused of murdering the husband of a high-society entertainer.

Poster, The Lover (1992). Nobody has voted on this one.

A poor French teenage girl engages in an illicit affair with a wealthy Chinese heir in 1920s Saigon. For the first time in her young life she has control, and she wields it deftly over her besotted lover throughout a series of clandestine meetings and torrid encounters.

Cover image for Dangerous Liaisons (1988), not yet voted on.

In 18th century France, Marquise de Merteuil asks her ex-lover Vicomte de Valmont to seduce the future wife of another ex-lover of hers in return for one last night with her. Yet things don’t go as planned.

Poster for The Unbearable Lightness of Being (1988). Never been answered.

Successful surgeon Tomas leaves Prague for an operation, meets a young photographer named Tereza, and brings her back with him. Tereza is surprised to learn that Tomas is already having an affair with the bohemian Sabina, but when the Soviet invasion occurs, all three flee to Switzerland. Sabina begins an affair, Tom continues womanizing, and Tereza, disgusted, returns to Czechoslovakia. Realizing his mistake, Tomas decides to chase after her.

Key art for Blood Simple (1985), unanswered on the post-credit question.

The owner of a seedy small-town Texas bar discovers that one of his employees is having an affair with his wife. A chaotic chain of misunderstandings, lies and mischief ensues after he devises a plot to have them murdered.

Poster for Vanity Fair (2004), awaiting its first vote.

In early 19th century England, orphaned Becky Sharp defies her poverty-stricken background and ascends the social ladder alongside her best friend.

Movie poster for Double Lover (2017), waiting for its first vote.

Chloé, a fragile young woman, falls in love with her psychoanalyst, Paul. A few months later she moves in with him, but soon discovers that her lover is concealing a part of his identity.

Poster for Hiroshima Mon Amour (1959). Never been answered.

The deep conversation between a Japanese architect and a French actress forms the basis of this celebrated French film, considered one of the vanguard productions of the French New Wave. Set in Hiroshima after the end of World War II, the couple -- lovers turned friends -- recount, over many hours, previous romances and life experiences. The two intertwine their stories about the past with pondering the devastation wrought by the atomic bomb dropped on the city.

Poster for Hideous Kinky (1999), blank on post-credit scenes.

In 1972, disenchanted about the dreary conventions of English life, 25-year-old Julia heads for Morocco with her daughters, six-year-old Lucy and precocious eight-year-old Bea.

Cover image for On a Magical Night (2019), not yet voted on.

After 20 years of marriage, Maria decides to leave her husband. She moves into room 212 at the hotel across the street, with a bird’s-eye view of her apartment, her husband and the life she shared with him. While she wonders if she made the right decision, many of the people in her life offer their opinions on the matter. They intend to let her know, whether she likes it or not, on what proves to be a life-changing evening.

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