Post-credit scenes: results for “tag: paramilitary organization”

Film poster, Exodus (1960). No post-credit verdict yet.

Ari Ben Canaan, a passionate member of the Jewish paramilitary group Haganah, attempts to transport 600 Jewish refugees on a dangerous voyage from Cyprus to Palestine on a ship named the Exodus. He faces obstruction from British forces, who will not grant the ship passage to its destination.

Film artwork for They're Here (2026), no verdict on the credits.

Edén Villa (pseudonym) and anonymous Minneapolis residents evade and resist the paramilitary occupation of their city, in a winter landscape where masked agents abduct children, residents travel in trunks, shackled prisoners are loaded onto airplanes within eyesight of vacationers, and bicyclists track the movements of an invading force.

Poster art for When the War Comes (2018), an open question on post-credit scenes.

Hundreds of teenagers join the Slovak Recruits paramilitary group to get ready for the final clash of civilizations and to fight whoever invades their country.

The Suspect (1998) artwork. Still a mystery after the credits.

Don Lee, a reformed ex-assassin, refuses to assassinate a politician for his former boss. His best friend Max commits the hit and frames Don, forcing him on the run from both police and criminals to clear his name.

Poster for Kangaroo (1986). No votes yet on whether it has a post-credit scene.

A mild-mannered English conscientious objector moves to what he feels will be the relative calm of Australia after World War I, but gets caught in the middle of violent battles between the rising trade unions and fascist groups.

Let There Be Light (2019). Nobody has said whether there is anything after the credits.

Milan, a Slovak working in Germany as a bricklayer, returns home to celebrate Christmas with his wife and three children, one of whom appears to be involved in suspicious activities related to an extremist organization.

Poster for The Oath (2026). No votes yet on whether it has a post-credit scene.

A retired former paramilitary is confronted by an old friend sent to tie up loose ends. As secrets and past betrayals resurface, both men discover that loyalty, faith and the oath they once swore come at a devastating cost.

Bananaland: Blood, Bullets & Poison (2016) artwork. Still a mystery after the credits.

For consumers, bananas are a delicious and nutritious start to the day, a healthy snack and a fixture in our fruit bowls. For millions of residents in the banana lands, the production of bananas means social upheaval, violence and pesticide poisoning. Banana Land explores the origins of these disparate realities, and opens the conversation on how workers, producers and consumers can address this disconnect.

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