Post-credit scenes: results for “tag: polyamory”

The Dreamers (2003) cover. Nothing recorded about its credits.

When Isabelle and Theo invite Matthew to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and everything is possible.

Movie poster for Shortbus (2006), waiting for its first vote.

In post-9/11 New York City, an eclectic group of citizens find their lives entangled, personally, romantically, and sexually, at Shortbus, an underground Brooklyn salon infamous for its blend of art, music, politics, and carnality.

Vicky Cristina Barcelona (2008) poster image. Zero votes so far.

Two girlfriends on a summer holiday in Spain become enamored with the same painter, unaware that his ex-wife, with whom he has a tempestuous relationship, is about to re-enter the picture.

Film poster, Lovin' Molly (1974). No post-credit verdict yet.

Spanning nearly 40 years from 1925 to 1964, two Texas farm boys; straight-arrow Gid and laid-back Johnny fight over the affections of the beautiful and headstrong Molly Taylor, who consistently refuses to marry either of them.

Cover image for Henry & June (1990), not yet voted on.

While traveling in Paris, author Henry Miller and his wife, June, meet Anais Nin, and sexual sparks fly as Nin starts an affair with the openly bisexual June. When June is forced to return to the U.S., she gives Nin her blessing to sleep with her husband. Then, when June returns to France, an unexpected, and sometimes contentious, threesome forms.

Same Time, Next Year (1978) poster image. Zero votes so far.

A man and woman meet by chance at a romantic inn over dinner and, although both are happily married to others, they find themselves in the same bed the next morning questioning how this could have happened. They agree to meet on the same weekend each year—in the same hotel room—and the years pass each has some personal crisis that the other helps them through, often without both of them understanding what is going on.

Poster for The Doom Generation (1995). No votes yet on whether it has a post-credit scene.

Jordan White and Amy Blue, two troubled teens, pick up an adolescent drifter, Xavier Red. Together, the threesome embarks on a sex- and violence-filled journey through a United States of psychos and quickie marts.

Cover image for Sirens (1994), not yet voted on.

In 1930s Australia, Anglican clergyman Anthony Campion and his prim wife, Estella, are asked to visit noted painter Norman Lindsay, whose planned contribution to an international art exhibit is considered blasphemous. While Campion and Lindsay debate, Estella finds herself drawn to the three beautiful models sitting for the painter's current work, freethinking Sheela, sensual Pru and virginal Giddy.

Breaking the Waves (1996) poster image. Zero votes so far.

In a small, conservative Scottish village, an oilman is paralyzed in an accident. His wife, who prayed for his return, feels guilty; even more, when he urges her to have sex with another.

Image for Belle Époque (1992), a film with no post-credit data.

In 1931, a young soldier deserts from the army and falls into a country farm, where he is welcomed by the owner due to his political ideas. Manolo has four daughters, Fernando likes all of them and they like him, so he has to decide which one to love.

Poster for Threesome (1994), blank on post-credit scenes.

At a sizable public college, high-minded student Eddy is forced to room with the slovenly Stuart, but the pair strike up a surprising friendship. When attractive co-ed Alex is assigned to live with the two male students because of her gender-neutral name, a roundabout love triangle ensues. Eddy secretly yearns for Stuart, who wants Alex, but she prefers Eddy. The complex situation leads to sexual experimentation and strained relationships.

Poster for Jules and Jim (1962). No votes yet on whether it has a post-credit scene.

In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.

Poster for Angels of Sex (2012), blank on post-credit scenes.

Carla and Bruno believe they have answers for everything until Rai appears in their lives, an attractive and mysterious young who lives outsidethe rules. In this story about love and friendship, boundaries dissolve by the rhythm of funkyand break to offer a provocative, exciting and deeply touching vision about romantic relationships.

Film artwork for Bob & Carol & Ted & Alice (1969), no verdict on the credits.

After returning to Los Angeles from a group therapy session, documentary filmmaker Bob Sanders and his wife, Carol, find themselves becoming vigilante couples counselors, offering unsolicited advice to their best friends, Ted and Alice Henderson. Not wanting to be rude, the Hendersons play along, but some latent sexual tension among the four soon comes bubbling to the surface, and long-buried desires don't stay buried for long.

Paint Your Wagon (1969) artwork. Still a mystery after the credits.

A Michigan farmer and a prospector form a partnership in the California gold country. Their adventures include buying and sharing a wife, hijacking a stage, kidnapping six prostitutes, and turning their mining camp into a boom town. Along the way there is plenty of drinking, gambling, and singing. They even find time to do some creative gold mining.

Poster for Summer Lovers (1982). No votes yet on whether it has a post-credit scene.

Michael Pappas and his girlfriend, Cathy, are enjoying the white sand beaches of a Greek island as well as the freewheeling nature of the locals. When Michael meets Lina, who is in Greece from Paris doing archaeological work, he is enamored with the beautiful foreigner. Cathy, unhappy about Lina getting close to Michael, confronts the woman -- only to be unexpectedly wooed by her charms as well.

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