Post-credit scenes: results for “tag: poor”

The Name of the Rose (1986) poster. The count is still zero.

14th-century Franciscan monk William of Baskerville and his young novice arrive at a conference to find that several monks have been murdered under mysterious circumstances. To solve the crimes, William must rise up against the Church's authority and fight the shadowy conspiracy of monastery monks using only his intelligence; which is considerable.

Film artwork for Curly Sue (1991), no verdict on the credits.

Bill is a penniless drifter who scams strangers out of just enough money to feed himself and his partner in crime, an orphan girl known as Curly Sue. Bill and Curly Sue target Grey, a yuppie lawyer, but their con takes an unexpected turn when the successful woman begins to like the ramshackle duo. But there's one problem—Grey's jealous, conniving boyfriend, Walker.

Requiem for the American Dream (2015) cover. Nothing recorded about its credits.

Through interviews filmed over four years, Noam Chomsky unpacks the principles that have brought us to the crossroads of historically unprecedented inequality – tracing a half-century of policies designed to favor the most wealthy at the expense of the majority – while also looking back on his own life of activism and political participation. He provides penetrating insight into what may well be the lasting legacy of our time – the death of the middle class, and swan song of functioning democracy.

Poster, Inequality for All (2013). Nobody has voted on this one.

Based on Reich's 2010 book Aftershock: The Next Economy and America's Future, the film examines widening income inequality in the United States. U.S. Labor Secretary Robert Reich tries to raise awareness of the country's widening economic gap. He publicly argued about the issue for decades, and producing a film of his viewpoints was a "final frontier" for him. In addition to being a social issue documentary, Inequality for All is also partially a biopic regarding Reich's early life and his time as Secretary of Labor under Bill Clinton's presidency. Warren Buffett and Nick Hanauer, two entrepreneurs and investors in the top 1%, are interviewed in the film, supporting Reich's belief in an economy that benefits all citizens, including those of the middle and lower classes.

Poster for If I Were King (1938). No votes yet on whether it has a post-credit scene.

King Louis XI masquerades as a commoner in Paris, seeking out the treachery he is sure lurks in his kingdom. At a local tavern, he overhears the brash poet François Villon extolling why he would be a better king. Annoyed yet intrigued, the King bestows on Villon the title of Grand Constable. Soon Villon begins work and falls for a lovely lady-in-waiting, but then must flee execution when the King turns on him.

Movie poster for Criando ratas (2016), waiting for its first vote.

Latest example of Spanish "neokinki" cinema, which was popular in the late seventies/early eighties, right after the end of Franco's dictatorship. Destructured families of low social classes are the perfect environment for delinquency, drugs, violence and broken lives.

Drive Inside (2024) poster. The count is still zero.

KYRIE and SHAKA come from two different worlds. Kyrie insists that no one picks him up directly from his home in East Cleveland and Shaka, who is far more well off, is more than willing to flaunt what he has and throw out money on the newest games and sneakers. Still, they are best friends trying to get through life together. Kyrie struggles to come out to his best friend before leaving for college. Shaka doesn't know how to tell Kyrie that he is moving to a different state. It's a story about humanity, politics, fear, and its consequences, all told from the perspective of two teens in East Cleveland, Ohio.

Poster for Mondocane (2021). No votes yet on whether it has a post-credit scene.

In the near future, the southern Italian city of Taranto is surrounded by barbed wire that no one, not even the police, dares to cross. The poorest are left fighting for survival, while gangs compete for the territory. Two thirteen-year-old orphans who grew up together, dream of joining one of the gangs.

Image for American Winter (2013), a film with no post-credit data.

Documentary feature film that follows the personal stories of families struggling in the aftermath of the worst economic crisis since the Great Depression. Filmed over the course of one winter in one American city, the film presents an intimate snapshot of the state of the nation's economy as it is playing out in millions of American families, and highlights the human consequences of the decline of the middle class and the fracturing of the American Dream

Movie poster for On Thin Ice (2003), waiting for its first vote.

Patsy McCartle is a widow with two sons trying to gather all the money she has to pay for her car, bills, and her son's medication, all of which she can barely afford. She turns to dealing drugs and becomes addicted to crystal meth.

Marina (2013) artwork. Still a mystery after the credits.

Italy, 1948. Young Rocco is growing up in Calabria, until one day his father Salvatore decides to leave to Belgium, where he strives to earn a lot of money by working in coal mines. Very soon he sends for his family. Rocco becomes a migrant overnight, with all the consequences this entails. Rocco wants to be like other youngsters, become someone and have a purpose in life. Against his father’s wish and better judgment he seeks an escape through music and love.

Love is a Ball (1963): nobody has checked the credits yet.

Etienne makes a good living out of marrying off poor but titled young men to rich but untitled young ladies. Millicent is now in his sights on the Riviera, and Grand Duke Gaspar is the bait. But what if Millicent starts to fancy planted chauffeur John instead, and Gaspar takes a shine to Etienne's secretary Janine?

Movie poster for Christmas for a Dollar (2013), waiting for its first vote.

America is in the midst of the Great Depression, and the Kamp family is struggling to get by, especially since Mrs. Kamp’s untimely death nearly a year ago. The older children do their best to take care of the family, but it’s the younger children—Hopalong Cassidy fan Norman and straight-talking little Ruthie—who struggle most. Now, with their mother gone and their father overwhelmed by doctor bills from young Norman’s battle with polio, the Kamp siblings fully expect a Christmas without presents. But when William scrapes together a dollar in coins to use for Christmas gifts, everything begins to change.

Poster for Heist: Who Stole the American Dream? (2012). No votes yet on whether it has a post-credit scene.

Heist: Who Stole the American Dream? reveals how American corporations orchestrated the dismantling of middle-class prosperity through rampant deregulation, the outsourcing of jobs, and tax policies favoring businesses and the wealthy. The collapse of the U.S. economy is the result of conscious choices made over thirty five years by a small group: leaders of corporations and their elected allies, and the biggest lobbying interest in Washington, the U.S. Chamber of Commerce. To these individuals, the collapse is not a catastrophe, but rather the planned outcome of their long, patient work. For the rest of the country, it is merely the biggest heist in American history.

Holy North! (2024) poster image. Zero votes so far.

On the rooftop of a house in Lima Norte, Francia and Amelia come together for a conversation that goes beyond the everyday, sharing profound reflections amid the cracks of the Carabayllo district. Though they appear confident, they conceal a shared pain and a lingering sense of lost identity. As the sun sets, the shadows reveal their emotional scars, shaped by the struggle to find their place in an excluding society. In this encounter, they confront their most intimate truths, shedding social masks and revealing the complexity of their being in a constant search for connection and belonging in a world that harasses them.

Three Songs for Benazir (2021) poster image. Zero votes so far.

The story of Shaista, a young man who—newly married to Benazir and living in a camp for displaced persons in Kabul—struggles to balance his dreams of being the first from his tribe to join the Afghan National Army with the responsibilities of starting a family. Even as Shaista’s love for Benazir is palpable, the choices he must make to build a life with her have profound consequences.

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