Post-credit scenes: results for “tag: niece”

Poster art for M3GAN (2022), an open question on post-credit scenes.

A brilliant toy company roboticist uses artificial intelligence to develop M3GAN, a life-like doll programmed to emotionally bond with her newly orphaned niece. But when the doll's programming works too well, she becomes overprotective of her new friend with terrifying results.

Movie art for Priest (2011), post-credit scene unknown.

In an alternate world, humanity and vampires have warred for centuries. After the last Vampire War, the veteran Warrior Priest lives in obscurity with other humans inside one of the Church's walled cities. When the Priest's niece is kidnapped by vampires, the Priest breaks his vows to hunt them down. He is accompanied by the niece's boyfriend, who is a wasteland sheriff, and a former Warrior Priestess.

Key art for Worlds Apart (2024), unanswered on the post-credit question.

Makio Kōdai is a shy 35-year-old woman. She works as a novelist. One day, her sibling and her sibling's married partner die in a car accident. Makio Kōdai attends their funeral and meets her 15-year-old niece Asa Takumi, who is now left alone due to her parents’ death. The other relatives at the funeral speak insensitive words around Asa Takumi. Makio Kōdai gets furious at them and decides to take in her niece. Makio Kōdai, who has problems having relationships with other people, and Asa Takumi now begin to live together.

Movie art for Sudden Rain (1956), post-credit scene unknown.

Fumiko and Ryōtarō Namiki's marriage has gone stale, with both constantly arguing over what to do on a day off, or about her cutting out recipes from the newspaper before he finishes reading it. Their animosities are witnessed by Fumiko's niece Ayako, who visits to complain about her own husband's inattentiveness, and their new neighbours, the Imasatos.

Image for The Tobacconist of Vallecas (1987), a film with no post-credit data.

Leandro, an unemployed mason and his friend, Tocho, attempt to rob a tobacconist in the Vallecas district of Madrid, but Mrs. Justa, the tobacconist, impedes it alerting the neighbors who notify police. Inside the shop, the confrontation between the two friends and their 'hostages', the tobacconist and her niece Angeles, is relaxing, and a budding sympathy arises between them.

Poster for Madea's Big Happy Family (2011). Never been answered.

When Shirley, Madea's niece, receives distressing news about her health, the only thing she wants is her family gathered around her. However, Shirley's three adult children are too preoccupied with their own troubled lives to pay attention to their mother. It is up to Madea, with the help of rowdy Aunt Bam, to bring the clan together and help Shirley deal with her crisis.

Poster art for The Flame and the Arrow (1950), an open question on post-credit scenes.

Dardo, a Robin Hood-like figure, and his loyal followers use a Roman ruin in Medieval Lombardy as their headquarters as they conduct an insurgency against their Hessian conquerors.

Movie art for Curse of the Crimson Altar (1968), post-credit scene unknown.

When his brother disappears, a man visits the remote country house where he was last seen. While the host seems outwardly friendly and his niece more demonstrably so, there's a feeling of menace in the air with the overhanging legend of Lavinia Morley, the Black Witch of Greymarsh.

Poster for Never Give a Sucker an Even Break (1941), blank on post-credit scenes.

Never Give a Sucker an Even Break is a 1941 film about a man who wants to sell a film story to Esoteric Studios. On the way he gets insulted by little boys, beaten up for ogling a woman, and abused by a waitress. W. C. Fields' last starring role in a feature-length film.

Movie poster for Catacombs (1965), waiting for its first vote.

A rich woman who uses meditation to deal with pain is visited by her niece who returns from Paris. The woman can be a handful and one of her employees suggests to her husband that he kill her freeing them both. When an affair starts between the husband and the niece murder becomes a real possibility. However some people won't stay dead.

Key art for God's Country (1946), unanswered on the post-credit question.

Lee Preston, aka Leland Bruce, kills a man in self defense but flees to the redwood country when the law makes it a murder charge. There he meets Lynn O'Malley, the niece of Sandy McTavish who runs the trading post. Lee learns the reason why this is good trapping country is because the timber barons across the lake are ruthlessly cutting the trees and driving the animals across the river. The trappers appeal to him to take a petition to the Governor which would prohibit the timber people from coming to their side of the lake. At first, because he is a wanted man, he refuses but does so later for the sake of the people even though he knows it will lead to his arrest.

Cover image for Way Out West in Florida (1951), not yet voted on.

A young cowboy from Wyoming - hitchhiking across Florida - finds himself getting work with cattleman Henry O. Partin on his Brahman ranch, where he's attracted to Partin's niece. Will he stay or move on?

Privacy policy

When you vote, we save your Yes or No answer and when you voted.

We use a cookie and your internet address to recognize your vote on each movie. This prevents repeat votes. The cookie lasts for five years.

Your votes are kept as part of the movie totals.