Post-credit scenes: results for “tag: morbid”

Poster for Zigeunerweisen (1980). No votes yet on whether it has a post-credit scene.

A surreal period film following a university professor and his eerie nomad friend as they go through loose romantic triangles and face death in peculiar ways.

Film poster, Beastly Boyz (2006). No post-credit verdict yet.

When a beautiful young artist is savagely murdered at her secluded lakefront house by a group of soulless killers, her brother vows to avenge her — even at the cost of his soul.

Poster art for Teeth (2000), an open question on post-credit scenes.

Antonio is a man born with unusually large incisors; his freakishly huge teeth made him an outcast as a child and as man he has become obsessive and controlling in his relationships with women. Convinced that his girlfriend cheated on him (with her dentist, ça va sans dire), Antonio insults her in a fit of anger and in the fight she breaks off one of his teeth. Antonio now must travel across the country, going from dentist to dentist in search of someone who can make a crown that will suit his extra-large smile.

Movie art for Death Wish Club (1984), post-credit scene unknown.

A college student falls in love with a porn star and is sucked into psychological games with her twisted sugar daddy. This is the full film of the 'Gretta' segment in NIGHT TRAIN TO TERROR.

Poster for Végtelen percek (2011), awaiting its first vote.

On a summer afternoon, someone drips coffee, someone feeds a pigeon, someone kills a wasp, someone dies, someone runs away, someone copies, someone listens to the radio, someone makes a phone call, someone... And there may be some correlation between these things. Based on János Szántai's short story.

Poster for Another Job for the Undertaker (1901), awaiting its first vote.

Shows a bedroom in a hotel. On the wall of the room is a conspicuous sign "Don't blow out the gas." A hayseed enters the room, accompanied by a bellboy. The boy deposits the Rube's bag and umbrella, turns a somersault, and vanishes through the door. The Rube then removes his hat and coat and places them upon the table. They immediately vanish. He then blows out the gas. The scene then instantly changes to a funeral procession, headed by Reuben's hearse, and followed by the carriages of his country friends. Strictly up-to-date picture. (Edison Catalog, 1901)

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