One year after outwitting the FBI and winning the public’s adulation with their mind-bending spectacles, the Four Horsemen resurface only to find themselves face to face with a new enemy who enlists them to pull off their most dangerous heist yet.
Post-credit scenes: results for “tag: perception”
Suburban dad Craig falls hard for his charismatic new neighbor Austin, and his attempts to make an adult male friend threatens to ruin both of their lives.
Two angels, Damiel and Cassiel, glide through the streets of Berlin, observing the bustling population, providing invisible rays of hope to the distressed but never interacting with them. When Damiel falls in love with lonely trapeze artist Marion, the angel longs to experience life in the physical world, and finds — with some words of wisdom from actor Peter Falk — that it might be possible for him to take human form.
Evan Birch is a family man and esteemed professor at a distinguished university. When a female student goes missing, police Detective Malloy has reason to be suspicious when crucial evidence makes Evan the prime suspect in her disappearance.
First published in 1898, H.G. Wells’s The War of the Worlds was a veritable literary and cultural revolution. It laid the foundations for modern sci-fi by telling the first- ever story of an alien invasion. A political and moral fable, the novel uses science fiction as a tool to raise our awareness and alert the modern world to the dangers and risks inherent in industrial, scientific and technological progress. It is high time to rediscover this seminal book.
A story of a man with a very dense eyes who sees all the surrounding reality only after seven years. The consequence of the eye defect translates into the mental immaturity of the man, lack of understanding of the present and belated reflections on long-gone facts. The man is never mature enough for his age and constantly lingers on the past.
An amateur astronomer discovers a strange new star in the sky that leads him into the heart of a dark conspiracy to control humanity by exploiting its addiction to technology.
Wearing an old pair of sunglasses from the thrift shop, Sherry realises that she can read everybody’s minds… up to a point. She can see why they chose the clothes they wear and what insecurities they are covering up. It seems that almost everyone has a deep-rooted hatred of how they look and the sunglasses may be part of the antidote. When she meets her friend Caitlyn, for coffee, she realises her glasses could help her and others.
A man is coming home after a long day outside. Something or someone is starting to follow his path, trying to reach him. But his extrasensorial perception begin to warn what's happening.
When Chloe photographs a violent attack outside her apartment, she is certain she has proof of what she saw. Then the image vanishes. As objects disappear, memories shift, and her friends begin to doubt her, Chloe becomes trapped between two terrifying possibilities: someone is manipulating her, or she is losing her grip on reality.
An artist, Joseph Cornell, immerses himself in the music of Debussy as he makes his art, watching his creation slowly come alive.
Bauji resists his daughter's request to let her marry the man she loves as the neighbours incessantly shame him. However, his opinion changes after he meets him and he decides to change his viewpoint.
Martin Haberstich thinks he witnessed a murder. When he finds out what really happened it’s too late. A slightly surrealistic murder mystery about perception and reality. A film that explores new territory, it’s film noir revisited, with an existential touch.
Follows Dana during a maddening day of mediation for an office harassment claim she filed, and as the clock ticks towards an immutable deadline, she questions the price of her silence, sanity, and the truth.
A dreamy autumn picnic goes awry when it receives an unexpected visitor.
Presence and absence, exit is an entrance
Working at the limits of what can easily be expressed, filmmaker Peter Mettler takes on the elusive subject of time, and once again turns his camera to filming the unfilmable. From the particle accelerator in Switzerland, where scientists seek to probe regions of time we cannot see, to lava flows in Hawaii which have overwhelmed all but one home on the south side of Big Island; from the disintegration of inner-city Detroit, to a Hindu funeral rite near the place of Buddha's enlightenment, Mettler explores our perception of time. He dares to dream the movie of the future while also immersing us in the wonder of the everyday. THE END OF TIME, at once personal, rigorous and visionary, Peter Mettler has crafted a film as compelling and magnificent as its subject.
Filmmaker Theo Anthony offers a far-ranging look at the biases in how people see things, focusing on the recorded image.
Perception explores the breach of experience that divides us all by glancing into the lives of three individuals: Clarissa, a young idealistic photographer who chooses to live as a homeless person on the streets of New York, supporting herself meal by meal by selling her photography from a blanket in Central Park; Ralph, a successful real estate salesman who struggles for balance against the cut-throat nature of his business; and Tobias, a perpetual student who gets fired a lot. Perception journeys through the same season of time from each character's point of view, detailing how presumption and mistaken intention leads to great misunderstanding. A moment, revisited from another point of view, takes new dimension--and the line between protagonist and antagonist blurs.