Post-credit scenes: results for “tag: nypd”

Poster for Live Free or Die Hard (2007), awaiting its first vote.

John McClane is back and badder than ever, and this time he calls on the services of a young hacker in his bid to stop a ring of Internet terrorists intent on taking control of America's computer infrastructure.

Poster for Inside Man (2006). Never been answered.

When an armed, masked gang enter a Manhattan bank, lock the doors and take hostages, the detective assigned to effect their release enters negotiations preoccupied with corruption charges he is facing.

The Bone Collector (1999): nobody has checked the credits yet.

Lincoln Rhyme was the department's top homicide detective and leading expert in criminal forensics until an injury left him paralyzed, depressed, and incapable of working. But when a gruesome murder in Manhattan leaves detectives baffled, they call on Rhyme to help solve the mystery. Amelia Donaghy, a rookie cop whose quick thinking preserved a gruesome murder scene, is enlisted by Rhyme to be his on-the-scene forensics expert. With Amelia reluctantly acting as Rhyme's able-bodied go-between, the pair piece together cryptic clues the killer leaves behind at the scene of the crime, hoping to catch the grisly serial killer.

Movie art for Die Hard: With a Vengeance (1995), post-credit scene unknown.

New York detective John McClane is back and kicking bad-guy butt in the third installment of this action-packed series, which finds him teaming with civilian Zeus Carver to prevent the loss of innocent lives. McClane thought he'd seen it all, until a genius named Simon engages McClane, his new "partner" -- and his beloved city -- in a deadly game that demands their concentration.

15 Minutes (2001) cover. Nothing recorded about its credits.

When Eastern European criminals Oleg and Emil come to New York City to pick up their share of a heist score, Oleg steals a video camera and starts filming their activities, both legal and illegal. When they learn how the American media circus can make a remorseless killer look like the victim and make them rich, they target media-savvy NYPD Homicide Detective Eddie Flemming and media-naive FDNY Fire Marshal Jordy Warsaw, the cops investigating their murder and torching of their former criminal partner, filming everything to sell to the local tabloid TV show "Top Story."

Poster for 21 Bridges (2019), blank on post-credit scenes.

An embattled NYPD detective, is thrust into a citywide manhunt for a pair of cop killers after uncovering a massive and unexpected conspiracy. As the night unfolds, lines become blurred on who he is pursuing, and who is in pursuit of him.

Poster for Brooklyn's Finest (2010), awaiting its first vote.

Enforcing the law within the notoriously rough Brownsville section of the city and especially within the Van Dyke housing projects is the NYPD's sixty-fifth precinct. Three police officers struggle with the sometimes fine line between right and wrong.

Image for Cop Land (1997), a film with no post-credit data.

Freddy Heflin is the sheriff of a place everyone calls “Cop Land” — a small and seemingly peaceful town populated by the big city police officers he’s long admired. Yet something ugly is taking place behind the town’s peaceful facade. And when Freddy uncovers a massive, deadly conspiracy among these local residents, he is forced to take action and make a dangerous choice between protecting his idols and upholding the law.

Poster, Cruising (1980). Nobody has voted on this one.

When New York is caught in the grip of a sadistic serial killer who preys on patrons of the city's underground bars, rookie cop Steve Burns infiltrates the gay S&M subculture to try and lure him out of the shadows.

Image for Naked Singularity (2021), a film with no post-credit data.

When a successful New York public defender loses his first case, he is pulled into a drug heist by a former client in an effort to beat the broken system at its own game.

Film artwork for Q & A (1990), no verdict on the credits.

A young district attorney seeking to prove a case against a corrupt police detective encounters a former lover and her new protector, a crime boss who refuses to help him.

Film poster, Welcome to New York (2014). No post-credit verdict yet.

Mr. Devereaux is a powerful man. A man who handles billions of dollars every day. A man who controls the economic fate of nations. A man driven by a frenzied and unbridled sexual hunger. A man who dreamed of saving the world and who cannot save himself. A terrified man. A lost man.

Without a Trace (1983): nobody has checked the credits yet.

English professor Susan Selky lives alone in a Brooklyn apartment with her young son, Alex. When Alex fails to return home from school one afternoon, a frantic Selky contacts the police. Detective Al Menetti, a father himself, takes an interest in the case that quickly turns into an obsession. As a devastated Selky struggles to come to terms with Alex's disappearance, Menetti steps out from behind the badge to continue investigating.

Poster for Fort Apache, the Bronx (1981), awaiting its first vote.

From the sight of a police officer this movie depicts the life in New York's infamous South Bronx. In the center is "Fort Apache", as the officers call their police station, which really seems like an outpost in enemy's country. The story follows officer Murphy, who seems to be a tough cynic, but in truth he's a moralist with a sense for justice.

Key art for No Way to Treat a Lady (1968), unanswered on the post-credit question.

Christopher Gill is a psychotic killer who uses various disguises to trick and strangle his victims. Moe Brummel is a single and harassed New York City police detective who starts to get phone calls from the strangler and builds a strange alliance as a result. Kate Palmer is a swinging, hip tour guide who witnesses the strangler leaving her dead neighbor's apartment and sets her sights on the detective. Moe's live-in mother wishes her son would be a successful Jewish doctor like his big brother.

Key art for Mob Cops (2025), unanswered on the post-credit question.

A retired NYPD detective writes a book about his family's ties to the mob, igniting a firestorm between the corrupt cops working for the city's brutal crime boss and the officers trying to bring them to justice.

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