Post-credit scenes: results for “tag: morocco”

Poster for Lonely Planet (2024). No votes yet on whether it has a post-credit scene.

At an idyllic writers retreat in Morocco, a newly single novelist finds an unexpected connection with a younger man who's reevaluating his life choices.

Image for The Adventures of Tintin (2011), a film with no post-credit data.

Intrepid young reporter, Tintin, and his loyal dog, Snowy, are thrust into a world of high adventure when they discover a ship carrying an explosive secret. As Tintin is drawn into a centuries-old mystery, Ivan Ivanovitch Sakharine suspects him of stealing a priceless treasure. Tintin and Snowy, with the help of salty, cantankerous Captain Haddock and bumbling detectives, Thompson and Thomson, travel half the world, one step ahead of their enemies, as Tintin endeavors to find the Unicorn, a sunken ship that may hold a vast fortune, but also an ancient curse.

Movie poster for Babel (2006), waiting for its first vote.

Tragedy strikes a married couple vacationing in the Moroccan desert, which jumpstarts an interlocking story involving four different families.

The Forgiven (2022) artwork. Still a mystery after the credits.

Over a weekend in the High Atlas Mountains of Morocco, a random accident reverberates through the lives of both the local Muslims and Western visitors to a house party in a grand villa.

Redemption Day (2021) poster. Still unanswered: is there a scene after the credits?

When his wife Kate is kidnapped by terrorists for ransom, veteran war hero Brad Paxton races against the clock to rescue her in a daring and deadly operation that pits him against powerful and dark forces.

Poster for Brideshead Revisited (2008), awaiting its first vote.

Befriended by aristocrat Sebastian Flyte, Oxford student Charles Ryder finds that the power and privilege experienced by the family is seductive. On a visit to the ancestral home, Brideshead, he falls in love with his friend's sister, Julia. However, as his ties to the Flytes deepen, Ryder finds himself at odds with their strong Roman Catholicism.

Poster, The Man Who Knew Too Much (1956). Nobody has voted on this one.

An American doctor and his wife, a former singing star, witness a murder while vacationing in Morocco, and are drawn into a twisting plot of international intrigue when their young son is kidnapped.

The Wind and the Lion (1975) cover. Nothing recorded about its credits.

At the beginning of the 20th century an American woman is abducted in Morocco by Berbers, and the attempts to free her range from diplomatic pressure to military intervention.

Film poster, Close (2019). No post-credit verdict yet.

A counter-terrorism expert takes a job protecting a young heiress. After an attempted kidnapping puts both of their lives in danger, they must flee.

Image for Highlander III: The Sorcerer (1994), a film with no post-credit data.

Deceived that he had won the Prize, Connor MacLeod wanders through the world; however, he is awakened from his peaceful life when an entombed immortal magician, Kane, escapes and comes seeking the Highlander.

Poster, Legionnaire (1998). Nobody has voted on this one.

Alain Lefevre is a boxer paid by a Marseille mobster to take a dive. When he wins the fight he attempts to flee to America with the mobster's girlfriend Katrina. This plan fails and he seeks escape by joining the foreign legion. As part of the legion he tangles with abusive lieutenant Steinkampf and bonds with legionnaires Luther, Mackintosh and Rosetti.

Poster for Hideous Kinky (1999), blank on post-credit scenes.

In 1972, disenchanted about the dreary conventions of English life, 25-year-old Julia heads for Morocco with her daughters, six-year-old Lucy and precocious eight-year-old Bea.

Poster for Paris or Perish (2013), blank on post-credit scenes.

Maya is living the ultimate fashionistas dream: she is working as a stylist for one of the French trend setters, in the capital of haute-couture: Paris. One of the IT girls of fashion, shes following her dreams until one night, when her life takes a sudden turn: shes being deported back to Morocco, after being stopped for over speeding, because her Visa expired some time ago. So in no more than 24 hours, shes deported back to her family and original country. The strong cultural shock and the judgmental differences are pushing the woman to obtain back her place in the city of dreams and her dreams, no matter the costs. But that doesn't mean she will have to return alone, as she finds other things also among her way back to the city.

Film poster, Ishtar (1987). No post-credit verdict yet.

Two terrible lounge singers get booked to play a gig in a Moroccan hotel but somehow become pawns in an international power play between the CIA, the Emir of Ishtar, and the rebels trying to overthrow his regime.

Image for Morocco (1930), a film with no post-credit data.

Mogador, Morocco. Late 1920s. A complex romance develops between a womanizing Legionnaire and a disillusioned Parisian cabaret singer.

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