Two romantically involved government operatives Claire Stenwick and Ray Koval team up to manipulate a race between opposing corporations to corner the market on a medical innovation that will reap huge profits and allow them to lead an extravagant lifestyle together. They find themselves on opposing sides as corporate spies; however, as they each try to outdo the other, neither one can decide how far to trust the other in this high-stakes game of cat-and-mouse.
In suburban Buenos Aires, thirty unemployed ceramics workers walk into their idle factory, roll out sleeping mats and refuse to leave. All they want is to re-start the silent machines. But this simple act - the take - has the power to turn the globalization debate on its head. Armed only with slingshots and an abiding faith in shop-floor democracy, the workers face off against the bosses, bankers and a whole system that sees their beloved factories as nothing more than scrap metal for sale.
The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.
A young Russian woman, trying to make it in the big city, is hired for an off-the-books government operation, which involves seducing and later exposing a number of prominent political opposition figures.
A super market owner opposes the affair of his daughter with a new employee at his business.
Watch The Plan of Salvation unfold in the story of five children who come to Earth to experience the joys and trials of mortality.
Oscar, a ride-share driver, is held hostage by escaped prisoner, Sawyer, as he forces him on a road trip to the Mexican border where they discover not to judge a book by it's cover.
The title of the film is the date on which the editorial staff of Hungary’s largest opposition newspaper, Népszabadság, was fired. The filmmaker tore up copies of that day’s issue, layered them, and then turned them into an urgent collage expressing his yearning for the free expression of opposition viewpoints. The visible edges of the film emphasize the impossibility of presenting information in a complete context.
