Canvas becomes a dynamic actor over the course of a 50 minute journey. The paths, far from being a simple cycling route, become brushes that paint the canvas against the terrain, carried along by stone, dirt, and mud paths or bathed in sunlight and rain.
Stage hand Harold falls in love with the leading lady of a visiting theatrical troupe.
Vocation is a documentary on artists who knew from a very early age they wanted to be an artist. A decision that for them was instinctual and some may even say it is 'a calling' based on faith and perhaps even fate alone. Artists Andy Jones, Deepa Mehta, Marie Brassard, Christopher Pratt, Brad Peyton and Bif Naked are committed to creating work in theatre, literature, music, film and performance based on an innate desire to succeed while working in the precarious profession of art.
In this dance film, choreographer Krisztina de Châtel returns to Hungary, her country of birth, together with her dancers and memories. In Budapest, bridges, squares, streets, and courtyards bring the hectic energy of the city to life. The dancers resist the pace of the metropolis with powerful, physical movements. In search of peace, the group moves to the countryside, where they are confronted with another, equally compelling force: the earth itself. The journey culminates in stomping, earthy movements in which control, resistance, and endurance are central. Stalen Neuzen is the result of an intensive collaboration between choreographer Krisztina de Châtel, director Erik van Zuylen, and designer Conrad van de Ven. The film shows De Châtel's work in a distinctly cinematic context and forms a poignant portrait in which the will to control and physical discipline becomes visible and tangible.
From the shadows of a Guatemalan neighbourhood scared into silence, two sisters lead a luminous rebellion—unleashing joy, art, and radical truth in a fight for survival.
Developed in collaboration with scientific laboratories in Japan, Germany, Russia and Belgium, Camera Lucida (chamber of light or lucidity) is a 3-dimensional sonic observatory that directly transforms sound into light by employing a phenomenon known as sonoluminescence: ultrasound, propagating within a liquid, triggers the formation and implosion of micro-bubbles that reach temperatures as high as are found on the Sun, and emit light in the shape of sound waves. The authors of the installation, Evelina Domnitch and Dmitry Gelfand, joined forces with multiple sound artists to create the sonochemical compositions presented on this DVD.
A comedian confronts his own thoughts of suicide on stage, turning his personal crisis into an uncomfortable comedy.
Hazel Monroe, a trans pageant queen finds herself back in the spotlight to reclaim the space she once fled. But as the pressure mounts, her surreal visions blur her reality, forcing her to confront the self-doubt that shadows her womanhood.
David McAllister, the artistic director of The Australian Ballet, has created a sumptuous new production of this timeless classic. With lavish sets and costumes by award-winning designer Gabriela Tylesova, this ballet spills over with fairies, princes, nymphs and storybook characters. Set to Tchaikovsky's sublime score, this enchanting production casts a spell of delight all the way to true love's kiss.
The Broke People's Baroque Peoples' Theater engages questions of economic inequity, artistic patronage, and a culture of excess (or excess of culture). It is: obsessed with classical allusion, doomed to camp, adorned in costume, engaged in masquerade and surrounded by sculpture. With a queer attitude toward cheap materials, the Broke People's Baroque People's Theater decorates itself in a hyper-feminine aestheticism to undermine class(y) distinctions of taste. A wealth of poverty, the chintzy is rich.
King Florestan XIV invites all the fairies in the kingdom to the christening of his daughter Aurora. As they bestow beauty, generosity, and grace upon the princess, they are interrupted by the arrival of the horrible fairy Carabosse, who, furious at not having been invited to the festivities, casts a curse on Princess Aurora: on her 16th birthday, she will prick her finger and die. Recorded on April 7 and 10, 2025, at the Opéra Bastille in Paris's 12th arrondissement.
Since the beginning of time, in communities, clans, congregations, and clubs, humans have gathered to move in unison. Set in a vivid universe of color and based on Annie-B Parson's stage choreography, The Oath explores the history of vernacular and poetic unison movement. Suspended between the communal and the monstrous, an assembly of seventeen women embody our human impulse to move as one — to bond, to battle, to intimidate, to gather, to promise, to dance!
A clown is confronted with the reality and difficulties of being a street artist in the digital age. In his search for online fame he makes a discovery that radically shifts his perspective about meaningful work and life, forcing him to change his ways.
Pianowork 2 is an animated recording of me playing Jürg Frey’s ‘Klavierstück 2’ at Mimic Productions in Berlin on 22 June 2023. It was a very hot, early summer’s day. Mimic created a ‘digital double’ of me, scanning my head and hands. It was the first time I’d used a computer-generated figure with my own likeness. I played the piece at an upright piano, wearing a sensor-filled Lycra onesie with a head-mounted rig holding an iPhone a short distance from my face. I tried very hard to do what Frey’s score asks. I counted the beats in the vast rests, the 468 instances of the same fourth, the precisely instructed micro-shifts of tempo. I worried about and tried to depress the keys with the correct pianissimo dynamic to follow the previous decayed chord played 40 seconds prior. This agonising pace makes for a terrific mounting of anxiety.
