Post-credit scenes: results for “tag: matchmaking”

Image for The Parent Trap (1998), a film with no post-credit data.

Hallie Parker and Annie James are identical twins who were separated at a young age due to their parents' divorce. Unbeknownst to their parents, the girls are sent to the same summer camp, where they meet, discover the truth about their relationship, and come up with a plan to switch places in an effort to reunite their mother and father.

Film artwork for Clueless (1995), no verdict on the credits.

Shallow, rich and socially successful Cher is at the top of her Beverly Hills high school's pecking scale. Seeing herself as a matchmaker, Cher first coaxes two teachers into dating each other. Emboldened by her success, she decides to give hopelessly klutzy new student Tai a makeover. When Tai becomes more popular than she is, Cher realizes that her disapproving ex-stepbrother was right about how misguided she was -- and falls for him.

Set It Up (2018) artwork. Still a mystery after the credits.

Two overworked and underpaid assistants come up with a plan to get their bosses off their backs by setting them up with each other.

Poster art for It Takes Two (1995), an open question on post-credit scenes.

Identical 9-year-olds from very different backgrounds: orphaned Amanda and wealthy Alyssa meet at summer camp and decide to switch places -- and play matchmaker between Alyssa's dad, Roger, and the kind social worker who cares for Amanda.

The Big Sick (2017) artwork. Still a mystery after the credits.

Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings.

Only You (1994) poster. The count is still zero.

Two childhood paranormal incidents have convinced schoolteacher Faith Corvatch that her true love is a guy named 'Damon Bradley', but she has yet to meet him. Preparing to marry podiatrist Dwayne in ten days, Faith receives a phone call from Dwayne's old classmate Damon Bradley, who is on his way to Venice. She impulsively decides to fly to Italy with the hope of finally encountering the man of her dreams. Accompanying her on the trip is her sister-in-law and best friend Kate, who has just left her husband, Faith's brother Larry.

White Christmas (1954). Nobody has said whether there is anything after the credits.

Two talented song-and-dance men team up after the war to become one of the hottest acts in show business. In time they befriend and become romantically involved with the beautiful Haynes sisters who comprise a sister act.

The Perfect Man (2005) artwork. Still a mystery after the credits.

Holly is tired of moving every time her mom Jean breaks up with yet another second-rate guy. To distract her mother from her latest bad choice, Holly conceives the perfect plan for the perfect man, an imaginary secret admirer who will romance Jean and boost her self-esteem.

Love Insurance Kompany (2026) poster. The count is still zero.

In 2040, an app premised on ensuring romance for all is used widely by the population. When the voice behind the app's AI realizes its misconception to true love, he embarks on a quest to prove that love does not come from a screen.

Image for Late Autumn (1960), a film with no post-credit data.

A woman and her daughter are each forced to contend with an increasing pressure to marry, particularly from three men who knew her late husband.

Film artwork for Early Summer (1951), no verdict on the credits.

In postwar Tokyo, Noriko lives with her extended family. Although she enjoys her career and her social life, her more traditional family worries about her single marital status at the advanced age of 28. 40-year-old business associate Takako proposes, Noriko's family press her into accepting, but when her widowed childhood friend Kenkichi returns to the neighborhood, she finds her heart leading in another direction.

Poster, Love by Chance (2016). Nobody has voted on this one.

Claire, an ambitious pastry chef, is busy running her new restaurant, but her meddling mom is preoccupied with her lack of love life. Without her knowledge, Claire’s mother finds her the perfect man, but when Claire finds out it wasn’t fate that brought them together, it could ruin the relationship.

Key art for Love's Match (2021), unanswered on the post-credit question.

Smart and beautiful matchmaker Leah Price is the owner of dating website Soulmatch. But when one of her clients still doesn’t find love, Leah reluctantly agrees to allow devilishly handsome rival matchmaker Peter Beckett, whose speciality is arranging romantic meet-cutes, to help her.

Poster for Aisha (2010). Never been answered.

Aisha, who loves playing matchmaker much to her friend Arjun's disapproval, finds a new target in the simple Shefali. But in the process, she ends up ruining her own relationship with close friends.

Film artwork for Billboard Dad (1998), no verdict on the credits.

High above Hollywood Mary-Kate and Ashley Olsen are playing Matchmakers! One's a surfer. The other's a high diver. When these two sisters team up to find a new love for their newly single Dad, it's a fun-loving, eye-catching California adventure gone wild. Mary-Kate and Ashley star in this fabulously funny love-struck comedy filled with crazy schemes and cool surprises. Determined to find their Dad, Max, a new love, the girls paint a personal ad on a giant billboard in the heart of Hollywood. After a few disastrous dates, Max finally meets Brooke and it's love at first sight. There's just one hitch, her unruly skateboarding son is the girls' arch rival. Now, with the girls plotting every action-packed step of the way, they've got to find out if love really does conquer all. Full of outrageous events, mixed-up matches and lots of laughs, Billboard Dad tops the charts as Mary-Kate and Ashley's coolest mischief-making adventure ever!

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