Post-credit scenes: results for “tag: netherlands”

Cinderella Man (2005). Nobody has said whether there is anything after the credits.

The true story of boxer Jim Braddock who, following his retirement in the 1930s, makes a surprise comeback in order to lift his family out of poverty.

A Bridge Too Far (1977) poster. The count is still zero.

The story of Operation Market Garden—a failed attempt by the allies in the latter stages of WWII to end the war quickly by securing three bridges in Holland allowing access over the Rhine into Germany. A combination of poor allied intelligence and the presence of two crack German panzer divisions meant that the final part of this operation (the bridge in Arnhem over the Rhine) was doomed to failure.

Film artwork for Speak No Evil (2022), no verdict on the credits.

A Danish family visits a Dutch family they met on a holiday. What was supposed to be an idyllic weekend slowly starts unraveling as the Danes try to stay polite in the face of unpleasantness.

Tulip Fever (2017) poster image. Zero votes so far.

An artist falls for a married young woman while he's commissioned to paint her portrait. The two invest in the risky tulip market in hopes to build a future together.

Film artwork for Black Book (2006), no verdict on the credits.

Israel, 1956: Jewish teacher Rachel Stein rather unexpectedly meets an old friend at the kibbutz. It brings back memories of her experiences in the Netherlands during the war, memories of betrayal. In September 1944, Rachel's hiding place is bombed by Allied troops; she makes contact with a resistance member and joins a group of Jews to be smuggled across the Biesbosch to the freed South Netherlands. Only Rachel escapes a massacre by patrol Germans, and is rescued by a resistance group under the leadership of Gerben Kuipers, whose son is captured trying to smuggle weapons. Kuipers asks Rachel to seduce SS-hauptsturmführer Ludwig Müntze, a mission that she will soon learn that the boat attack wasn't a coincidence.

Sales Assistant (2026): nobody has checked the credits yet.

On a sales day, a 28-year-old Latina migrant works at a fast fashion store in the Netherlands, surviving a job she cannot afford to lose as her body starts to resist.

Poster for The Northerners (1992). No votes yet on whether it has a post-credit scene.

A black comedy set in the 1960s in a small Netherlands community, populated by a cast of eccentrics, all of whom hold a range of sexual obsessions and frustrated desires.

Poster for Winter in Wartime (2008). No votes yet on whether it has a post-credit scene.

During World War II in the freezing winter of 1944-45 the western Netherlands are in the grip of a famine. Many people move east to provide for their families. Fourteen year old Michiel can't wait to join the Dutch resistance, to the dismay of his father, who, as mayor, works to prevent escalations in the village.

Film poster, Soldier of Orange (1977). No post-credit verdict yet.

The lives of Erik Lanshof and five of his closest friends take different paths when the German army invades the Netherlands in 1940: fight and resistance, fear and resignation, collaboration and high treason.

Sharp Objects (2025). Nobody has said whether there is anything after the credits.

‘Sharp Objects’ follows the forgotten story of the Klungkung keris back to its origins and to its post-colonial relevance to Bali today, tracing the looting of the keris to modern day tourism in Bali. The film juxtaposes the 'knowledge' of colonial archives against community-based knowledge and mythology, convoluting the understanding of what is preserved, what is dead and what is lost. The artists apply a tangible intervention on the photochemical material they use for the film. This time consuming approach embodies the narrative of the labor intensive iron forging craftmanship of a keris blacksmith.

Film poster, Hopeless (2023). No post-credit verdict yet.

Yeon-gyu is a teenage boy who wants to escape his hometown where violence is commonly enacted among neighbors. He only hopes to have a peaceful life with his mother. However, the world never allows him to have a dream nor hope for life. When Yeon-gyu needs a hand from grown-ups, Chi-geon, a thug of the town, offers a favor. The simple favor leads Yeon-gyu to explore the world of Chi-geon. It ironically results Yeon-gyu gradually falling into Chi-geon's life. Grasping hope to run away from where he is, he struggles between the border. Can he escape from the town at the end?

Moloch (2022) artwork. Still a mystery after the credits.

Betriek lives at the edge of a peat bog in the North of the Netherlands. When she and her family are attacked by a random stranger one night, Betriek sets out to find an explanation. The more she digs, the more she becomes convinced that she is being hunted by something ancient.

Image for Gangsta (2018), a film with no post-credit data.

Antwerp, Belgium. The lives of four small-time drug dealers spin out of control when they steal a shipment of cocaine, triggering a full out war between an Amsterdam drug lord and a ruthless Colombian cartel.

Image for Blijven Ademen (2025), a film with no post-credit data.

Four years ago, 28-year-old Bo Gyi Hasenaar ended up in the hospital with unbearable headaches. For nine days, he was in a coma, intubated, suspended between reality and a vivid dream world. On day five of his coma, the doctors delivered a hopeless message: "He probably won't survive." After nine days in the coma, nothing seemed the same. In a family where emotions were rarely expressed, the old filter suddenly fell away. For the first time in years, Bo Gyi told his parents he loved them. Bo Gyi demonstrated that vulnerability and seeking connection, especially among men, are not weaknesses but strengths.

Waiter (2006) cover. Nothing recorded about its credits.

Edgar works as a waiter in 'Het Westen', a restaurant. He is married and has a lover. His neighbors terrorize him with loud music and garbage. One day after he is mistreated by some customers he is sick of it all and goes to talk to his creator, the scenario writer.

Poster for The Black Tulip (1921), blank on post-credit scenes.

In 17th century Holland, a faction of royalists is scheming to restore the monarchy and jail the De Witt brothers, who control the Republic. At the same time Tulip Fever is raging, and bulb-grower Cornelis van Baerle tries to obtain the secret of black tulips. Van Baerle will soon find himself threatened by radical royalists and rival bulb-grower Isaac van Boxtel.

Image for Footsteps (2022), a film with no post-credit data.

In Footsteps, Fiona Tan creates connections between personal stories and the world around us. The footage shows children at play and Dutch windmills, but above all people engaged in heavy physical labour in the countryside and in factories. In a fascinating juxtaposition, she combines these images with excerpts from letters she received from her father just after she moved to the Netherlands in the late 1980s. Through his education in Indonesia, Tan’s father knew a lot about the Netherlands without ever having visited the country. In the letters, he meanders seamlessly between personal news and world events, such as the fall of the Berlin Wall and the Tiananmen Square protests in Beijing.

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