Post-credit scenes: results for “tag: novice”

Cover image for The Sound of Music (1965), not yet voted on.

In the years before World War II, a tomboyish postulant at an Austrian abbey is hired as a governess in the home of a widowed naval captain with seven children and brings a new love of life and music into the home.

Magic Mike (2012) poster. Still unanswered: is there a scene after the credits?

Mike, an experienced stripper, takes a younger performer called The Kid under his wing and schools him in the arts of partying, picking up women, and making easy money.

Key art for Mermaids (1990), unanswered on the post-credit question.

Fifteen-year-old Charlotte Flax is tired of her wacky mom moving their family to a different town any time she feels it is necessary. When they move to a small Massachusetts town and Mrs. Flax begins dating a shopkeeper, Charlotte and her 9-year-old sister, Kate, hope that they can finally settle down. But when Charlotte's attraction to an older man gets in the way, the family must learn to accept each other for who they truly are.

Viridiana (1962) poster. The count is still zero.

Viridiana is preparing to start her life as a nun when she is sent, somewhat unwillingly, to visit her aging uncle, Don Jaime. He supports her; but the two have met only once. Jaime thinks Viridiana resembles his dead wife. Viridiana has secretly despised this man all her life and finds her worst fears proven when Jaime grows determined to seduce his pure niece. Viridiana becomes undone as her uncle upends the plans she had made to join the convent.

Agnes of God (1985) poster. The count is still zero.

When a dead newborn is found, wrapped in bloody sheets, in the bedroom wastebasket of a young novice, psychiatrist Martha Livingston is called in to determine if the seemingly innocent novice, who knows nothing of sex or birth, is competent enough to stand trial for the murder of the baby.

Poster, Luciferina (2018). Nobody has voted on this one.

After receiving bad news, Natalia, a young novice, returns home, where her sister Ángela asks her to travel with her and her friends to a mysterious place.

Poster for The Dawn (2019), blank on post-credit scenes.

Following the murder of her family at the hands of her father in the wake of World War I, a young woman is sent to live in a convent. However, the demons that plagued her father follow, reawakening the nightmares of her past.

Three Lives and a Rope (1934). Nobody has said whether there is anything after the credits.

The idea is a simple one: three alpinists climb in the Mont Blanc Massif. This situation brings one face to face with the dangers of the mountain: avalanches, crevasses, fog, the climbing of the rocks, roping up, etc. All of this is magnified, transcended by a remarkable and strong use of the language of cinema. One of the first films about high mountains with Roger Frison-Roche and magnificent music by Maurice Jaubert

The Clothes in the Wardrobe (1993) poster. The count is still zero.

Margaret is a shy, pale, middle-class Englishwoman who is reluctantly engaged to her older, twittish neighbor Syl. Both bride- and groom-to-be still live with their mothers in the humdrum suburb of Croydon. However Margaret has been acting strangely ever since a vacation in Egypt, where she stayed with her mother's friend Marie-Claire. She secretly despises Syl, but does not resist when her mother, who has repressed the failure of her own matrimony, insists on marriage for the sake of social convention.

Movie art for We Are Pregnant (2016), post-credit scene unknown.

It seems simple: an egg + sperm = one embryo. But if your sperm is "few, vague and abnormal" and your woman is premenopausal at age 37, things start to get complicated.

Diary of an African Nun (1977) artwork. Still a mystery after the credits.

An Ugandan nun is consumed by fear and doubt about her decision to take the solemn vows of poverty, chastity and obedience. Her anguish intensifies night after night as she lies on a hard bed in her small room at the convent and listens to the rhythmic, beckoning drums of her village.

Film artwork for No Returns (2020), no verdict on the credits.

Karina and Emilia are two young novices who live in a religious order. Emilia has a deep and strong vocation while Karina is a youthful rebel who hides from justice behind the doors of the convent. Once she notices the police is increasingly closer, Karina asks Emilia to help her orchestrate an escape.

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