Post-credit scenes: results for “tag: pre-code”

Image for King Kong (1933), a film with no post-credit data.

Adventurous filmmaker Carl Denham sets out to produce a motion picture unlike anything the world has seen before. Alongside his leading lady Ann Darrow and his first mate Jack Driscoll, they arrive on an island and discover a legendary creature said to be neither beast nor man. Denham captures the monster to be displayed on Broadway as King Kong, the eighth wonder of the world.

M (1931): nobody has checked the credits yet.

In this classic German thriller, Hans Beckert, a serial killer who preys on children, becomes the focus of a massive Berlin police manhunt. Beckert's heinous crimes are so repellant and disruptive to city life that he is even targeted by others in the seedy underworld network. With both cops and criminals in pursuit, the murderer soon realizes that people are on his trail, sending him into a tense, panicked attempt to escape justice.

Frankenstein (1931) cover. Nothing recorded about its credits.

Obsessed scientist Dr. Henry Frankenstein attempts to create life by assembling a creature from deceased body parts. Aided by his loyal misshapen assistant, Fritz, Frankenstein succeeds in animating his monster, but it flees into the countryside and begins to wreak havoc.

Poster for Dracula (1931), blank on post-credit scenes.

A British estate agent travels to Transylvania to meet with the mysterious Count Dracula, who is interested in leasing a London castle. After Dracula enslaves and drives the agent to insanity, the pair return to London together, where Dracula, a secret bloodsucker, begins preying on socialites.

Mata Hari (1931) poster. The count is still zero.

A semi-fictionalized account of the life of Mata Hari, an exotic dancer who was accused of spying for Germany during World War I.

Cover image for Freaks (1932), not yet voted on.

A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.

Movie art for The Invisible Man (1933), post-credit scene unknown.

After experimenting on himself and becoming invisible, scientist Jack Griffin, now aggressive due to the drug's effects, seeks a way to reverse the experiment at any cost.

Image for Morocco (1930), a film with no post-credit data.

Mogador, Morocco. Late 1920s. A complex romance develops between a womanizing Legionnaire and a disillusioned Parisian cabaret singer.

Movie art for City Girl (1930), post-credit scene unknown.

A waitress from Chicago falls in love with a man from rural Minnesota and marries him, with the intent of living a better life - but life on the farm has its own challenges.

Carolina (1934) cover. Nothing recorded about its credits.

During Civil War Reconstruction, the Connelly family is romantically restored to their former glory when Will Connelly marries a Yankee farm girl, Joanna Tate, despite the objects of his temperamental father Bob Connelly.

Poster for Scarface (1932), awaiting its first vote.

In 1920s Chicago, Italian immigrant and notorious thug, Antonio 'Tony' Camonte, aka Scarface, shoots his way to the top of the mobs while trying to protect his sister from the criminal life.

Susan Lenox (1931) artwork. Still a mystery after the credits.

A young woman runs away from an abusive home and pre-arranged marriage only to be frustrated in her attempts to find happiness with a handsome engineer.

White Zombie (1932) poster. The count is still zero.

A wealthy landowner living in Haiti convinces a sorcerer to lure the woman he has fallen for away from her fiancé. The madman later betrays their agreement by keeping the woman for himself…as a zombie.

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