Post-credit scenes: results for “tag: nihilism”

Fight Club (1999) poster. The count is still zero.

A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.

Key art for A Clockwork Orange (1971), unanswered on the post-credit question.

In a near-future Britain, young Alexander DeLarge and his pals get their kicks beating and raping anyone they please. When not destroying the lives of others, Alex swoons to the music of Beethoven. The state, eager to crack down on juvenile crime, gives an incarcerated Alex the option to undergo an invasive procedure that'll rob him of all personal agency. In a time when conscience is a commodity, can Alex change his tune?

Film artwork for The Big Lebowski (1998), no verdict on the credits.

Jeffrey 'The Dude' Lebowski, a Los Angeles slacker who only wants to bowl and drink White Russians, is mistaken for another Jeffrey Lebowski, a wheelchair-bound millionaire, and finds himself dragged into a strange series of events involving nihilists, adult film producers, ferrets, errant toes, and large sums of money.

Poster for Irreversible (2002), awaiting its first vote.

A woman’s lover and her ex-boyfriend take justice into their own hands after she becomes the victim of a rapist. Because some acts can’t be undone. Because man is an animal. Because the desire for vengeance is a natural impulse. Because most crimes remain unpunished.

Martyrs (2008) cover. Nothing recorded about its credits.

A young woman’s quest for revenge against the people who kidnapped and tortured her as a child leads her and her best friend, also a victim of child abuse, on a terrifying journey into a living hell of depravity.

mother! (2017) poster. The count is still zero.

A couple's relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.

Poster for Baise-moi (2000). No votes yet on whether it has a post-credit scene.

Nadine and Manu are two mad women, as tidy as can be, almost perfectionists. They have several things in common: extreme sex, drugs, beer and the trigger. They find the solution to their problems with guns and beware to those who dare to get in their way!

The Room Next Door (2024) artwork. Still a mystery after the credits.

Ingrid and Martha were close friends in their youth, when they worked together at the same magazine. Ingrid went on to become an autofiction novelist while Martha became a war reporter, and they were separated by the circumstances of life. After years of being out of touch, they meet again in an extreme but strangely sweet situation.

Key art for It Comes at Night (2017), unanswered on the post-credit question.

Secure within a desolate home as an unnatural threat terrorizes the world, a man has established a tenuous domestic order with his wife and son, but this will soon be put to test when a desperate young family arrives seeking refuge.

Film artwork for Synecdoche, New York (2008), no verdict on the credits.

A theater director struggles with his work, and the women in his life, as he attempts to create a life-size replica of New York inside a warehouse as part of his new play.

The Sunset Limited (2011) cover. Nothing recorded about its credits.

A deeply religious black ex-con thwarts the suicide attempt of an asocial white college professor who tries to throw himself in front of an oncoming subway train, 'The Sunset Limited.' As the one attempts to connect on a rational, spiritual and emotional level, the other remains steadfast in his hard-earned despair. Locked in a philosophical debate, both passionately defend their personal credos and try to convert the other.

Movie poster for Taste of Cherry (1997), waiting for its first vote.

A middle-aged Tehranian man, Mr. Badii is intent on killing himself and seeks someone to bury him after his demise. Driving around the city, the seemingly well-to-do Badii meets with numerous people, including a Muslim student, asking them to take on the job, but initially he has little luck. Eventually, Badii finds a man who is up for the task because he needs the money, but his new associate soon tries to talk him out of committing suicide.

Poster for The Doom Generation (1995). No votes yet on whether it has a post-credit scene.

Jordan White and Amy Blue, two troubled teens, pick up an adolescent drifter, Xavier Red. Together, the threesome embarks on a sex- and violence-filled journey through a United States of psychos and quickie marts.

Poster for The Turin Horse (2011), blank on post-credit scenes.

A look at the monotonous daily struggle of a father and daughter in a windswept, desolate landscape. Over six days, their routine of eating boiled potatoes and tending a failing horse crumbles, symbolizing a slow descent into darkness, emptiness, and the end of existence.

Key art for Begotten (1991), unanswered on the post-credit question.

Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.

Poster for Combat Shock (1986). No votes yet on whether it has a post-credit scene.

A dangerously disturbed Vietnam veteran struggles with life 15 years after his return home, and slowly falls into insanity from his gritty urban lifestyle.

I Stand Alone (1999) poster image. Zero votes so far.

After completing jail time for beating up a man who tried to seduce his mentally-handicapped teenage daughter, the Butcher wants to start life anew. He institutionalizes his daughter and moves to the Lille suburbs with his mistress, who promises him a new butcher shop. Learning that she lied, the Butcher returns to Paris to find his daughter.

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