Post-credit scenes: results for “tag: noise”

Poster for Tuner (2026), blank on post-credit scenes.

A gifted piano tuner's meticulous skills for tuning pianos lead him to discover an unexpected aptitude for cracking safes, turning his life upside down.

Movie art for Blow Out (1981), post-credit scene unknown.

While recording sound effects for a slasher flick, Jack Terry stumbles upon a real-life horror: a car careening off a bridge and into a river. Jack jumps into the water and fishes out Sally from the car, but the other passenger is already dead — a governor intending to run for president. As Jack does some investigating of his tapes, and starts a perilous romance with Sally, he enters a tangled web of conspiracy that might leave him dead.

Poster art for What Planet Are You From? (2000), an open question on post-credit scenes.

A human-looking alien from a highly advanced but emotionless all-male society is sent to Earth to impregnate a woman and bring the child back to their planet. The alien ends up falling in love while a suspicious FAA agent tails him.

The Nines (2007) poster image. Zero votes so far.

A troubled actor, a television show runner, and an acclaimed videogame designer find their lives intertwining in mysterious and unsettling ways.

Cover image for It's a Gift (1934), not yet voted on.

After he inherits some money, Harold Bissonette ("pronounced bis-on-ay") decides to give up the grocery business, move to California and run an orange grove. Despite his family's objections and the news that the land he bought is worthless, Bissonette packs up and drives out to California with his nagging wife Amelia and children.

Key art for Quiet Please! (1945), unanswered on the post-credit question.

The family dog warns Tom not to make any noise so he can take a nap. Jerry hears this and immediately devises plans to ensure that the dog's nap will be interrupted.

Between Notes (2024). Nobody has said whether there is anything after the credits.

Trapped in the swirling thoughts of a late night shift, a restaurant worker receives a cryptic phone call, guiding her to a refuge from the noise.

Movie art for Ruído (2023), post-credit scene unknown.

Pedro is a young man who begins to be tormented by a mysterious noise coming from the wall of his house, and he is the only one who can hear it. As the days go by, Pedro tries to find out where this sound is coming from in order to put an end to it and discovers that the noise is not actually coming from the wall.

Cover image for Sound Asleep (2026), not yet voted on.

When an insomniac reaches breaking point, he goes to war with every sound in his home - no matter the cost. Deen Peels needs sleep, but the world just won't shut up. The ticks, clicks and drips are driving him insane, and the shagging through the walls is just too much. Over one relentless night, he's determined to take back control, even if it kills him. Silence isn't golden; it's war.

Poster for Matapanki (2025). Never been answered.

After gaining alcohol-fueled superpowers, Ricardo, a young punk from the outskirts, sets out to change society. But one brutal mistake will ignite an international conflict, with him at the heart of the storm.

Image for TransTrans (TransformersTransformed) (2009), a film with no post-credit data.

A radical remix of the recent Transformers film, via synthetic collapse and critical revenge on its old & new fascist tropes > celebrating SPEED. NOISE. + DANGER. The fervent declarations & violent poetry of the Futurists are superimposed on the mythic morphology of the Autobot blockbuster’s machine mayhem. Images of death & destruction reign in a delirium of transformations as, to quote Marinetti: “We Decompose the Universe!”

Noise (2026) poster. The count is still zero.

A first-time raver enters an underground club searching for escape, but the night descends into terror.

Second Sun (2013) cover. Nothing recorded about its credits.

A document of energy forms in states of vibrating transmutation, this audio-visual composition uses LEDs, strobes and torches to create a mechanical "light-score."

Poster art for Glorieux Éden (2024), an open question on post-credit scenes.

Lisbon, 1980, the city, the intensity, the chaos, the noise, the crowd. Overwhelmed by the commotion, a young woman sets off in search of peace in the palace gardens of Sintra. Her red umbrella glides across the pearly whiteness of the rising mist.

Poster for Kit for Cat (1948), blank on post-credit scenes.

Elmer Fudd takes in Sylvester Cat and an orange kitten during a cold winter night. He'd like to adopt both, but can only keep one. He decides to go to bed and make up his mind in the morning. Sylvester and the kitten both want to be the one who is adopted, so each tries framing the other for noisy misdeeds.

All Work, No Play (2024) cover. Nothing recorded about its credits.

A serial killer is confronted by the Abyss angel Apollo who kills him in the same ways the killer killed his victims.

Poster for FUCK TV (2019). No votes yet on whether it has a post-credit scene.

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

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