Post-credit scenes: results for “tag: playwright”

Image for Past Lives (2023), a film with no post-credit data.

After decades apart, childhood friends Nora and Hae Sung are reunited in New York for one fateful weekend as they confront notions of destiny, love, and the choices that make a life.

Downton Abbey: The Grand Finale (2025) artwork. Still a mystery after the credits.

When Mary finds herself at the center of a public scandal and the family faces financial strife, the entire household grapples with the threat of social disgrace. The Crawleys must embrace change as the staff prepares for a new chapter with the next generation leading Downton Abbey into the future.

Poster for A Different Man (2024). Never been answered.

Aspiring actor Edward undergoes a radical medical procedure to drastically transform his appearance. But his new dream face quickly turns into a nightmare.

Something's Gotta Give (2003). Nobody has said whether there is anything after the credits.

When perpetually single, aging music industry exec Harry Sanborn, and his latest trophy girlfriend, Marin, arrive at her mother's beach house in the Hamptons, they find that her mother, playwright Erica Barry, also plans to stay for the weekend. Erica is scandalized by the relationship and Harry's sexist ways. But when Harry has a heart attack while there, and the doctor prescribes bedrest, his only option is to stay at the Barry home. Left in the care of Erica and his doctor, a love triangle starts to take shape.

Movie art for All About Eve (1950), post-credit scene unknown.

From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.

Shakespeare in Love (1998): nobody has checked the credits yet.

Young William Shakespeare is forced to stage his latest comedy, 'Romeo and Ethel, the Pirate's Daughter', before it's even written. When lovely noblewoman Viola de Lesseps auditions for a role, they fall into forbidden love — and Shakespeare's play finds a new life (and title). As their relationship intensifies, the comedy soon transforms into tragedy.

Image for Somewhere in Time (1980), a film with no post-credit data.

Young writer Richard Collier is met on the opening night of his first play by an old lady who begs him to "Come back to me". Mystified, he tries to find out about her, and learns that she is a famous stage actress from the early twentieth century. Becoming more and more obsessed with her, by self-hypnosis he manages to travel back in time—where he meets her.

Cover image for The Producers (1968), not yet voted on.

A conniving Broadway producer and his meek accountant plan to profit from charming wealthy old biddies to invest in an overbudget production, and then put on a sure-fire disaster, so nobody will ask for their money back — and what's more disastrous than a tasteless musical celebrating Adolf Hitler.

Poster for Blithe Spirit (2020). Never been answered.

A spiritualist medium holds a seance for a writer suffering from writers block but accidentally summons the spirit of his deceased first wife which leads to an increasingly complex love triangle with his current wife of five years.

Poster, Wilde (1997). Nobody has voted on this one.

Oscar Wilde is a married playwright who has occasionally indulged his weakness for male suitors. After much toil, Wilde debuts 'The Importance of Being Earnest' in London, and a chat at the theatre with Lord Alfred 'Bosie' Douglas leads to a full-fledged romance. However, this affair leads to a legal dispute with Lord Alfred's oppressive father, the Marquess of Queensberry, and, given the local anti-gay laws, Wilde is jailed. Wilde's vast intellect helps him survive until he regains his freedom.

Poster art for Bullets Over Broadway (1994), an open question on post-credit scenes.

After young playwright, David Shayne obtains funding for his play from gangster Nick Valenti, Nick's girlfriend Olive miraculously lands the role of a psychiatrist—but not only is she a bimbo who could never pass for a psychiatrist—she's a dreadful actress. David puts up with the leading man who is a compulsive eater, the grand dame who wants her part jazzed up, and Olive's interfering hitman/bodyguard—but, eventually he must decide whether art or life is more important.

Film poster, Julia (1977). No post-credit verdict yet.

At the behest of an old and dear friend, playwright Lillian Hellman undertakes a dangerous mission to smuggle funds into Nazi Germany.

Poster for A Magnificent Life (2025), awaiting its first vote.

In 1955, 60-year-old Marcel Pagnol is a well-known and acclaimed playwright and filmmaker. When the editor-in-chief of ELLE magazine commissions a weekly column about Pagnol's childhood, he sees this as a great opportunity to go back to his artistic roots: writing. Realizing his memory is failing him and deeply affected by the disappointing results of his last two plays, Pagnol starts doubting his ability to pursue his work. That is until Little Marcel - the young boy he used to be - appears to him as if by magic. Together, they will explore Marcel Pagnol's incredible life and bring back to life his most cherished encounters and memories...

Movie art for Author! Author! (1982), post-credit scene unknown.

A broadway playwright is burning the candle at both ends. He is dealing with pressure from a production nearing premiere, a wife who is leaving him, and 5 children 4 of which belong to her.

Prick Up Your Ears (1987): nobody has checked the credits yet.

When the young, attractive Joe Orton meets the older, more introverted Kenneth Halliwell at drama school, he befriends the kindred spirit and they start an affair. As Orton becomes more comfortable with his sexuality and starts to find success with his writing, Halliwell becomes increasingly alienated and jealous, ultimately tapping into a dangerous rage.

Poster art for Bells Are Ringing (1960), an open question on post-credit scenes.

Ella Peterson works in the basement office of Susanswerphone, a telephone answering service. She listens in on others' lives and adds some interest to her own humdrum existence by adopting different identities for her clients. They include an out-of-work Method actor, a dentist with musical yearnings, and in particular playwright Jeffrey Moss, who is suffering from writer's block and desperately needs a muse.

Poster for La Vie de Bohème (1992). No votes yet on whether it has a post-credit scene.

Three penniless artists become friends in modern-day Paris: Rodolfo, an Albanian painter with no visa, Marcel, a playwright and magazine editor with no publisher, and Schaunard, a post-modernist composer of execrable noise.

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