Post-credit scenes: results for “tag: nomad”

Poster for Nomadland (2021). No votes yet on whether it has a post-credit scene.

A woman in her sixties embarks on a journey through the western United States after losing everything in the Great Recession, living as a van-dwelling modern-day nomad.

Movie art for Near Dark (1987), post-credit scene unknown.

A farm boy reluctantly becomes a member of the undead when a girl he meets turns out to be part of a band of vampires who roam the highways in stolen cars.

Key art for Begotten (1991), unanswered on the post-credit question.

Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.

The Legend of Tomiris (2019). Nobody has said whether there is anything after the credits.

This is the story of the life of the great queen of the steppe - legendary Tomiris. She is destined to become a skillful warrior, survive the loss of close people and unite the Scythian/Saka tribes under her authority.

Poster for The Gypsy Camp Vanishes Into the Blue (1976), blank on post-credit scenes.

This colourful, music-filled and sensual melodrama based on early stories by Maxim Gorky tells the fatal love story between the beautiful and rebellious girl Rada and the handsome horse thief Zobar. The story is set in early 20th century Bessarabia, now part of Moldova, then belonging to the Austro-Hungarian Empire.

Lubo (2023) poster image. Zero votes so far.

Lubo Moser is a jenisch, a gypsy. Mirana, who tried to oppose him, was killed. But how could this have happened? Why? Because Switzerland considers nomadism a social scourge, and, to eradicate it, it takes the children of the jenisch. Thus, without children, the Jenisch will be without a future. The mastermind is a state-run humanitarian institution, Pro Juventute, the arm the Street Children's Work: everything is perfectly legal and there is no opposition to the law. Lubo feels himself dying. And something about him really does die, on that night of wind and snow: it will be a new Lubo, tough and impenetrable, who will set up a project with unexpected implications to avenge his family and his people... and it will lead us to rethink the sense of justice, in the blurred boundaries between good and evil.

Poster for Close to Eden (1991). No votes yet on whether it has a post-credit scene.

A farmer and his wife live in a rural part of Inner Mongolia with their three children. Chinese population control policies prevent them from having any more. The farmer sets out for the nearest town to obtain birth control. He comes upon a Russian truck driver who has ended up in a lake. The farmer takes the man back to his farm, and after initially being appalled, the Russian becomes enchanted with the peaceful life of the countryside and decides to stay. But his presence presages big changes for the peasants.

Film artwork for Far North (2008), no verdict on the credits.

In the arctic, as Saiva is being born, a shaman declares that she is evil and will bring harm to all who become involved with her. Saiva is cast out of her tribe of herders and grows up to live a nomadic existence with Anja, a young woman she adopts as an infant. Then Loki, an injured and starving soldier, stumbles into their isolated lives. The women nurse him back to health, but treachery, violence and doom await them all.

The Hatchet Wielding Hitchhiker (2023). Nobody has said whether there is anything after the credits.

After Kai saves a woman's life, he turns into an overnight hero and viral sensation — until disturbing truths about his erratic behavior come to light. This shocking documentary chronicles a happy-go-lucky nomad's ascent to viral stardom and the resulting steep downward spiral.

Film artwork for Piripkura (2018), no verdict on the credits.

The last two surviving members of the Piripkura people, a nomadic tribe in the Mato Grosso region of Brazil, struggle to maintain their indigenous way of life amidst the region's massive deforestation. Living deep in the rainforest, Pakyî and Tamandua live off the land relying on a machete, an ax, and a torch lit in 1998.

Mom (1990) poster image. Zero votes so far.

During a time when the city of Los Angeles is terrorized by animal attack style murders, a kindly elderly lady provides a nomad with room and board. It turns out that he is a werewolf and is responsible for the recent killings. He bites the elderly woman, turning her into a hungry werewolf. Now her adult son must try to prevent the both of them from doing any more harm.

Key art for Gwen and the Book of Sand (1985), unanswered on the post-credit question.

Gwen is a young girl adopted by a nomad tribe in a desert post-apocalyptic world. When Gwen's friend is kidnapped, she and an old woman called Roseline embark on a trip to bring him back.

Film artwork for Lucky Blue (2007), no verdict on the credits.

Olle, an introverted, well-mannered boy with an air of innocence and sincerity about him has been camping with his father at the same camping ground with several other people for years now. A sort of tradition that ends in a karaoke party. Then one summer, a family friend brings her reticent 'city boy' nephew, Kevin, and his pet budgerigar. Olle accidentally releases the bird and what follows is a discovery of friendship and love between the guy who has grown up in a loving environment and simply accepts love for what it is and the guy who's apparently been burned too many times in his own circle to feel comfortable with it.

Image for Hobal (2025), a film with no post-credit data.

The Saudi family is following strict instructions from their grandfather to remain confined in the desert during the early 1990s. A series of events shakes the family's foundation and they find them in a struggle between life and death.

Poster, Arkadia. Nobody has voted on this one.

In a world where farming is mechanized and farm animals are fed with products coming from across the globe, a young shepherd is trying to keep his practice sustainable by using ancestral ways to raise his flock.

Cover image for Walkers of time (2017), not yet voted on.

María is an Amorúa girl; an indigenous group that traveled the savannas of Orinoquía as nomads. She lives with her grandmother Matilde, her sister diana and her cousins in Puerto Carreño, in the Colombia-Venezuela border. The amorúa are considered wild and are not literate. Matilde wants her granddaughters to learn to write and read to live better in this town of "rational whites" as they call us. The director follows María's life for 8 years from her childhood to her adolescence and invites her to travel the places her grandma did as a nomad.

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