Post-credit scenes: results for “tag: married”

Poster for Manhattan (1979), blank on post-credit scenes.

Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.

Movie poster for My Husband, My Wound (2026), waiting for its first vote.

A devoted mother trapped in an abusive marriage finds hope through a courageous women's rights lawyer as her daughter's worsening condition forces her to fight for freedom and her child's survival.

Dilan 1997 (2026): nobody has checked the credits yet.

Dilan is an ITB student who returned from Cuba in March 1997. In the midst of the heated political situation leading up to the Reformation.

Baby Udon (2026) cover. Nothing recorded about its credits.

Fanny Kondoh, a young Indonesian woman, falls in love with Hajime Kondoh, a Japanese man who comes to Indonesia for work. After getting married, Fanny and Hajime begin building a life together, embracing both its joys and challenges. As they struggle to fulfill their dream of having a child, they are faced with one heartbreaking trial after another, testing the strength of their love, especially when Hajime is diagnosed with cancer.

Carry On Loving (1970): nobody has checked the credits yet.

The Wedded Bliss computer dating agency aims to bring together the lonely hearts of Much-Snoggin-in-the-Green. Its owner, Sidney Bliss, has enough complications in his own love life, but still produces a pamphlet called 'The Wit to Woo'. The strange collection of hopefuls lead to some outlandish matches—and jealousies are bound to lead to trouble.

Biology 101 (2013) artwork. Still a mystery after the credits.

A College professor finds his life unraveling when a new student joins his class, a student who may or may not be the very subject of his darkest secret. His obsession could kill him and his family.

Movie art for Inexistent (2023), post-credit scene unknown.

A young woman who struggled with a childhood mental illness falls in love with a married man. Never having real love, she will do anything to keep it, even if murder is the only option.

Ki & Ka (2016). Nobody has said whether there is anything after the credits.

An unconventional woman, gains immense success in her professional life but things take a turn when she meets a guy, who wants to be a house husband.

The Serpent Spirit Goddess (2026) cover. Nothing recorded about its credits.

Dedi, a man who is bankrupt and deep in debt, performs a ritual to marry a beautiful jinn named Dewi in order to get the money to pay off his debts—with one condition: he must never marry anyone else. As Dedi grows richer and more prosperous, he suddenly falls in love with a woman and intends to marry her. Dewi becomes furious because Dedi has forgotten the condition of the ritual, and eventually, a series of terrifying events threatens the lives of those closest to Dedi.

Poster art for Patah Hati Yang Kupilih (2025), an open question on post-credit scenes.

Deeply in love but separated by an unbridgeable divide, a young couple must navigate conflicting family blessings and deep-seated differences to discover if their relationship can truly survive.

Poster for Get M4rried (2013), blank on post-credit scenes.

While celebrating their children's birthdays, Mae and Rendy received shocking news. Sophie announces that she will get married to Kim Bum Park, a Korean man whom she just met for 3 weeks when holidaying in Korea.

Poster for Bodas de Papel (1979), awaiting its first vote.

Esther and Gustavo are celebrating seven years of happy marriage. Two beautiful children and a comfortable home in a residential area backs the stability of the still young couple, a conventional model of marriage where nothing seems to disturb their harmonious coexistence.

Silariang: Cinta Yang (Tak) Direstui (2018) poster. Still unanswered: is there a scene after the credits?

After several years of being in relationship, Yusuf knew at what point he had to be brave to take his relationship to the next level with Zulaikha. Their love is pure and sincere and both hope this will become a solid foundation for both of them in the future. But the future is indeed unpredictable. Their love is hindered by caste differences. Zulaikha, who is descended from Bugis aristocrats, is not allowed to marry Yusuf, who, although he is well off, is from the common people of Makassar. History repeated itself because in the past, Yusuf's father, Dirham faced a similar polemic. Unlike his father, Yusuf was bolder against custom. He chose to fight for his love and asked Zulaikha to run with him.

Poster for I Promise (2013), awaiting its first vote.

A married couple's boring evening routine is complicated when the wife's sudden apprehension over her husband's impending overseas trip leads to bittersweet revelations.

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