Post-credit scenes: results for “tag: pacific war”

Poster for The Wind Rises (2013). No votes yet on whether it has a post-credit scene.

A lifelong love of flight inspires Japanese aviation engineer Jiro Horikoshi, whose storied career includes the creation of the A-6M World War II fighter plane.

Poster, Midway (2019). Nobody has voted on this one.

The story of the Battle of Midway, and the leaders and soldiers who used their instincts, fortitude and bravery to overcome massive odds.

Flags of Our Fathers (2006) poster. Still unanswered: is there a scene after the credits?

There were five Marines and one Navy Corpsman photographed raising the U.S. flag on Mt. Suribachi by Joe Rosenthal on February 23, 1945. This is the story of three of the six surviving servicemen - John 'Doc' Bradley, Pvt. Rene Gagnon and Pvt. Ira Hayes - who fought in the battle to take Iwo Jima from the Japanese.

Film poster, The Thin Red Line (1998). No post-credit verdict yet.

The story of a group of men, an Army Rifle company called C-for-Charlie, who change, suffer, and ultimately make essential discoveries about themselves during the fierce World War II battle of Guadalcanal. It follows their journey, from the surprise of an unopposed landing, through the bloody and exhausting battles that follow, to the ultimate departure of those who survived.

Poster for Pearl Harbor (2001). No votes yet on whether it has a post-credit scene.

The lifelong friendship between Rafe McCawley and Danny Walker is put to the ultimate test when the two ace fighter pilots become entangled in a love triangle with beautiful Naval nurse Evelyn Johnson. But the rivalry between the friends-turned-foes is immediately put on hold when they find themselves at the center of Japan's devastating attack on Pearl Harbor on Dec. 7, 1941.

Unbroken (2014) artwork. Still a mystery after the credits.

A chronicle of the life of Louis Zamperini, an Olympic runner who was taken prisoner by Japanese forces during World War II.

Image for The Bridge on the River Kwai (1957), a film with no post-credit data.

The classic story of English POWs in Burma forced to build a bridge to aid the war effort of their Japanese captors. British and American intelligence officers conspire to blow up the structure, but Col. Nicholson, the commander who supervised the bridge's construction, has acquired a sense of pride in his creation and tries to foil their plans.

Movie art for Empire of the Sun (1987), post-credit scene unknown.

Jamie Graham, a privileged English boy, is living in Shanghai when the Japanese invade and force all foreigners into prison camps. Jamie is captured with an American sailor, who looks out for him while they are in the camp together. Even though he is separated from his parents and in a hostile environment, Jamie maintains his dignity and youthful spirit, providing a beacon of hope for the others held captive with him.

Key art for Windtalkers (2002), unanswered on the post-credit question.

Joe Enders is a gung-ho Marine assigned to protect a "windtalker" - one of several Navajo Indians who were used to relay messages during World War II because their spoken language was indecipherable to Japanese code breakers.

Poster for Tora! Tora! Tora! (1970). Never been answered.

In the summer of 1941, the United States and Japan seem on the brink of war after constant embargos and failed diplomacy come to no end. "Tora! Tora! Tora!", named after the code words used by the lead Japanese pilot to indicate they had surprised the Americans, covers the days leading up to the attack on Pearl Harbor, which plunged America into the Second World War.

Key art for The Final Countdown (1980), unanswered on the post-credit question.

During routine manoeuvres near Hawaii in 1980, the aircraft-carrier USS Nimitz is caught in a strange vortex-like storm, throwing the ship back in time to 1941—mere hours before the Japanese attack on Pearl Harbor.

Film poster, Midway (1976). No post-credit verdict yet.

This war drama depicts the U.S. and Japanese forces in the naval Battle of Midway, which became a turning point for Americans during World War II.

Key art for Merry Christmas, Mr. Lawrence (1983), unanswered on the post-credit question.

Island of Java, 1942, during World War II. British Major Jack Celliers arrives at a Japanese prison camp, run by the strict Captain Yonoi. Colonel John Lawrence, who has a profound knowledge of Japanese culture, and Sergeant Hara, brutal and simpleton, will witness the struggle of wills between two men from very different backgrounds who are tragically destined to clash.

Poster for The Caine Mutiny Court-Martial (2023), blank on post-credit scenes.

Barney Greenwald, a skeptical lawyer, reluctantly defends an officer of the navy who took control of the Caine from its captain, Lt. Philip Francis Queeg, while caught in a violent sea storm. As the court-martial proceeds, however, Greenwald increasingly questions if it was truly a mutiny or rather the courageous acts of a group of sailors who could not trust their unstable leader.

Cover image for Yamato (2005), not yet voted on.

Directed by Junya Sato and based on a book by Jun Henmi, "Yamato" has a framing story set in the present day and uses flashbacks to tell the story of the crew of the World War II Japanese battleship Yamato. The film was never released in the United States, where reviewers who have seen it have compared the military epic to "Titanic" and "Saving Private Ryan."

Movie art for The Caine Mutiny (1954), post-credit scene unknown.

When a US Naval captain shows signs of mental instability that jeopardize his ship, the first officer relieves him of command and faces court martial for mutiny.

Movie art for Merrill's Marauders (1962), post-credit scene unknown.

Brigadier General Frank D. Merrill leads the 3,000 American volunteers of his 5307th Composite Unit (Provisional), aka "Merrill's Marauders", behind Japanese lines across Burma to Myitkyina, pushing beyond their limits and fighting pitched battles at every strong-point.

Movie poster for In Harm's Way (1965), waiting for its first vote.

A Naval officer, reprimanded after Pearl Harbor, is later promoted to Rear Admiral and gets a second chance to prove himself against the Japanese.

Key art for The Human Condition II: Road to Eternity (1959), unanswered on the post-credit question.

Kaji, sent to the Japanese army labeled Red, witnesses cruelties in the army and revolts against the abusive treatment against a fellow recruit. He also sees his friend Shinjô defecting to the Russian border, and he ends in the front to fight a lost battle against the Russian tanks division.

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