Post-credit scenes: results for “tag: moth”

Poster for The Silence of the Lambs (1991), awaiting its first vote.

Clarice Starling is a top student at the FBI's training academy. Jack Crawford wants Clarice to interview Dr. Hannibal Lecter, a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into a case and that Starling, as an attractive young woman, may be just the bait to draw him out.

Movie art for The Gate (1987), post-credit scene unknown.

Three young children accidentally release a horde of nasty, pint-sized demons from a hole in a suburban backyard. What follows is a classic battle between good and evil as the three kids struggle to overcome a nightmarish hell that is literally taking over the Earth.

Poster art for Mothra vs. Godzilla (1964), an open question on post-credit scenes.

Journalists Ichiro Sakai and Junko cover the wreckage of a typhoon when an enormous egg is found and claimed by greedy entrepreneurs. Mothra's fairies arrive and are aided by the journalists in a plea for its return. As their requests are denied, Godzilla arises near Nagoya and the people of Infant Island must decide if they are willing to answer Japan's own pleas for help.

Key art for Ebirah, Horror of the Deep (1966), unanswered on the post-credit question.

Searching for his brother, Ryota stows away on a boat belonging to a criminal alongside two other teenagers. The group shipwrecks on Letchi island and discover the Infant Island natives have been enslaved by a terrorist organization controlling a crustacean monster. Finding a sleeping Godzilla, they decide to awaken him to defeat the terrorists and liberate the natives.

Image for The Blood Beast Terror (1968), a film with no post-credit data.

A scientist working with genetics creates a horrifying flying creature that feeds on human blood. Following a gruesome trail of dead bodies, Scotland Yard investigators must scramble to halt its ravenous rampage.

Mothra (1961): nobody has checked the credits yet.

Shipwreck survivors found on the presumably uninhabited Infant Island leads to a scientific expedition that discovers a surviving native population along with the Shobijin, tiny twin fairy priestesses of the island's mythical deity called Mothra. After the fairies are kidnapped by an exploitative businessman named Clark Nelson, Mothra sets out to rescue them.

Moth (2016) poster image. Zero votes so far.

An enthusiastic lecturer and her student travel to Europe to go after the mythology of the Mothman, but they soon have to fight for survival.

Movie poster for Pyrale (2020), waiting for its first vote.

Summer 2016, somewhere in French provencal DrĂ´me, a mysterious plague strikes in the villages: swarms of white butterflies invaded the area. At dusk, everyone is locked up home, trapped by the seemingly unstoppable vermin. As the big swarm approaches, Lou discovers both the strange insects and her feelings for her friend Sam. By the end of the season, the moths will have devastated the entirety of the century-old box trees, leaving a ruined landscape behind them.

Image for The Lorelei (1990), a film with no post-credit data.

A lonely schoolteacher has a strange experience on her walking holiday. It haunts her and threatens to wreck her growing romance with a colleague.

Sex, Lies and Butterflies (2018). Nobody has said whether there is anything after the credits.

An exploration of the diversity of moths and butterflies from caterpillars to larvae to chrysalis to winged flight. The documentary covers camouflage and other anti-predatory tactics along with uniqueness of different species and amazing feats and colors.

Poster for Bunny (1998), awaiting its first vote.

Bunny, an elderly rabbit who uses a walker, is in her kitchen one night baking a cake. A pesky and persistent moth bangs about the kitchen. Nothing is what it seems.

Film artwork for Beast No More (2019), no verdict on the credits.

A young biologist, Mary Jane, who focuses on lepidoptery (the study of moths and butterflies), doesn't have the perfect life; she does however have what she considers the perfect son. Tragedy strikes and Mary Jane's world is disturbingly turned upside down. Fleeing the troubled "real world" she embarks upon a solitary bush project. In the isolated and surreal landscape Mary Jane starts experiencing strange phenomena. The opportunity to be a mother again presents itself, only it comes at a cost for Mary Jane and what's left of her family.

Slik blir det lettere (1956) poster image. Zero votes so far.

In part 1, a married couple take care of their new baby. In part 2, Leif Juster on stage presents a series of cooking and housekeeping tips. The fourth in a series of Norwegian commercial compilations addressed to "the modern housewife".

Poster for Mothlight (1963). Never been answered.

Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film.

Cat and Moth (2022) cover. Nothing recorded about its credits.

A fluffy white cat wants nothing more than to find the most comfortable spot in the universe, but little does she know someone else has their eye on it too.

Movie poster for A Short Vision (1956), waiting for its first vote.

The leaders, the wise men, the leopard, the deer, the owl and the rat all look up in the sky in fear as a strange object flies through the sky.

Poster for 2:30 (2025). Never been answered.

In a dark and cramped attic, Luna, a moth with dreams of becoming a dentist, sets up her first professional practice from home. As she works, she discovers an intoxicating euphoria in the glow of her dental light, forming an obsession that fuels her craft and enhances her skills. As the days blur together, her fixation deepens and her artistry decays along with her sanity.

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